the room is quiet except for the soft hum of the monitor and the faint rain tapping against the hospital window. the storm outside feels far away.
youâre half-asleep, tired in every way a person can be, but thereâs a small, perfect weight on your chest: warm, steady, breathing.
gojoâs sitting in the chair beside your bed, elbows on his knees, hair a mess and blindfold hanging loose around his neck. he looks nothing like the smug sorcerer everyone knows, his face is too soft, too real.
âyou should sleep,â you mumble weakly.
he shakes his head without looking up. ânah. iâm good.â
you almost laugh, but it comes out weak. âyouâve been sitting there for hours.â
âyeah,â he says quietly, eyes on the tiny bundle in your arms. âcanât really look away.â
the baby shifts, lets out a small sound, and gojo instantly freezes, like one wrong move could break the world. itâs ridiculous and sweet all at once.
you nudge him gently. âyou should hold her, you know.â
he hesitates, which is funny, considering heâs fought curses the size of buildings. âwhat if i⌠drop her?â
âsatoru.â
he blinks at the sound of his name. youâre too tired to tease him properly, so you just smile, and thatâs enough. he reaches out finally, slow and careful, and you help him guide his hands. when the baby settles in his arms, his whole expression changes,the usual brightness quiets, replaced by something softer, something almost fragile.
âhey there,â he whispers, voice low, like heâs afraid of breaking the moment. âyouâre⌠really tiny.â
you canât help laughing. âthatâs how babies work.â
he glances at you, grin tugging at the corner of his mouth. âyeah, but still. kinda crazy that something this small exists. and looks like you.â
you close your eyes, exhaustion heavy, but you can feel him looking between the baby and you, like heâs still trying to believe either of you are real.
âyou did good,â he says after a moment, barely audible.
âwe did,â you murmur back.
and when the thunder rolls again outside, he shifts closer to the bed, tucks a blanket around you both.
the strongest sorcerer in the world sits in a too-small hospital chair, holding the most delicate thing heâs ever touched, and for once, he doesnât need to protect anything, just stay.
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I will be updating this as i post my work so it won't get lost and try to organize my stuff a bit let's pray it works. Xdinary Heroes Works đ¤
FICS
-> Valentine's Tradition (4k, sfw, lighthearted fluff, friends to lovers, gaon x reader)
-> Love at First Bump (16.1k, sfw, light-hearted comedy fluff, gaon x reader)
-> Maybe It's Worth A Try (4k, sfw, lighthearted fluff, friends to lovers, jooyeon x reader)
-> A (Not Really) Secret Admirer (1.9k, sfw, fluffy fluff, established relationship, gaon x reader)
-> Better (12k, mostly sfw with a nsfw part at the end, menace junhan, best friends to lovers, junhan x reader)
-> Number 1 and...Number 1 (10k, sfw, rivals to lovers, lighthearted comedy fluff, college!au, jungsu x reader)
-> What Would Happen If I Kissed You? (3.5k, sfw, friends to lovers, confession but actually just lots of kissing and making out, gaon x reader)
-> What Are We Fighting For? (17k, sfw, ot6, mostly jiseok centered with a side of jooyseok but it's really about all of them, angst, hurt and comfort, happy ending)
-> Just Keep Quiet (1.4k, sfw but tension, jooyeon x reader, making out in secret, enemies in public lovers in secret)
-> Love Crash!!! (18k, sfw, snowboarder jungsu x reader, kinda rivals to lovers, ski resort au, both have a crush on each other since day one, lighthearted comedy, happy ending)
-> Who Is In Control? (2.3k, sfw but tension, seungmin x reader, coworkers and rivals that really raelly need each other like so bad it hurts, power play)
the libraryâs almost empty by the time you notice the clock. eleven forty-something. the fluorescent lights hum, your laptopâs about to die, and your brain feels like static.
youâre halfway through pretending to study when a familiar voice cuts through the quiet.
âyer still here? thought yaâd be asleep by now.â atsumu. of course. because he always finds you at the exact wrong, or maybe right moment.
you look up to see him leaning against the bookshelf like heâs posing for a sports magazine, hoodie sleeves shoved to his elbows, hair still damp from practice. the whole golden boy thing should be annoying by now. itâs not.
âsome of us actually do homework,â you say, saving your document before the screen dies for good.
he grins. âoh, ya mean the thing ya pretend to do while starinâ at the same page for an hour?â
you want to deny it, but the open tab titled âmidterm notes (urgent)â makes it kind of hard. instead, you sigh, closing the laptop. âyou spying on me now?â
âjust observinâ.â he drops into the seat across from you, spinning your pen between his fingers. âya get this look when yer zoned out. kinda cute, honestly.â
you stare at him. the audacity of this man. âyou canât just say things like that,â you murmur.
âsure i can. i just did.â
your pulse does this annoying flutter thing, and you pretend to focus on packing your bag instead of the way heâs watching you. thereâs something about his gaze: steady, curious, a little too knowing. like heâs always two seconds away from saying something thatâll wreck your composure.
âyou done?â he asks softly.
you nod, standing. he takes the bag from your hands before you can protest, slinging it over his shoulder like it weighs nothing.
âatsumu-â
âwhat? iâm walkinâ ya back. library creeps come out at night.â
âyou are the library creep.â
he laughs, low and warm. âyeah, but iâm a charming one.â
outside, the airâs cool, smelling faintly of rain and the grass someone forgot to cut. the campus is quiet except for the sound of your steps and the faint squeak of his sneakers beside you.
you glance up at him once, and heâs already looking at you. not teasing, not grinning..just looking.
âwhat?â you ask.
he shakes his head, smile softer now. ânothinâ. just⌠glad i ran into ya, i guess.â
you feel your face warm up at that, and you hate how easily he can do this to you. the silence that follows isnât awkward, itâs steady, kind of warm.
you walk the rest of the way like that, your hands brushing once, twice, until the third time he doesnât move away. neither do you. when you reach your dorm, he stops in front of the door, still holding your bag. he doesnât hand it over right away.
âthanks,â you say quietly.
he shrugs. âno problem.â but he doesnât leave.
you tilt your head, trying to read the look on his face. itâs strange seeing him without the usual smirk, like heâs actually thinking about something, and itâs you.
âwhat?â you ask again, a little laugh slipping out.
he looks down at you for a long second, eyes soft, voice low. âyou make it really hard not to like ya, ya know that?â
you blink, heart skipping. he immediately groans, dragging a hand through his hair. âugh, that sounded way smoother in my head.â
you snort, covering your mouth to keep from laughing too loud. âyeah, ten out of ten delivery. super romantic.â
he grins again, that cocky, familiar glint returning. âoh, shut up. iâll try again next time.â
you shake your head, smiling. âyou mean if thereâs a next time.â
âoh, there will be,â he says, walking backward down the hall, smirk never fading. âya canât resist me forever.â
âwatch me,â you call after him.
he winks before turning the corner. âalready am.â
you stand there for a second, rolling your eyes and biting back a smile. and when you finally go inside, you realize your heartâs still doing that annoying flutter thing and this time, you donât really mind.
youâre still laughing when you trip over the edge of the train platform. he catches you before you fall, a sharp tug, a low curse, a breath that turns into a laugh of his own.
the night air smells like metal and rain and something burning in the distance. your hands are shaking, though youâre not sure if itâs from the running or from the way tojiâs still holding on.
âtold ya,â he says, half out of breath, grin ghosting the corner of his mouth. âya canât run in those shoes.â
âyou didnât give me much time to change,â you shoot back, trying to steady your breathing.
the next train roars past, throwing your hair across your face. when itâs gone, everything feels too quiet, like the whole world paused to see what youâd do next.
he doesnât let go of your wrist. his thumb moves over your pulse, absently, like heâs making sure youâre really still there.
you tilt your head, trying to read him. âso this is it?â
âthis is it,â he says simply. âno clan. no rules. just us.â
you search his face for something: regret, hesitation, even guilt but all you see is certainty. a kind of peace that looks strange on him.
âyou sure?â you ask, softer now. âyou could still go back-â
he cuts you off with a small, rough laugh. âgo back to what? beinâ a weapon they pretendâs a man? nah. iâm done.
his voice is quieter now, but it lands heavy. real.
you stare down at your hands, the faint smear of ink on your finger where you both signed the papers not an hour ago. marriage licenses never felt this alive, you think.
âyouâre really not gonna miss it?â you ask.
he shrugs, glancing toward the horizon. âcanât miss somethinâ i never had.â then he looks back at you, smirk tugging at his mouth. âbesides, got somethinâ better now.â
you roll your eyes, but your heartâs too loud for it to land.
he leans down, brushing a strand of hair from your face with a touch so light it almost doesnât feel real. âlook at me,â he murmurs.
you do.
and then he kisses you: slow, certain, like heâs testing what it feels like to stop running. thereâs rain on his lips, and something in your chest loosens with the touch, like the airâs finally safe to breathe again.
itâs not desperate, not planned, just the quiet answer to everything you didnât know how to ask.
when he pulls back, his forehead rests against yours, the corners of his mouth curving up.
the train conductor shouts something in the distance, and he takes your hand again, tugging you toward the open door.
âyou cominâ or what?â
âdo i even have a choice?â
he grins, all teeth and trouble. ânot anymore, mrs. fushiguro.â you laugh,startled, breathless and follow him onto the train.
as the doors close, he drops into the seat beside you, stretching like he owns the world.
Morgan's fingers are glass. Her palms are most definitely flesh and bone, but sometimes, where the skin meets glass hurts â but only when itâs cold. Her fingers are perfectly sculpted; you can only tell that they're glass when she holds them up to the light. They are fragile though. She can't do hard work with them. So she works from home, organizes websites and fixes bugs in codes. She doesnât type with her fingers, the glass seam pulls at the skin. She uses a speech recognition software that allows her to type with her voice. It's a stable system.
Sometimes though, Morgan likes to put her fingers up to the light, and watch it refract and separate. She likes to see what her hands can make, even if she can't do it all the time. Jamie, her cockatiel, scratches at the resulting rainbows.
She has glass decals and statues on her balcony, decorating the plants. When the light filters just right, her sitting room looks like a kaleidoscope. It even reaches the kitchen during the summer. It reflects onto her stove, and she likes to pretend she cooks rainbows with the fingers that she wonât let make anything else.
It started with her fingernails. When she was six, her mother had gotten into an accident, drove through her green light too early and gotten smashed by someone speeding. Morganâs mother and the offending car melded together, killing them both. Morgan's booster seat had been flung sideways, and her head hit the window. There's a faint scar in her hairline where the glass cracked.
Afterward she learned from her aunt Sofia that the glass spread every time she got an inch closer to death. It runs in the family, skipping some people she said. Morganâs fingers have been glass for years now. She thought she could feel with them, almost like phantom fingers, almost normal, but even so it was a reminder of her physical relationship with death.
Sofia said that her great-grandmother used to cry glass tears. They're strung around Morgan's neck. Morgan does not cry glass tears, but she wished she did. She could make and sell charms. She cries enough for that.
Earlier, she cried because Jamie slept on her shoulder and she heard him snore. It sounded like a pot whistling. Now he sits on her knee; she's curled up on the couch talking to Sofia, who's telling her how to make ceviche. Morgan always makes it too sour. The fish would fall apart in the citrus juice. She marinates it for too long, but itâs a little scary eating raw fish. She lets herself believe that the citrus will kill 99.9% of the bacteria.
Jamie grinds his beak contentedly, feathers recently preened and fluffed. Morgan never liked the sound of grinding teeth, or beaks. She felt the sound behind her eyes and in the joints of her neck. But she didn't stop Jamie, since it was a positive expression for birds.
Sofia's voice picks up to yell at the dogs that were running over the old couch. The springs creak and the couch dips very easily. Morgan could hear them barking through the phone. Jamie could too and gives her phone a stink eye. He flies across the room to his cage and patters inside. He chirps softly, calling for food. Morgan leaves her mother to talk to the dogs on the couch and replenishes Jamie's food trough.
"MamĂĄ is pretty mad at the dogs. I'm glad you're not a hassle." Morgan ruffles his neck feathers briefly and goes back to her phone. Sofia stopped screaming by then.
"MamĂĄ, I got the instructions, but it would be nice for you to show me how. Do you want to come for dinner?" Her apartment is lonely.
"Sure, I'll get your brother to watch the dogs. He's studying for exams anyway. I'm on my way. Thaw some fish."
It would take at least forty-five minutes for the commute. Morgan opens her freezer to get some fish ready for her whirlwind aunt. She looks at the clock on her oven. Itâs four in the afternoon, and the fish needs about three hours to marinate, so they would be finished cooking and chatting by eight. Sofia would take most of it home, to feed the rest. Morgan drops some frozen tilapia in a bowl of room temperature water and goes to organize some paperwork before Sofia comes.
Her desk is a mess of invoices and website templates. Her headset rests on her 24 inch monitor and the wires hang, tangled. Morgan picks at the knot, her fingers clinking together and sending pleasant shivers down her spine. She ties up the wire with a stray hairband and leaves it on her monitor. Morgan shuffles her papers into a folder and turns her monitor off. Sofia doesnât need to see the mess of CS code on the screen.
Jamie flies from his cage to Morganâs head. He stays as she cleans up a stray shoe from under the couch, some bowls, and instant noodles. But he escapes to his cage and shuts the door when she pulls the mini vacuum out of the closet. Morgan cleans up the bird seed in efficient strokes, trying to minimize the time she needs to have the vacuum on.
Her hands are passing over the bite marks that Jamie has given the vacuum cord when Sofia knocks on the door. Morgan shoves the vacuum in the closet without finishing coiling the cord and answers the door. Sofia will talk first. She always does.
âMorgan, hello! Itâs been too long.â She pulls Morgan down for a hug. Morgan buries her face in Sofiaâs neck, an earring presses against her brow bone.
âThree weeks is hardly a long time MamĂĄ.â
She pulls back and strokes Morganâs hair, tucks it behind her ear. She cut it recently and donated 14 inches. âThree weeks is too long for me. Did you cut the fish?â
Morgan shakes her head. âItâs still thawing.â
Sofia clapped her hands. âThen letâs get to work.â
 Sofia cut the fish into cubes, ignoring the slight ice in the center, while Morgan mixed citrus juices. That would be her only job for the night, since Sofia would talk her ears off. The cafĂŠ was going well, the college students looked dead, Old Man Joe was still a nuisance, Eduardo was failing physics, and the dogs missed Morgan. Jamie emerges from his cage and flies to the dinner table. Itâs a small one, big enough for four. His claws tap on the table, dancing for some food. Morgan smiles and breaks some bread for him.
Sofia digs around Morganâs pantry and brings out an onion. âSo Morgan, when was the last time you left the apartment?â
Morgan breaks off another piece of bread for Jamie, even though he hadnât finished he first bit. âI got groceries yesterday.â
She peels the onion skin back. âI meant for leisure.â
Morgan rips some more bread for Jamie. âI got lunch last week.â
Sofiaâs mouth forms a line, onion in one hand, knife in the other. âThat was a luncheon with a client. It doesnât count.â Another piece of bread falls to the table. âWhen was the last time you saw someone that doesnât pay you?â
Jamie looks up at Morgan with his head cocked. He ruffles his feathers and patters to her hands. âItâs been a while. I canât remember.â
Sofia cuts through the onion viciously, angry. Jamie gets scared and flaps his wings. They havenât been trimmed since the last time a stranger visited. He flies up, up, up, brushes the ceiling and lands on the fridge. Sofia is still cutting the onion.
âCan you put him in his cage? Weâre cooking.â
Morgan looks from Jamie to Sofia. Her eyes water. This isnât how it was supposed to go. Her eyes burn. Sofia sniffs. Jamie sneezes.
âMamĂĄ, can you stop cutting for a moment? The onion is irritating Jamie.â Morganâs throat is clear. She is not crying.
Sofia put down the knife and pulls a tissue from her pocket. âHow will you get him down?â
Morgan smiles and onion-induced tears fall. She sniffs. Sofia blows her nose. Morgan calls Jamie, clicking her tongue softly. He scratches at the fridge door.
âJamie, come here.â She lifts her hand up, fingers forming a perch. He whistles at her but stays put. âItâs not the time to play games. Come here, Jamie.â He dances a bit.
âThatâll never work, just grab him,â Sofia says. Itâs well-meaning, but it would hurt Jamie. She turns and continues cutting the onion.
Morgan is irritated, but says nothing. She tries calling Jamie again, putting her hand at the top of the fridge. He pecks at her fingers, so she moves them away. This startles him; he flaps, and falls. Jamie swoops and passes over the onion, aiming frighteningly close to the knife.
âMamĂĄ, watch out!â
Sofia reaches toward him and he shrieks. Morgan can see whatâs going to happen, but sheâs already crossed her small kitchen, her hand already closing around the knife. The knife will slip and slice Sofiaâs arm. Jamie will lose feathers and hide behind her mug tree. Morgan will bruise her forehead on Sofiaâs forehead. Terrible, but repairable.
Morgan did not anticipate breaking three of her fingers.
The knife sliced Sofiaâs arm, onion juice forcing a violent reaction, slamming the knife and Morganâs hand into the counter. Brown glass falls from her hand in chunks. It doesnât hurt. Morgan feels like it should hurt. Sofia grabs her sliced arm and applies pressure. Jamie chirps loudly.
The tears fall.
Morgan stands there, sobbing, one hand on the counter, the other muffling her mouth and hiding the sliding mucus, while Sofia patches herself up. Runs cold water on her injury, wraps it in gauze that Morgan keeps in the bathroom. Jamie trills softly, staring at Morganâs face. Sofia comes back from the bathroom and picks up the pieces of onion that flew, throwing the bloody ones away. The knife clatters in the sink. The onions are now in a bowl. Morgan is still crying and Sofia is picking up the pieces of finger. The blood is spreading, the shards in a neat pile. They glitter fantastically. Â
Sofia pulls another tissue from her pocket and hands it to Morgan, who takes it and blows her nose.
âIâm sorry, MamĂĄ,â her voice breaks, âI didnât mean to ââ
âShh,â Sofia rubs her back. âItâs not your fault.â
Morgan is talking through hiccups, the speech is almost unrecognizable. Sofia gets her a glass of water. She gulps it down, but still hiccups.
âBreathe, and then talk.â Sofiaâs hands are shaking; sheâs worried, but detached. Her arm still stings. Morgan takes a few steadying breaths, but still canât get a coherent sentence out. Her hand is still limp on the counter. She hasnât moved it since the initial impact.
Efficiency is cold, but Sofia softens the edge by rubbing Morganâs back. âI know this is scary, but you need to get your bird back into his cage so we can clean up the glass.â
Morgan forces out a whisper, âTerrifying,â and goes back to sobbing. Sofia holds back a sigh and pulls Morgan back to her chest. Jamie walks out from behind the mug tree and chirps. Morgan doesnât respond so he walks toward the shards of finger. He leans as if to bite them, but Sofia waves him off. He flaps away, back to his cage and sits on top, dropping a load into his drinking water.
They stay like that for a while, until Morgan depletes her reservoirs. She sniffs and Sofia hands her another napkin, this time from the counter. Morgan blows her nose with one hand. Itâs scratchy.
âNow what?â she croaks.
Sofia nudges the glass, blood shifts. âWe put you back together.â
Morgan looks at the pile of glass on the counter and the jagged edges of her fingers. âHow can we fix this?â
âGlue.â
âMamĂĄ, if my fingers couldnât handle this while whole, they wouldnât even be able to hold Jamieâs weight if we use glue.â
Sofia turns one of the largest shards between her fingers. It decorates her with red patterns. Her other hand is clenched.
âMamĂĄ?â
âI donât know how to help you here. I didnât know the first time, and I donât know now. Iâm sorry.â
Morgan looks at her shattered hand again. Her thumb is fine but her index finger is noticeably chipped. Her other three fingers are obliterated. Her pinky doesnât even have a stub; itâs broken down to the seam. She looks into her hand, trying to see if she could find veins or flesh. Itâs all brown. She canât discern any textbook-worthy anatomy.
Sofiaâs shoulders are shaking but she still speaks. âIs this why you never leave?â
Morgan puts her whole hand on Sofiaâs shoulder and wiggles the other. She can see the tendons in her palm moving, the stubs responding. It looks gross, alien, so she stops.
âMorgan?â
She blinks and puts her hand down. âYes.â
Sofia looks up at her with red eyes. âIâm so sorry.â
âYouâve already said that.â
âI know, but I should have told you, when the glass breaks, it breaks. Itâs useless to try and stop it.
Morgan takes a step back. The skin on her face pulls tight, tear tracks cracking. âWhat are you talking about?â
Sofia turns back to the shards. âYour mother had glass toes. They broke off because she was trying to be too careful.â She smiles, remembering. âShe always wore at least three pairs of socks. âFor paddingâ she said.â Sofia gives Morgan a sad smirk. âThey never matched. She would stay indoors, walk only on carpet.â
Morgan takes a step forward. âWhat happened?â
Sofia looks down. âOne day she took off her socks, and her toes had fallen off. Just like that. Theyâd grown brittle from the lack of use.â Sofia looks at Morgan with earnest eyes. âTake a pottery class. Come home and work in the garden. Use your hands because once theyâre gone, theyâre gone.â
Morgan shakes her head, hair getting caught in her eyelashes. âIf I leave the apartment, I might die. Youâll have to bury my shards. Theyâll be so small you canât tell if itâs me or a car window. â She squeezes her arm with her good hand. She doesnât want to be crushed to a million pieces. But itâs too late, sheâs been shattered.
Sofia pats Morganâs arm, allowing her to release the pressure. âAnd you might die here. You might die anywhere.â
Morgan blinks three times and shakes her head a little bit. âBut MamĂ ââ
âLearned this after her toes fell off. Do what you want. Thatâs what she did.â She smiles, her eyes still watery.
Morgan looks at her fingers and turns around. Jamie peeks from around the corner and chirps. Morgan smiles, but focuses her attention to her balcony. The assortment of pots sit, organized by how much water they need. This is her garden. All she needs to do is water them and pluck out dead leaves. Itâs low maintenance, but Morgan always wished to be able to get on her hands and knees in the dirt. Â
She looks at her hands, broken and not broken. Theyâve never tilled soil. Â Theyâve never molded a pot. Theyâve never kneaded dough. Theyâve never cooked over a large vat of stew.
She turns back to Sofia. âBut how can I do these things with one and a half hands?â
Sofia says, âYour mother lived without her toes. You can function without three fingers.â
Morgan is quiet for a beat. âDid MamĂ try fixing her toes?â
Sofia shakes her head. âShe screamed so loud that the neighborâs dog howled. She couldnât even look at her toes.â
Morgan nods, contemplating. Glass can be melted, molded, or blown. She could fix her fingers. She just needed window lead. She also needed to clean Sofiaâs blood off of them. She wiggled her stubs again. She didnât know how durable that kind of repair would be.
âMaybe you should break off the jagged parts of your fingers. For safety.â Sofia was holding her injured arm. Â
âI â oh.â Morgan doesnât own an oven mitt, having never used the oven. So she wraps her hand with a towel. She looks back at Sofia, who is still holding her arm. The blood has seeped through the bandage. She blinks quickly and glances at the knife in the sink. The blood is visibly dry on  the blade.
âMamĂĄ! How deep is your cut?â
Sofia releases her arm and wipes her hands on her pants. âItâs not bad, Iâve had worse.â Her face pulls tight, holding back a wince.
Morgan turns and grabs a plastic bag, sweeps her broken fingers into it. Blood streaks across the counter and patterns the plastic bag. She zips it tight and walked over to Jamieâs cage, clicking her tongue again, and coaxes him inside with promises of fresh spray millet.
âWhat are you doing?â
âWe are going to get you to a hospital, and then I am going to look for a local glass warehouse.â Morgan locks the cage. Jamie climbs the door and bites he latch. She covers his cage with a blanket grabs her phone.
Sofia looks between the bag of shards and Morgan, who is putting on shoes. âYou want them to fix your fingers?â
âIf they can.â
âAnd if they canât?â
Morgan closes her eyes and sighs.
Sofia nods. She wraps the onions in saran and leaves them in the fridge. The fish was set to marinate a while ago and was already in the fridge. She goes to clean the knife, but Morgan stops her.
âIt doesnât matter, Iâll clean that later.â Sheâs already holding a purse and her jacket.
Sofia looks at Morganâs eyes. Theyâre clear, if a bit watery. She hugs her, tight. Morgan hugs back, her mitten on Sofiaâs shoulder.
âGet green fingers.â
Morgan laughs. âWeâll see MamĂĄ, weâll see.â
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Free to watch ⢠No registration required ⢠HD streaming
A cynical aspect of human nature is how we rely on others to make decisions for us through searching for answers online. Now, I am guilty of this as well; searching for âshould I quit my jobâ or âwhy should I delete Instagram,â I realize that it is part of human nature to gain approval and any ounce of guidance to fit our own narrative.
There is a video I watched years ago that burns in my memory every time I look something up regarding anything mentioned above: https://youtu.be/w7l2hUp0CkQ
This Youtube channel fueled some unknown angst and sadness in me in a consoling nature, knowing that thousands of people live through these inexplicable feelings and emotions.
(I also have a Pinterest board of a myriad of these kinds of words,
too: https://pin.it/6pCcCG1 )
This is a form of confirmation bias, or something more simple: âwe search for what we want to hear.â In any sense, it is reassuring that millions of other people want to âquit their jobâ and require a further push to do what they want to feel satisfied. Still, at the same time, there is an equally solid and relevant argument against it, so what is right? What is wrong? With an infinite amount of opinions, beliefs, facts, and âtruthsâ on the internet, it feels overbearingly impossible to be able to listen to what others deem suitable for you and your life. This feeling that you feel like you cannot satisfy yourself or gain the approval of millions of other people around you makes up low-self esteem.
Am I doing something wrong if there are multiple schools of thought to do something? Of course not, but does the internet make you feel that way because we want to help each other (thinking optimistically). That is why there are these articles out here. But, who is to say that you are not living your life correctly? I still find myself searching online for any sort of help or knowledge because it is easy to place your worries onto the abyss that the internet is rather than reaching out to your mother, friends, or partner. That anonymous nature we crave for comes through the lack of communication with who know us.
After all, we know our regrets, worries, hopes, and thoughts, so we sow our minds how we want our seeds to grow. Our own actions are immeasurably more complex and mature than anything we can explain in words, especially online. Questioning ourselves and being our own devilâs advocate is much better than someone that does not know you providing their input. You know you. I know me.
Yet, throughout it all, I believe that the internet is a grandiose and overstimulated resource that can guide us and provide other perspectives. Without it, maybe I would not have pushed myself to put in my two weeks.
Weâre too worried and confused about everything, and there will always be a million ways to live.
The most frustrating thing about not feeling represented and having a creative block as a result of that, is confiding into some friends but then they turn it around like âwhatâs stopping you from creating the content you want to see?â Itâs the constant feeling that you have to be the one to âfixâ it, but itâs so hard to not see any representation and then being expected to just. do it right. Because I feel like I canât do it. I feel like the whole world is stopping me and I feel like I canât do anything about it, but the question remains:Â
âWhatâs stopping you?â
Iâve never encountered such a blatant display of representative privilege until now; the lack of understanding of my helplessness, my desire to just see myself positively represented in media without feeling like I have to be the one to do it.Â
I just want the privilege of not needing to be the one to create the representation that I need.
Write, even if no one sees it. Especially if no one sees it. Write for yourself--give yourself a deadline if you need. Write memoir work. Self insert fanfic. Wild fantastical stories that donât make sense. A world that isnât figured out yet. A story thatâs been done before.
Just please, care about what youâre writing. Care about it for you because if you donât no one else can