Feb 8
Ellsworth Kelly: Reliefs 2009–2010, Essay by Robert Storr, Photographs of the artist by Jack Shear, Matthew Marks Gallery, New York, NY, 2011 [Art: © Ellsworth Kelly Foundation. Photos: © Jack Shear]
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Ellsworth Kelly: Reliefs 2009–2010, Essay by Robert Storr, Photographs of the artist by Jack Shear, Matthew Marks Gallery, New York, NY, 2011 [Art: © Ellsworth Kelly Foundation. Photos: © Jack Shear]
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Crumb's World
Crumb’s World
Robert Crumb’s obsessions—from sex to the Bible, music, politics, and the vicissitudes and obscenities of daily life—are chronicled in this comprehensive book of work by the illustrious American comic artist. Instrumental in the formation of the underground comics scene in San Francisco during the 1960s and 1970s, Crumb has ruptured and expanded the boundaries of the graphic arts, redefining…
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'Ilya Kabakov and Emilia Kabakov are singular figures in how big cultures, dominant cultures, are never the whole story.’ – Robert Storr
Ellen Gallagher, Texts by Greg Tate, and Robert Storr, interview with Ellen Gallagher by Jessica Morgan, Institute of Contemporary Art (ICA), Boston, MA, 2001 [Libreria Minerva, Padova. Leo de Goede Books]
Louise Bourgeois on Success
Robert Storr: Does it feel strange to be discovered when you're in your sixties? Louise Bourgeois: No. And today I don't resent that I did not have success before. Robert Storr: Are you enjoying it now? Louise Bourgeois: I do. I can take a great deal of success!
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at this juncture
At this juncture, the concept of “deskilling” in and of itself — like that of bricolage, a perfectly good French word for puttering about and fixing things up that was recast and given intellectual weight by the anthropologist Claude Lévi-Strauss and is now used ad nauseum by English-speaking art writers to connote casual, make-shift, or amateurish forms of creativity — exhausts its utility...
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ex Al Taylor : early work (Steidl / Zwirner & Wirth, 2008) : 7 (probably from Robert Storr his essay “Insouciance: a way of making and making do”)
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Al Taylor (1948-1999) new to me, and relevant to this project.
see Thomas Micchelli, “The Contradictory Al Taylor” : Al Taylor’s painting practice — an undertaking whose success was tied to its degree of artlessness — seemed to court, if not the “death of painting,” then a refutation of the traditional hierarchy that places painting at the top of the heap.” at hyperallergic (March 4, 2017)
drawings at The Morgan more at David Zwirner
(Robert Storr: critic, writer, painter)
From The Master of Unknowing, by Susan Tallman, May 14, 2020, NYR of Books
Robert De Niro in conversation with Robert Storr (’78, F ‘02) My Father, the Artist 92Y 1395 Lexington Avenue, New York, NY 10128 October 7, 2019, 7:30PM Tickets from $45