Apr 3, 2024
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cd: pin
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
From Rogue Vol. 4 #003
Art by Luigi Zagaria and Espen Grundetjern
Written by Erica Schultz
Have you seen The Dumb Bunnies (1998-1999)?
Yes
Partially
No, but I've heard of it
Never heard of it
rob smith
So i made this for my art project for school
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Faces of Post Punk
Since President Joe Biden dropped out of the 2024 presidential election and endorsed his vice president, Kamala Harris, right-wing media hav
PAYTON ARMSTRONG, CHARIS HOARD & EMMA MAE WEBER AT MMFA:
Since President Joe Biden dropped out of the 2024 presidential election and endorsed his vice president, Kamala Harris, right-wing media have launched sexist and racist attacks at Harris to try to diminish her qualifications. They’ve claimed that she can’t be president because she doesn’t have biological children, labeled her “the ultimate diversity, equity, and inclusion candidate,” fixated on her laugh, claimed that she promotes "the occult,” and likened her to “Jezebel.”
Right-wing media have lobbed racist and sexist attacks at Harris for years, calling her a “DEI hire” who “gets more favorable treatment because of her race and gender.” Right-wing figures have also referred to Harris as an example of ”why DEI doesn’t work" and claimed she “launched her political career in [the] bedroom.” [Media Matters, 7/3/24, 7/11/24]
The right-wing media are already resorting to the tired old playbook of using racist and sexist tropes to attack apparent Democratic nominee Kamala Harris.
Fachada - Cidade Da Selva - Brazilian music imagined through a Washington, DC lens
Cidade Da Selva - There are a million stories in a naked city… In this sequel to Fachada’s "Mundos Secretos," "Cidade Da Selva" tells 16 of these stories. After departing the secret world of "Mundos Secretos," this new album, "Cidade Da Selva," by Fachada, sets new tones, delving deeper into the afro-noir diaspora, re-interpreting soul, funk, afro, Brazilian and deep jazz. Each tune is a vignette - altogether examining and immersing into the margins of imagination and magic. This album goes on a journey of retrospection through multicultural and site specific sounds; evoking visions and the spirit of a time and place in a mysterious jungle city. Fachada is the musical persona of autodidact, musician, and visionary artist Rob Smith. A D.C. native, Smith grew up on the sounds of the local 70s radio, immersed in funk, R&B, jazz, hip hop, and the city’s trademark Go-Go music. By the late 70s and early 80s he found himself at the center of DC’s emerging punk/DIY music scene; going to shows, drumming in bands, and being an artist at the ground zero of the city’s zeitgeist. A chance discovery of a stack of discarded Brazilian records at the city dump one day proved to be a catalyst, offering him a fortuitous portal to a “secret world” of rhythm and sound. All songs were composed, played and recorded by Fachada, who is once again accompanied by Mundos Secretos personnel: Ty Hussell on electric guitar, Adrian Baxter on flute and Swamp Guinee playing congas on "musical chairs" and "second shot." Additionally, Fachada welcomes Charles Road, playing bass, acoustic guitar, and piano on "outside the shadows," which he co-composed. Mer Boel plays violin on "one look" and "cold drinks hot nights." Fachada plays, drums, bass, fender Rhodes, RMI Electra-piano, synthesizer, congas, rebolo, pandeiro, shakers, bells, triangle, cuica.
