reginalds replied to your post
āpotentially the most important bit of the globeās much ado that iā¦ā
tell me more pls i live for the pop up globe and everything related to it
!!!!! this production is the entire reason iām alive thank u for letting me gush (also iām moving back down to melbourne again soon and i am v hype about the pop up globe Look Out)
look at these production photos.Ā i want to glue them directly onto my eyeballsĀ
it was set during the mexican revolution which the director said was mostly an aesthetic choice but idk i thought it was really present?? thereās a little prologue at the beginning entirely in spanish of everyone huddled on top of each other on the train, drinking and singing and bickering over the campfire, and then a MAN WITH A WOUNDED LEG GETS CARRIED SCREAMING THROUGH THE AUDIENCE ON A STRETCHER etc etc. the cast was almost entirely poc and at the end they sang a revolution anthem and the stage was lit up in the colours of the mexican flag
but ya the aesthetic was gr8. traditional dance and dress, a lot of the singing was in spanish and the music was performed by a lil mariachi band on top of the train carriage set. the whole thing was just really energetic and colourful and joyous
like āsigh not soā starts out really weepy and traditional and then balthazar and claudio break into this really upbeat dance number, iām pretty sure someone does a cartwheel at some point, and then they just. go right back to it. āsiiiigh not sooooā
don john was donna juana!! which i thought was interesting bc thereās a lot more to be said about a bitter woman knowingly inflicting that kind of ruination on another woman than a bitter man just out here for shits and gigs, but we didnāt really get to go into it that much. hearing the ālet me be that i amā speech from a woman really had me feelin some kind of way tho
also antonio was antonia and she was a huge lesbian with her gf ursula
this really isnāt relevant to anything but don pedro had the biggest, toothiest grin that he was constantly flashing around the stage and itās so vivid in my mind it is Vital that you know this information
benedick is shooting cans off the top of the train when claudio is telling him how much he loves hero only one of the cans fell forward onto the stage and distracted claudio so he just paused mid-speech like āhey nice oneā āyeahā
later margaret has a go and misses every shot (āBOLLOCKS,ā she says, in the most cockney accent ever) and then hero takes the gun from her and hits every one
they never show pedro and claudio at heroās window the night before the wedding; you go into intermission with hero singing ādesperate kingdom of loveā (which they kind of used as heroās theme) which was honestly just as devastating bc sheās so young and sweet and u just Know sheās about to get rekt. that being said she was absolutely seething with heartbreak and rage after the wedding which was refreshing
dogberry and verges. oh my god. dogberry was a clueless white american filmmaker and āspeaking spanishā was just him using a dreadful cockney accent that a very weary verges had to keep correcting whilst the rest of the cast just looked at each other in dismay. sometimes i get very tired very quickly of shakespeareās fool shenanigans but this was just a really fun and creative way to do it that worked with the context of the setting i loved it
uh rip but ben/bea are truly my fav characters/fav coupleā¦. Ever so like. hereās a whole separate bit for them bc i struggle to describe the ~~Vibe~~ in a way that does them justice but uhh. they were very very good
benedick was so?? funny??? he hides in the train carriage and when he hears that beatrice is in love with him the window BURSTS OPEN and he looks out with the biggest >:O face. he walks on at iii.ii all clean-shaven and dressed up smoochin a photo of beatrice which he IMMEDIATELY STUFFS INTO HIS MOUTH when pedro and co. walk in and does the rest of the scene with a wad of paper stuffed in his cheek. āi have the toothacheā
when he was writing his shitty sonnets he said āthe only thing that rhymes with senorita isā¦ā¦ well all iāve got is healthy eaterā and someone in the audience clapped as they laughed and he GLARED at them and snapped āoh donāt applaud that, come onā
this is what he does when he decides to court beatrice (ālove meeeee!!!! why, it must be requited!ā) and he does it again at āi was about to protest that i loved youā āthen do!!!! with all thy heartā because heās a giant dweeb
SPEAKING OF DWEEBS. beatrice calls claudio ācivil as an orangeā and she LAUGHS and says ācivil orange!! geddit?? seville orange??ā and everyone just stares at her blankly and she throws her hands up and yells āJESUS why do i BOTHERā, bc sheās fierce and sharp and snarky but more than anything else just absolutely spilling over with life and love. even after the fallout of pedroās proposal she still runs off laughing, which i thought was really interesting
beatrice, pouring tequila shots before the masquerade: āone for heroā [hero takes a shot] āand one [shot] for [shot] beatrice [shot]ā¦ā¦. [shot]ā what an icon
i couldnāt 100% swear to it but i Think she saysĀ āyou always finish with a jadeās trick- and too soonā or something along those lines much to benās outrage so likeā¦ā¦ they banged
beatrice comes in at v.ii wearing a bullet belt over each shoulder, a truly iconic look that changed me as a person. also at āfor which of my bad parts didst thou first fall in love with me?ā benedick climbs and swings off a ladder on the side of the carriage in the most ridiculously flirty way heās DUMB
when theyāre reading each otherās letters at the end benedick is genuinely touched by what sheās written while beatrice is kinda laughing and nudging him like āseriously?ā and he pulls a face like āoh yeah itās pretty bad huhā. then she frowns and says āhealthy eater??ā and benedickās snatches it back like āok thatās enough nowāĀ
ANYWHOMSTā¦ā¦ i love this play i love this production thank you god and matthew dunster for my life