#red drapes

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Isaac Grünewald (1889‑1946, Swedish) ~ Det röda draperiet, 1915

Giovanni Battista, Michelangelo Merisi detto il Caravaggio, galleria nazionale d'arte antica, Roma, 1604

Today a more religious painting.

This rapresentation of John the Baptist is cryptic, naturalist and stripped from any real religious meaning.

We look at a young man, without beard, leaning to the side, we cannot see his eyes, but the man has the classic worker sunburnt head and v tan around his neck, in contrast with the white completion of the torso. The hands  it appears he is depicted in a moment of relaxation during is life of penance. Almost completely nude, the man is wearing just a white cloth around the crotch and a red robe around the low waist and legs. The baptist is stripped from his conventional signs, like the camels garnment and the belt. But we see the wooden bowl, the exact same one that john used to baptize Jesus, here is just a simple object. The wooden cross is half in sight.

The boy is not idealised in a superficial beauty, the boy who posed for it was real, and Caravaggio was known to depict the reality has it was (even tho many biographer said he wasn't good at portraits). The background is dark has the painter used mirrors and candles to simulate a camera obscura in his painting room that was also his bedroom. He often recreated all the scene in his room, thats why we have so little context of where the man is. But that does not lower the beauty of the painting, but in my opinion it elevates it, making the subject more obscure and mysterius. Making the subject in between the sacred and the profane.

The painting was almost cerntainly used has a room decor.

Two Red Drapes and Part of a White Sheet  -  Lois Dodd,  1981.

American, b.1927-

Isabella Rossellini