Blue Beetle #18, January 1943. Ray Willner (?) cover pencils & inks.
Info from Grand Comics Database
seen from United States
seen from Germany

seen from Singapore

seen from Russia
seen from Russia

seen from United States
seen from Germany
seen from Germany
seen from Canada
seen from Canada
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seen from Germany
seen from China
seen from United States
seen from Spain

seen from Ukraine
seen from United States
seen from United States
seen from Maldives
seen from United States
Blue Beetle #18, January 1943. Ray Willner (?) cover pencils & inks.
Info from Grand Comics Database

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My dad used to call various children, pets, and motorists āBuster Brown.āĀ I always thought it was one of those generic names like āJoe Shmoe.āĀ It turns out itās an old comic character.
Blue Beetle and āErbert in the Holyoke āAli Babaā feature.Ā Art thought to be byĀ Ray Willner
Shark Woman, one shot heroine from Buster Brown Comics # 19, 1950
Running for 47 issues from 1949 to 1956 on no set schedule and given away in Buster Brown Shoe Stores Buster Brown Comics were all written by Hobart Donavan and drawn mostly by Reed (Golden-Age Blackhawk) Crandall and Ray (Robin Hood / Cat-Man) Willner.
They were unusual for the time in that they regularly featured stories with non WASP protagonists who were not portrayed as stereotypes or demeaning caricatures.
Compared to other comics of the time these comic they were close enough to enlighten to call them that.
THE LOST ART OF RAY WILLNER: THE ADVENTURES OF ROBIN HOOD By Ray Willner and Reed Crandall Edited with an Introduction by Joseph V. Procopio
Published by Lost Art Books / Picture This Press
All 14 stories collected for first time Career-spanning bonus gallery
Ray Willner was a casualty of the culture wars. With a comics career dating to 1939, Willner produced impressive work for publishers small and large throughout the 1940s. By 1949 he landed one of the only steady gigs in his career for an unusual publisher: The Brown Shoe Company. It was there that Willner found a simpatico spirit in fellow artist Reed Crandall. Although their collaboration on the Brown Shoe Co. series The Adventures of Robin Hood lasted less than a year ā cancelled in the wake of the scaremongering backlash against comics in the 1950s ā the seven issues produced by Willner with Crandall represent a seldom seen high-water mark in comics art. They were the last comics Willner would ever draw.
The Lost Art of Ray Willner collects these comics for the first time since their original publication in 1956 and includes an introductory essay on Willnerās life and career.
212 pages ⢠8½āx11ā ⢠full color
Release: Nov. 2014
Advance Praise "If Willner had worked for EC instead of a series of giveaway comics, heād be lionized today. And rightfully so, as he was absolutely in that rarified class.Ā The Robin Hood stories reprinted here are well writtenā¦.The reproduction is very good overall, and I really like the fact that editor Procopio printed it slightly larger than the original. Often, Golden Age comics are reprinted smaller than the actual comics. But printed larger, like here, the eye can relax, and approximate the actual Golden Age/Silver Age reading experienceā¦.Fans of George Evans, Crandall and Al Williamson will definitely enjoy this book. Highly recommended!"Ā āMichael T. Gilbert, Artist and Comics Historian
Paperback: $24.95 (ISBN: 978-0-9906932-0-8) Hardcover: $32.95 (ISBN: 978-0-9906932-1-5)
Order onlineĀ for immediate shipment. (Also available in the Washington, D.C. area from Big Planet Comics.)

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