seen from Germany
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Sold in Germany 🇩🇪. Study for a portrait of Robert Lepage. . . #robertlepage #kunst #malerei #deutschland #kunstler #porträt #art #instaart #instaartist #artofvisuals #artoftheday #painting #portrait #oiloncanvas #theater #arte #quebec #artcollector #artcollecting #artcollection #mathieulaca
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We tend to forget that in those days before the Internet and HBO and Imax and 3-D cinema, opera was the thing. Opera and theatre. If you were a man of the world and you mingled among the happy few, you would be at the opera.
Some of my works hanging right now at the @thompsonlandrygallery in Toronto. Portraits of Robert Lepage, Frida Kahlo and Réjean Ducharme. . . . #mathieulaca #robertlepage #fridakahlo #rejeanducharme #artgallery #artexhibition #art #painting #portrait #portraitpainting #artofvisuals #artoftheday #instaart #instaartist #oilpainting #oilpaint #drawing #peinture https://www.instagram.com/p/B3K8pyJHsbc/?igshid=1s9l3rwkochqv
Yesterday I delivered this portrait of Robert Lepage to this young actor. Lepage being his mentor, it meant a great deal to him. He idolizes him. So much that he was moved to tears by the painting. This quick visit made me realize how powerful portraits can be when people have a deep emotional connection to the subject. I stepped out of his appartement telling myself “this is why I do this”. On a lighter note, if you’re a producer or an ad agency in Montreal, hire this guy. His name is Olivier Boucher and he’s the sweetest actor I know. Also, he needs to pay his portrait now. 🤣 . . . #mathieulaca #robertlepage #art #artist #artwork #painter #portrait #portraitpainting #artoftheday #artofvisuals #instaart #instaartist #oilpainting #oiloncanvas #drawing #artistoninstagram #artistsoninstagram #artcollector #artcollection #montreal #montrealart (à Montreal, Quebec) https://www.instagram.com/p/BxOMjEsl_AL/?utm_source=ig_tumblr_share&igshid=7xs0928ndesp
Robert Lepage, oil on linen, 48X42 inches, 2019. To see a Robert Lepage play is to enter into a vast network of correspondences. Technological advancements become metaphors for social progress, which in turn reflect intimate stories, which in turn... such that reality, despite its apparent complexity, appears disarmingly simple to us. Russian dolls of the spirit and mirrored labyrinths from which one comes out lighter and somehow untangled. For us spectators, this is a special and subtle pleasure: the spectacle of our own unfolding intelligence as constellations of images sparkle with links Lepage invites us to connect. This intelligence at work is precisely what I wanted to convey in my portrait of Robert Lepage. The colours had to be cold because their backs are turned on affect. His ambiguous Mona Lisa smile, with its slight smirk, hides the flashes of an extraordinary lucidity. His gaze seems to see beyond that which escapes us. I imagine him detached, a player, somewhat of a tease, crushing us with his mighty finger like a genuine Deus ex machina. . Available at @thompsonlandrygallery in Toronto . . . #mathieulaca #robertlepage #exmachina #theater #theatre #quebec #painting #art #portrait #portraitpainting #artist #artwork #painter #drawing #instaart #instaartist #oilpainting #oiloncanvas #artoninstagram #artofinstagram #artistoninstagram #artistofinstagram #peinture #quebeccity https://www.instagram.com/p/BvjUwrsFm6i/?utm_source=ig_tumblr_share&igshid=ugoif7x5ugc2
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Tanya Gerstle and Polygraph: Will the Truth Set us Free?
In Robert Lepage and Marie Brassard’s Polygraph, an unsolved murder resurfaces in 1989 Quebec City, setting three seemingly unrelated lives on a collision course with the truth.
Inspired by personal tragedy following the 1980 murder of Lepage’s friend, where he was briefly suspected of the crime, the play centres around an actress, her criminologist boyfriend and a sado-masochist neighbour. Acclaimed theatre company OpticNerve Performance Group bring this play noir to the stage under the watchful eye of Tanya Gerstle, who was immediately drawn to directing this story.
“I am always looking for a way to use theatre’s potential to represent consciousness - memories, feelings and sensations - in expressionistic form. I want an audience to experience what drives a character to act by visually fusing reality and personal perception. Polygraph lives somewhere in the liminal space between the world we inhabit and the one we experience,” Gerstle explains.
While the passion was present from the beginning, the task of putting this story on was not a simple one. “Taking this script, complete with descriptions of the realised production, which was design focused and technologically complex, and transforming it through our actor-centred process, was a daunting task. So as always we began with an empty space, limitation of means and three performers (Grant Cartwright, Lachlan Woods and Emily Thomas) who are not only fine interpretive actors but also extraordinary physical composers.”
“Creating a performance language for Polygraph’s constantly shifting political and personal perspectives was another challenge. What emerged was a brutal yet at times tender, physical ‘world’ unearthed by the imaginative collision each actor had with his or her characters’ ‘inner life’ and their public persona.”
OpticNerve Performance Group have come to be known for their Pulse approach where actors go through a process of improvisation where the hidden story or characterisation is gradually noticed. “Pulse originated as a technique for actors to create ensemble performance improvisation, where every moment of the improvisation is aesthetically and formalistically resonant. This involves the composition in space, relationship to all the players, and the revelation of meaning through associative imagery,” she says.
“Within the rehearsal process Pulse is used as a tool to find a hidden physical language beneath the text and to weave that into the literal, realistic dramatic form. This type of rehearsal varies from conventional processes in that the first three weeks of the process we use improvisation to investigate and discover the play’s central ideas, as well as the characters’ relationships and their journeys.”
“The staging of the piece is left to the final week of rehearsal and this is where the work is threaded together with layers of sound and light. We literally paint the piece with light and sonically design the aural impact of the story. We will be engaged in a complex collaborative task, weaving each moment of the narrative with language, emotion, physical action, light and sound in the attempt to create a cohesive rhythm that will reveal the performance language we have discovered. It is always a difficult yet pleasurable part of the process.”
While the story in Polygraph is no doubt a gripping one, Gerstle hopes that audiences will be just as engrossed with what unravels on stage. “As a theatrical artist, I attempt to reveal multiple perspectives through a singular narrative. I hope the audience will be transfixed, suspended and moved in the watching experience, and feel released when they are thrown back into the world. I want an audience to have a visceral experience by burning images into their retinas.”
Polygraph is on from Tuesday 17 July until Sunday 29 July. For bookings: http://bit.ly/2Hr0vAR
Rehearsal images by Madisyn Fairchild
로베르 르빠주 연출 달의 저편 이런 작품 자주 보고싶다 공연관람 #by강숙 #bykangsook #달의저편 #RobertLepage #로베르르빠주 (Seoul, Korea에서)
«Ночь в библиотеке». Робер Лепаж - Альберто Мангель («The Library at Night». Robert Lepage - Alberto Manguel). Мультимедиа Арт Музей, Москва (МАММ). Multimedia Art Museum, Moscow. Москва, Остоженка, 16. Ночь искусств - 4 ноября 2017 года. #РоберЛепаж #RobertLepage #AlbertoManguel #LibraryatNight #Ночьвбиблиотеке #Ночьискусств #Ночьискусств2017 #Ночьмузеев #москва #мамм #mamm #выставка2017 #искусство #art #музей #артмузей #МультимедиаАртМузей #выставка #галерея #exhibition #museum #multimediaartmuseum
