#rmaf2016

What a long, strange trip it's been. I wanted to start an on-going, diary-like series for too long now. I'll be the first one to say that Transcendence was indeed a work-in-progress, but it quickly morphed into something else. I've been slammed with RMAF a.k.a Rocky Mountain Audio Fest social. I don't think I've shared this part of my annual audio grind in any of my articles here on Occupy, and though it's widely-known in the industry (even listed in my credentials in places like Part-Time Audiophile - whom I used to for) I felt called to share it with my readers. As the last year has been a heavy one to say the least, it's also put me in an interesting position: Where I'm finally willing to grab my balls, and actually do some of the things I've been yappin' about! Regular readers know this, and so please pardon the attempted brief broken-record intel: But in the last year I walked-out on a 20-yr marriage that I thought was gonna kill us both. Timing is never good for that crap now is it? Cap walkin' out on a life where I thought of myself as a partner, in everything, forever. We were together half my life. Wow: That was pretty 

Well, somehow I still managed to have less-then-shitty luck: I did this a few days before the first CanJam SoCal (2015) and at T.H.E Show Newport the same year, my headphone show: T.H.E Headphonium was supposed to be in the main ballroom of Hotel Irvine (then the new digs) but we ended up "stuck in a tent" far behind the hotel where all the high end audio auditions were taking place. That tent also ended-up housing some of the classic cars on display for Newport. So it was a logistical nightmare. The idea behind the ballroom was two-fold: One: We needed a helluva' lot more room! I'd asked my dear friend Warren Chi to help me with the show the year before, and we worked so well together (as we did when we wrote reviews together for our on-hiatus website Audio360.org - also the initial host of T.H.E Headphonium - named by Mr. John Dark of DAR), so next thing we knew; more and more potential exhibitors started reaching out. So, not only did we end up in a tent as opposed to a large posh ballroom, but we had to turn away more than fifteen potential vendors for that show. Translation: It was, quite simply, a shitty situation to be in. But our dearly-departed friend and boss of T.H.E Show Richard Beers took care of us, and promised it would be in the main hall this year. Unfortunately that did in-fact happen. But, as I mentioned above, Richard took a one-way ticket to the greatest stereo store off-Earth. Yep, that line was so very gay (oh, don't get your panties in a wad) - it's not like I came up in this industry working for, and then spending most of my life getting to know Harry Pearson (the not-forgotten King of high-end audio) who would've approved. I think that's like an invisible shield - but let the venom spew below if you got it... Though now, with Richard gone, it seems pretty petty to even consider it. I loved Richard. He believed in me, and when he asked me to put together a headphone show for him at his then-new T.H.E Show Newport back in 2013 I didn't flinch. The fact that he approached me surprised the shit outta me - but it also meant the world to me that he thought I could pull it off. I just enlisted the help of my friends to be brutally honest. So, BTW: Thanks to Jason Stoddard, Ken Ball, Alex Rosson, Michael Goodman, and others! Better late than never right? Well: There we were in 2015, in a much-swankier hotel but we were rockin' the Barnum & Bailey show. I should've seen the whole damn thing as a sign of what was coming. Bottom Line: There was no T.H.E Headphonium at Newport this year! How's this for fuckin' irony: The tent housed Richard's memorial! My buddy Frank Iacone did a terrific job with the "Marketplace" (2016's fragmented version of T.H.E Headphonium) which ended up being a large portion of the main ballroom, peppered with everything from audiophile record labels on tables to Manley Labs headphone amplifier prototype! EveAnna and team were showing off their newest tube headphone amp. I don't remember the name, but it's aesthetic is certainly original I'm sure it sounds great and has a cool feature set though (nah, I didn't read anything or check in with her, I wouldn't do that kinda' shit). There was an unfortunate familiarity  there. We had an overt case of the old guard vs. the new, and on top of all that, Mr. Richard Beers, who was the Captain of that ship to me, had left us! I never even got a call about doin' another Headphonium show! And this time: It was where it should've been in the first place! That kinda' sucked. But by the time the show came around I was workin' for my good friend Bruce Ball at Questyle Audio. You can check out the article at Positive Feedback on that one! Nothin' much, just, sorta' quit my job so I could take my friend to get checked out. The rest is in the article. Despite what anybody may think about that, including me, something happened far greater; and I'll be writing about that soon! I don't know the name at the moment, but Bruce received a phone call from one of the leading cardiologists in the Country, n the man owned a QP1R DAP (digital audio player) and when he read my article h said he felt obligated to give Bruce a call and offer him a free work-up: A kinda of full-body scan that I'll get more details on. And: Bruce ended up in the hospital a few times. So, apparently I'm better at averting other peoples disasters than my own. Duly noted. Alot of stuff went down - believe me, it's been surreal.

But this time of year is always very special to me. The last time I had a run of bad luck, beginning with six broken bones in my left leg in Northern California, it took years to climb outta those holes. Whether financial, mental, physical, every other -ical you can think of; That was a long damn journey back to feeling like a whole person again. Shortly after that, exactly seven years ago on Monday, Harry Parson helped kick-start one of the most profound changes in my life. That very thing happened at RMAF 2009. He was giving the keynote speech on the past present, and future of high end audio. Originally scheduled to talk about "the Golden Age of stereo" - I told him if he "got up there and solidified himself as a fossil I would never speak to him again" We talked for hours, and I remember telling him: "you can lead us again." I believed it. To me, the two-channel world has stagnated. I'm not saying that's what actually happened - it's how I felt. So after our talk I got inspired, and wrote the 1st installment of my What is the Future of the High End - What's Wrong With Us series for Positive Feedback. Harry told me he enjoyed the column so much he wanted to read from it for hey keynote address. As my mentor and dear friend this was both an honor, and, pardon my French: Scary-as-Fuck. But it also felt amazing. So, in typical Hp fashion, he shook me so heavily I wanted to kill him and kiss em at the same time! Regardless: Harry, the man who literally gave me my path in life (for good or for worse, jury's still out I guess) hearing that he not only enjoyed my work, but considered it important for the "community that is high-end audio" he'd always say to me. Now, having him wanting to read my words on the future of Hi-fi, instead of riftin'' on it like he could've. There's a couple seconds in the RMAF YouTube video where you see him look at me and gimme this awesome childish smile and sticks his tongue out. He knew, no matter what, I had to do something. I think alot of us cringe at ourselves on video right? Well, I remember being freaked-out,but  this man just had somethin' about him. When he was centered, when he was ON (and he wasn't even on that night, trust me): He just made everyone around him feel better about themselves. We saw the Dalai Lama in Central Park. The mans energy glimmered. I'm not talking about I'm sitting there high off my face on drugs - that's always a possibility. Who knows? But for my dear friend Warren Chi, and eighties buffs everywhere: It's not a Bruce LeRoy typa' glow. I mean, there was a palpable energy about guys like that. Ahmet Ertegun, the man who helped introduce jazz to white America, and who signed acts like Led Zeppelin and The Rolling Stones when there were Moms Against Rock-n-Roll. People thought the music was satantic. These, these giants of men, I was beyond fortunate just to be in their glow. But I've heard it said too dan much lately, and I count myself amongst the guilty: We're running out of giants like them. Well, it's not acceptable. I mean, in 2012 I wrote about being left behind in a vacuum of an industry with me at some slack publication, and Stephen Meijas at another! He's way smarter than me. He got a job at Audioquest. 

hen I watched it again I remember Lee talking to me about taking it on, on my own, as an evangelist, a writer, social media strategist, someone who works on brand culture. I loved the idea but being all  freelance ain't pretty, and it don't pay shit. So I'm at an interesting  crossroads again, there's ywt another shift seemingly happening around the audiophile bubble. Because, again, you don't have to believe my bullshit. People love to say "look it up". So: Look it up! I think over 80% of the world music consumption is through headphones? And, what did Harry Pearson do right before he unexpectedly asked me to address the audience? He held up his iPhone. Was he talking about headphones? No, but Canjam was just gettin' going then. JH Audio hit the street hard with the JH-13 Pro custom IEM, and I was honored to write the first revew of the sucker! I was far from an IEM expert, but Jery and I knew each other from my Atlantic Records days, and after I heard em, I wanted to hear them again, and again, and again! I never knew anything IN my ear could sound like that. And then there was the power of Audeze. The original LCD-3 planar magnetic over-ear make-ya-look-like-Mighty-Mouse-when-you-wear-them changed everything for me. Luckily, Harry also got to hear them. He said the original LCD3 "made some of the most beautiful sound he'd heard in a long time." He had 3 headphone listening stations from the first day I worked for him. I inherited his original Stax rig. It means alot to me as I used to pick my sets, and queue up records before DJ gigs on that thing. Lots of butterflies and endless nights started listening on that rig. He also had a beautiful Audio Note tube headphone amplifier with Grado headphones (not sure of the model), and I thought the third rig was a Sennheiser Orpheus, but I'd have to confirm that. Bottom line: He saw the shift the moment the Apple Earbuds became a symbol of "cool" Now the people walking around with them look like jack asses. Check out your neighborhood Apple Store. You might find a pair of Audeze SINE on-ear planar magnetics! A worlds-first! They're also amazing with their CIPHER Lightning Cable in-line headphone amp/DAC! Even Siri is more responsive through Audeze!

Now, I've never believed in coincidence. Things always seem to happen for a reason.  I'm not sure if Harry knw what he was going to do that first night at RMAF back in 09.  I'll never know of course - but I don't think he planned it.  Instead of reading from my article, once we got to the spot in his speech where he was going to read from the column (which would've been an honor in itself believe me) he looked over at me, introduced me to the crowd, and asked that I get up and explain some of my theories regarding how to reach the masses in that new dawn of the interconnected economy. I wanted to punch through his face, and hug him forever at the same time. I was nervous as hell, but I had a couple of good friends sitting right next to me up there in the front rows. One of them is also no longer with us: Our fallen brother Lee Weiland of CryoParts and Locus Design Group.. Seems us audiophiles are droppin' like flies. Time to get outside gentlemen, walk around a bit, get that cardio going, the heart pumping, and those pocket-protector audiophile guts (a term coined by by a friend - pretty damn funny) under control. Oh, I strayed: Pardon the brain-dump there. Back to bizness: