Ronald Brooks Kitaj RA (1932–2007)
c1975

seen from China

seen from Poland
seen from Germany

seen from United States
seen from United States

seen from Türkiye
seen from United States

seen from Poland
seen from China
seen from Germany
seen from United States

seen from United States
seen from Germany
seen from Australia
seen from United States

seen from Poland
seen from United States
seen from United States

seen from Canada
seen from China
Ronald Brooks Kitaj RA (1932–2007)
c1975

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The Wording of Police Charges from In Our Time: Covers for a Small Library After the Life for the Most Part, R. B. Kitaj, 1969-70, MoMA: Drawings and Prints
John B. Turner Fund Size: composition (irreg.): 20 3/4 x 13 3/4" (52.7 x 34.9cm); sheet: 30 1/2 x 22 1/2" (77.5 x 57.1cm) Medium: One from a portfolio of fifty screenprints, some with collage additions
http://www.moma.org/collection/works/63910
KITAJ, R.B (Estados Unidos, 1932)
Este artista se dedicó a la pintura, especialmente al pop art. Especialmente su obra se vió influenciada por esta corriente cuando comenzó sus estudias en el Royal College of Art, donde se interes´o más por el pop art británico, especialmente con una fijación por David Hockney. Los temas que más trabajó fueron el océano, la crítica al mundo del arte y el retrato. Son obras llenas de color y con cierto toque desagradable o perturbador.
R.B. Kitaj, For love (Creeley),1966, Screenprint on light orange paper, from an edition of 70, from the First series: Some poets portfolio,1966–69.
A great many words have been written about the late American painter R.B. Kitaj, his literary and artistic obsessions and especially about the overriding questions of his sense of identity, which defines so much of his art. Through portraiture Kitaj celebrated his friendships with poets and philosophers and the connections he felt with artists of the past. Among his more complex compositions, his reflections on political, social, sexual and artistic themes provide insight into his innermost concerns. . Quote: Marilyn McCully and Michael Raeburn, Kitaj: Portraits and Reflections, Abbot Hall Art Gallery, Lakeland Arts Trust, Kendal, 2011, page 9 . Artwork info: R.B. Kitaj, Jules Pascin, 2005, charcoal on paper, 30 7/8 x 22 5/8 inches . #rbkitaj #kitaj @rbkitaj_studioproject #drawing #workonpaper #charcoal #pascin #julespascin #fridayfeature (at Leslie Sacks Gallery) https://www.instagram.com/p/BtWyXk6FiSe/?utm_source=ig_tumblr_share&igshid=1amnx2syq1xxi

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Partisan Review from In Our Time: Covers for a Small Library After the Life for the Most Part, R. B. Kitaj, 1969, MoMA: Drawings and Prints
John B. Turner Fund Size: composition: 17 3/4 x 11 15/16" (45.1 x 30.4cm); sheet: 30 3/16 x 22 1/2" (76.7 x 57.2cm) Medium: One from a portfolio of fifty screenprints, some with collage additions
http://www.moma.org/collection/works/63914
Reklame durch das Schaufenster from In Our Time: Covers for a Small Library After the Life for the Most Part, R. B. Kitaj, 1969-70, MoMA: Drawings and Prints
John B. Turner Fund Size: composition: 22 1/2 x 17" (57.2 x 43.2cm); sheet: 30 5/8 x 22 15/16" (77.8 x 58.3cm) Medium: One from a portfolio of fifty screenprints, some with collage additions
http://www.moma.org/collection/works/63882
The Defence of Terrorism from In Our Time: Covers for a Small Library After the Life for the Most Part, R. B. Kitaj, 1969-70, MoMA: Drawings and Prints
John B. Turner Fund Size: composition (irreg.): 18 x 13 5/16" (45.7 x 33.8cm); sheet: 30 1/4 x 22 5/8" (76.8 x 57.5cm) Medium: One from a portfolio of fifty screenprints, some with collage additions
http://www.moma.org/collection/works/63885