Zadie Smithâs âevil eyeâ, JK Rowlingâs âdead of nightâ ⌠favourite phrases â and cliches â tell a fascinating story
For my book Nabokovâs Favourite Word Is Mauve, I created a computer program to sort through thousands of books by the most revered and popular authors to find out their âcinnamon wordsâ â relatively rare words that a particular writer uses often. Obviously every author used function words such as âtheâ and âfromâ at a high rate, and basic adjectives like âbigâ or âfastâ, but cinnamon words are the words that each author uses disproportionately compared with other writers.
Nabokov used the word âmauveâ 44 times as often as one would expect, which makes perfect sense in hindsight. He had synesthesia or, as he called it, âcoloured hearingâ. When he thought of a specific letter and sound he would see colours at the same time. Unsurprisingly, he uses colours at four times the rate found in standard English writing.
Sometimes, if you look at an authorâs cinnamon words, you can already hear their voice. Consider these three: civility, fancying, imprudence. If you guessed Austen, you are correct. These are the three words that, compared with the rest of written English, are mathematically the most used by Austen.
Given Nabokovâs emphasis on colour, itâs safe to assume he was aware of the words he favoured in his writing. However, itâs possible many authors are unaware of the words they are using at an abnormal rate. Sometimes the words are inescapably linked to the topics they write about, as in Christieâs case (inquest, alibi and frightful). At others, you get a sense of the authorâs tone through their most uniquely used words. While Charles Dickens preferred hearted, pinch, rejoined, JRR Tolkien favoured elves, goblins and wizards, and Wharton has the polite nearness, daresay, compunction, John Updikeâs three are rimmed, prick and fucked. It only takes three words (and just one four-letter word) to zero in on each writerâs style and set it apart.
Using the 2013 Dictionary of Cliches by Christine Ammer, I scanned through the same collection of books to find cliches that writers use most often. There was a clear frontrunner for the title of âmost cliched writerâ: James Patterson. The bestselling US author averages 160 cliches per 100,000 words, about twice as many as JK Rowling and Gillian Flynn.
Patterson writes the phrase âbelieve it or notâ in more than half his books, but heâs not the only author to use at least some cliches. Austen loved to write âwith all my heartâ, Dan Brown uses âfull circleâ, Stephenie Meyer books are filled with âsighs of reliefâ, and Rowling has her âdead of nightâ. Even literary authors are fond of a cliche, with Zadie Smith falling back on âevil eyeâ, Donna Tartt on âtoo good to be trueâ and Salman Rushdie using âthe last strawâ in more than half his novels. Not all cliches are bad, but itâs clear some authors rely on them more than others. EL James is in the upper tier of cliche users, with one of her favourites being âwords fail meâ. [full article]








