#rickyswallow

Ricky Swallow at Maccarone in New York City

IN THE BOOKSHOP: RICKY SWALLOW - SKEWS+ (2016) Following his solo exhibition /SKEWS/ at David Kordansky in Los Angeles, late 2015, Australian-born, Los Angeles-based artist Ricky Swallow has produced “SKEWS +”. Published under new Califonian imprint Canyon Rats, this fine publication presents 29 of Swallow’s new sculptural works, and comes wrapped in either white or black covers, editioned to 250 of each. Ricky Swallow uses humble, ordinary materials to create precisely rendered objects that he then casts in bronze. The unique works that result are expressions not only of the objects’ constructed forms, but also of the process of transformation by which an otherwise inert grouping of forms becomes a sculpture. Design by Nicholas Gottlund. Photography by Fredrik Nilsen. Printed at Typecraft in Pasadena, California. Includes two Canyon Rats bumper stickers! Edition of 500 (250 white cover / 250 black cover) Available via our website and in the bookshop. #worldfoodbooks #rickyswallow (at WORLD FOOD BOOKS)

Ricky Swallow at Maccarone in New York City

Collaboration between #petershire and #rickyswallow "Hot Dogg Clock," 2017

OPEN TODAY 12-4 PM. NEW IN THE BOOKSHOP: RICKY SWALLOW "New Work" (2017) Catalogue of works published to accompany the solo exhibition “New Work”, by artist Ricky Swallow at Maccarone, New York, March 3 – April 22, 2017. Swallow’s sculptural output transmutes utilitarian materials into permanent amalgamated forms via methodology of display and alchemical transformation. Leather, rope, cardboard, and wood rendered into bronze-casted sculpture capture Swallow’s initial studio gestures (splitting, attaching, hanging, torquing, twisting, bracing, soaking) and dictate how his materials are set in form. Swallow’s objects are born of two locations. In the foundry his original materials, burned out during the casting process, leave one-off frozen genesis movements in bronze. The works are later patinated in silver or black both calling attention to the antecedent material while beguiling its lineage. These resultant sculptural forms eschew Modernist aesthetics as well as typographic form, but suggest a default abstraction inherent to the kinetic processes that began in Swallow’s studio. Dimpled leather, looped rope, and precarious assemblages become formal studies of levity, grace and precision. Several works stand and coil up from plinths seemingly driven by their own inert tension and humble intimacy. Larger industrial corner works, integrating spheres, suggest a structural punctuation to the architecture. With choreographic prowess, several works conform to and dictate the corners and passages of the exhibition itself, producing an operational agency all their own, appearing as if needed for support but more possessing of a confrontational spatial relationship. “New Work” expands Swallow’s translation of an object, form, and material into an alternative preserved kinetic state, continuing an inquiry with both humor and criticality on the arbitrary hierarchies that exist within the stories of objects. Available in the bookshop today and via our website. #worldfoodbooks #rickyswallow #canyonrats #maccaronegallery #newwork #2017 (at WORLD FOOD BOOKS)

OPEN TODAY 12-4 PM. NEW IN THE BOOKSHOP: RICKY SWALLOW "New Work" (2017) Catalogue of works published to accompany the solo exhibition “New Work”, by artist Ricky Swallow at Maccarone, New York, March 3 – April 22, 2017. Swallow’s sculptural output transmutes utilitarian materials into permanent amalgamated forms via methodology of display and alchemical transformation. Leather, rope, cardboard, and wood rendered into bronze-casted sculpture capture Swallow’s initial studio gestures (splitting, attaching, hanging, torquing, twisting, bracing, soaking) and dictate how his materials are set in form. Swallow’s objects are born of two locations. In the foundry his original materials, burned out during the casting process, leave one-off frozen genesis movements in bronze. The works are later patinated in silver or black both calling attention to the antecedent material while beguiling its lineage. These resultant sculptural forms eschew Modernist aesthetics as well as typographic form, but suggest a default abstraction inherent to the kinetic processes that began in Swallow’s studio. Dimpled leather, looped rope, and precarious assemblages become formal studies of levity, grace and precision. Several works stand and coil up from plinths seemingly driven by their own inert tension and humble intimacy. Larger industrial corner works, integrating spheres, suggest a structural punctuation to the architecture. With choreographic prowess, several works conform to and dictate the corners and passages of the exhibition itself, producing an operational agency all their own, appearing as if needed for support but more possessing of a confrontational spatial relationship. “New Work” expands Swallow’s translation of an object, form, and material into an alternative preserved kinetic state, continuing an inquiry with both humor and criticality on the arbitrary hierarchies that exist within the stories of objects. Available in the bookshop today and via our website. #worldfoodbooks #rickyswallow #canyonrats #maccaronegallery #newwork #2017 (at WORLD FOOD BOOKS)

OPEN TODAY 12-4 PM. NEW IN THE BOOKSHOP: RICKY SWALLOW "New Work" (2017) Catalogue of works published to accompany the solo exhibition “New Work”, by artist Ricky Swallow at Maccarone, New York, March 3 – April 22, 2017. Swallow’s sculptural output transmutes utilitarian materials into permanent amalgamated forms via methodology of display and alchemical transformation. Leather, rope, cardboard, and wood rendered into bronze-casted sculpture capture Swallow’s initial studio gestures (splitting, attaching, hanging, torquing, twisting, bracing, soaking) and dictate how his materials are set in form. Swallow’s objects are born of two locations. In the foundry his original materials, burned out during the casting process, leave one-off frozen genesis movements in bronze. The works are later patinated in silver or black both calling attention to the antecedent material while beguiling its lineage. These resultant sculptural forms eschew Modernist aesthetics as well as typographic form, but suggest a default abstraction inherent to the kinetic processes that began in Swallow’s studio. Dimpled leather, looped rope, and precarious assemblages become formal studies of levity, grace and precision. Several works stand and coil up from plinths seemingly driven by their own inert tension and humble intimacy. Larger industrial corner works, integrating spheres, suggest a structural punctuation to the architecture. With choreographic prowess, several works conform to and dictate the corners and passages of the exhibition itself, producing an operational agency all their own, appearing as if needed for support but more possessing of a confrontational spatial relationship. “New Work” expands Swallow’s translation of an object, form, and material into an alternative preserved kinetic state, continuing an inquiry with both humor and criticality on the arbitrary hierarchies that exist within the stories of objects. Available in the bookshop today and via our website. #worldfoodbooks #rickyswallow #canyonrats #maccaronegallery #newwork #2017 (at WORLD FOOD BOOKS)

IN THE BOOKSHOP: RICKY SWALLOW - SKEWS+ (2016) Following his solo exhibition /SKEWS/ at David Kordansky in Los Angeles, late 2015, Australian-born, Los Angeles-based artist Ricky Swallow has produced “SKEWS +”. Published under new Califonian imprint Canyon Rats, this fine publication presents 29 of Swallow’s new sculptural works, and comes wrapped in either white or black covers, editioned to 250 of each. Ricky Swallow uses humble, ordinary materials to create precisely rendered objects that he then casts in bronze. The unique works that result are expressions not only of the objects’ constructed forms, but also of the process of transformation by which an otherwise inert grouping of forms becomes a sculpture. Design by Nicholas Gottlund. Photography by Fredrik Nilsen. Printed at Typecraft in Pasadena, California. Includes two Canyon Rats bumper stickers! Edition of 500 (250 white cover / 250 black cover) Available via our website and in the bookshop. #worldfoodbooks #rickyswallow