Theories are perceptions that have to be proven and verified before it becomes truth, otherwise, it is a rumour.

John DeSouza is a 25 year formar FBI veteran who was the real deal behind the TV series the X FILES. He tells his story as it is...

The conversation John DeSouza had in the summer of 2023 in Clayton Morris program REDACTED CONVERSATION is a fascinating account of theories and truths. Hear them out.

LINK https://youtu.be/U06GkT6mx04

One of the topics mentioned in the conversation between John DeSouza and Clayton Morris is the pass word "a thousand pieces" .

It's shorter version "A Thousand Pieces" refers to a movie. (see note 1 about it been attributed to JFK)

A Thousand Pieces is a 2020 American documentary film directed by Roger R. Richards and Steve Lucescu, written by Richards, and produced by Lucescu and Adrienne Youngblood.. It runs approximately 97 minutes and features an original score by Rene Armenta.

A Thousand Pieces (2020) - IMDb 8'4

The documentary presents an investigative narrative centered on the systemic corruption within the CIA and FBI, framed through the lens of historical covert operations and political controversies. It opens with the assassination of President John F. Kennedy in 1963, using this event as a thematic anchor for exploring long‑standing distrust of intelligence agencies.

The film examines programs such as COINTELPRO, which targeted civil rights leaders including Martin Luther King Jr. and Malcolm X, and intelligence operations like Operation Northwoods and Operation Mockingbird. Through interviews and archival material, it argues that these operations reveal patterns of clandestine influence, “false flag” planning, and media manipulation. The documentary positions itself as a call for reform of what it describes as deeply entrenched institutional corruption.

WATCH THE FILM BELOW

link  https://ok.ru/video/3482052397713

About the quote attributed to JFK A THOUSAND PIECES

The alleged quote attributed to John F. Kennedy — the vow to “splinter the CIA into a thousand pieces and scatter it to the winds” — cannot be supported. It does not appear in any speech, transcript, or archival recording. Its earliest known source is a 1966 New York Times article quoting an unnamed former aide, a retrospective recollection rather than a documented statement. And yet, despite its uncertain origin, the line has taken on a strange cultural solidity, circulating as if it were a matter of public record.

That tension — between what is documented and what is believed — is precisely why the phrase endures. It captures, in a single violent metaphor, the rupture that followed the Bay of Pigs: a president disillusioned with the intelligence apparatus, a government wrestling with the limits of secrecy, a nation beginning to sense the machinery operating beneath its democratic surface. Whether Kennedy ever said the words matters less than the fact that so many people feel he could have.

This is the symbolic terrain that the title A Thousand Pieces occupies. The documentary borrows the phrase not as a historical citation but as an emotional shorthand, a way of naming the fracture between public trust and institutional power. Its narrative moves through decades of covert operations, political scandals, and contested histories, tracing the long shadow cast by agencies designed to operate in darkness. The film’s title becomes a kind of thesis: that the story of American intelligence is not a single coherent arc but a mosaic of broken fragments — leaked, redacted, disputed, and endlessly reassembled.

In this sense, the title’s origin mirrors the film’s method. Both rely on the unstable border between fact and interpretation, between what can be proven and what can only be inferred. The alleged JFK quote becomes less a statement of record and more a cultural artifact, a piece of political folklore that reveals how Americans imagine their own government. And the film, by adopting its shortened form, invites viewers into that imaginative space — a place where secrecy breeds myth, and myth becomes a lens for understanding the present.