That Recorderman Technique
I ran across this thread on reddit and spun out this rant here:
Most specifically this is my method: Â The first mice is placed directly over the snare not too far away, enough distance to actually get a decent balance of the kit but not so far you get lots of room (really just where it sounds good). The second mic is placed so both mics (same type/preamp) are exactly the same distance from both where the stick hits the snare and the beater hits the kick and pointed toward the same spot. Â The whole "use a string from beater to mic to snare top" is great. Â This invariably will place the second mic where the drummer will nudge it out of place with their flailing body parts. Â Apply shock therapy. Â Then hard pan and adjust your gains so the snare sounds like it's in the center. Â The low freqencies of the kick drum might drift off in one direction due to the room sound being more obvious to the second "over the shoulder" mic's pickup direction. Â Either embrace it, move your drums, or use a different technique :P Anyway, THEN you pan them inward and compress to taste. Â I find the hard pan to be unnatural despite being balanced. Â The kick mic was added to get bass whump without rumble and boom from the overheads. Â For a more natural sound high shelf away some rumble and fade in kick to taste. Â Phase rotator is worth toying with here. Â The snare mic was added to add crack and snap to the mix. Â Check phase, fade in for thwap. Â Since this is no longer the basis of your drum sound it open you up to try different mic techniques. Â George Massenburg would put a mic on the snare drum's shell. Â They used a funky crystal mic on Are You Experienced or something. Â Pick the right mics and you'll need very little else in a good room with well tuned drums and a great percussionist. Â The one question remaining then is when you compress as a stereo group do you add the kick and snare to that buss or have them added afterward? Â Or even compress the overheads, send all 4 channels to a second stereo buss and then compress that again? Â The answer to that is entirely room sound and arrangement dependent.















