#risoamaro

Call De Sica and Rosellini! I found a new star! #badguy #photography #ivanurbangobbospaziofotografico #canon #neorealism #neorealismo #star #moviestar #ladridibiciclette #risoamaro #romacittàaperta #cinema #lifestyle (presso San Lorenzo Bellizzi)

Risaie di Veneria

Nessuno sa niente di nessuno, nemmeno di se stesso. Non sappiamo niente, e se a volte immaginiamo di sapere qualcosa, è anche peggio. È meglio vivere senza sapere niente, che vivere nell'errore. Amos Oz, A Tale of Love and Darkness. Fotografia: © 2021 Stefano Bucciero [Nikon Dƒ, VR 24-85mm f/3.5-4.5 G, B&W Y filter] #Lignana #tenutaveneria #vercelli #riseria #risoamaro #risaia #turismocinematografico #turismoindustriale #industrialheritage #risoamaro #cinema #giuseppedesantis #mondine #vittoriogassman #archeologiaindustriale #industrialarchitecture #patrimonioindustriale #abandoned #italiancinema #abandonedplaces #industrial #architecture #architecturephotography #italia #industriekultur #ruins #abandonedworld #industriallandscape #SBucciero #amosoz (at Tenuta Veneria) https://www.instagram.com/p/Cfjqq53jf6x/?igshid=NGJjMDIxMWI=

«L’onore reso all'immagine, in realtà, appartiene a colui che vi è rappresentato e chi venera l'immagine, venera la realtà di chi in essa è riprodotto.» Estratto, II Concilio di Nicea, Anno Domini 787 © 2021 Stefano Bucciero #Lignana #tenutaveneria #vercelli #riseria #risoamaro #risaia #turismocinematografico #turismoindustriale #industrialheritage #risoamaro #cinema #giuseppedesantis #mondine #vittoriogassman #archeologiaindustriale #industrialarchitecture #patrimonioindustriale #abandoned #italiancinema #abandonedplaces #industrial #architecture #architecturephotography #italia #industriekultur #ruins #abandonedworld #industriallandscape #urbex #urbexphotography (presso Tenuta Veneria)

Tenuta Veneria La notizia più antica relativa alla Veneria si trova in un documento del 1209, dal quale si apprende che in quell’epoca esisteva una piccola chiesa dedicata a Santa Maria. Il nome Veneria sembrerebbe derivare dal latino “venatio” ossia caccia, attività ampiamente praticata in questi luoghi che, in età medievale e rinascimentale, erano coperti dai fitti boschi della Silva Salsa. Fotografia: © 2021 Stefano Bucciero [Nikon Dƒ, VR 24-85mm f/3.5-4.5 G, B&W Y filter] #Lignana #tenutaveneria #vercelli #riseria #risoamaro #risaia #turismocinematografico #turismoindustriale #industrialheritage #risoamaro #cinema #giuseppedesantis #mondine #vittoriogassman #archeologiaindustriale #industrialarchitecture #patrimonioindustriale #abandoned #italiancinema #abandonedplaces #industrial #architecture #architecturephotography #italia #industriekultur #ruins #abandonedworld #industriallandscape #urbex #urbexphotography

"If you're going to be sad, you might as well be sad in Paris*" Blair Waldorf *Or a park with you in it... ♥️ #risoamaro #sweetbitter #sweetmemories #polaroid #isolation #closetomyheart #park #love #loss #lostboy #summersadness🍃😩☀️ (at 3 Mills Studios) https://www.instagram.com/p/CAnmO8uAbO1/?igshid=11j5wfu1ngy6l

Met Eleonora Vallone last night at the film presentation "Gold and Lead" and She is the daughter of one of my favourite actors Raf Vallone and Elena Varzi. Eleonora made her film debut in 1979 in the "poliziottesco" Gardenia, and later starred in several genre films, also in the more ambitious Alberto Bevilacqua drama film Le rose di Danzica. In 1981 she hosted the Sanremo Music Festival alongside Claudio Cecchetto. In the same year she appeared nude in several men's magazines such as Playmen and the Italian edition of Playboy that litteraly...sold out!!! A pioneer and teacher of water gymnastics, Eleonora Vallone founded the first Italian school for water aerobics instructors, and she patented the method "GymNuoto". She also wrote three books about waterobics, "GymNuoto", "GymVasca" and "GymSwim". She was enchanting to Watch and has a lovely personality. More important is, obviously, her father Raf Vallone: his first job as a movie actor was a bit part in We the Living (1942) (aka, "We the Living"), but Vallone was not serious about acting as a career. Hired as a researcher on a film about labor unrest, director Giuseppe De Santis (with whom my family used to visit every summer in Sperlonga) cast Vallone as a soldier competing with Vittorio Gassman for the love of Silvana Mangano in what became the neo-realist classic Bitter Rice (1949 "RISO AMARO"). The film propelled Vallone, pronounced a natural actor by De Santis, into international stardom and ended his journalism career... Vallone then became a major star in Italy in the 1950s and then a player in the global film industry, making movies in Italian, French and English. Vallone achieved popularity with American audiences in the 1960s, starting with his supporting roles in Two Women (1960) ("Two Women") and El Cid (1961), both co-starring Sophia Loren. Other major actresses he co-starred with on film and stage included Gina Lollobrigida, Anna Magnani, Melina Mercouri, Simone Signoret, and Elena Varzi, to whom he was married for 52 years, until his death in 2002. #eleonoravallone #rafvallone #risoamaro #marcusberesford #carpediem #livemoments (presso Ex Caserma Guido Reni) https://www.instagram.com/p/B6N1O8Wosky/?igshid=e2ak1849w9tj

#risoamaro #giuseppedesantis https://www.instagram.com/p/BwQKTvAgEvK/?utm_source=ig_tumblr_share&igshid=1uav9ch0flrm0