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Surface Tensions #photography #art #fineartphotography #covid #urban #nature #shadow #light #street #streetphotography #lensculture # #fractionfeature #radiusbooks #bfpcsf #museemagazine #pier24photography #rfotofolio #aperturemag #tbwbooks #sfcamerawork https://www.instagram.com/p/CLudD9FlO9k/?igshid=ns1ysg7sti9d
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Surface Tensions #photography #art #fineartphotography #urban #nature #water #shadow #light #street #streetphotography #lensculture #iphone #fractionfeature #radiusbooks #bfpcsf #museemagazine #sfmoma #candelafineart #pier24photography #rfotofolio #aperturemag #tbwbooks #sfcamerawork https://www.instagram.com/p/CQWh8Pdlr1B/?utm_medium=tumblr
Surface Tensions #art #photography #fineartphotography #covid #conceptual #conceptualphotography #deconstruct #urban #nature #shadow #light #street #streetphotography #lenscratch #flakphotorecs #lensculture #fractionfeature #radiusbooks #bfpcsf #museemagazine #pier24photography #rfotofolio #aperturemag #tbwbooks #sfcamerawork https://www.instagram.com/p/CIlyzcKFp1w/?igshid=18u1ctsatxf8k
#art #photography #fineartphotography #conceptual #conceptualphotography #deconstruct #abstract #urban #nature #shadow #light #street #streetphotography #lenscratch #flakphotorecs #lensculture #fractionfeature #radiusbooks #bapcsf #museemagazine #pier24photography #rfotofolio #aperturemag #tbwbooks #subjectivelyobjective https://www.instagram.com/p/CD1ma4JFb-G/?igshid=w6wjwtwrdw3y
LS NEW BOOK
Binh Danh - The Enigma of Belonging
landscapestories.net
Binh Danh was born in Vietnam and immigrated to the US in 1979. Early in his career, Danh pioneered a technique of printing images directly onto plant matter, activating the plants’ chlorophyll with sunlight. Using this process, Danh printed images associated with the war in Vietnam onto the leaves of tropical plants and grasses. Of this work, Danh explains, “This process deals with the idea of elemental transmigration: the decomposition and composition of matter into other forms. The images of war are part of the leaves, and live inside and outside of them.” Known for his innovative approach to alternative photographic processes, Binh Danh extends and reconsiders the pursuit of pioneering nineteenth-century photographers. For almost a decade, Danh has traveled across the American West, making daguerreotypes of scenic vistas on silver plates in a mobile darkroom he calls Louis, after Louis Daguerre. Danh imbues this scenery with his distinctly personal perspective—namely, an attempt to negotiate his connection as a Vietnamese American with the landscape and history of the United States. The highly reflective surfaces of Danh’s daguerreotypes literally mirror their surroundings, embracing viewers within the idyllic environs of national sites and landmarks. This inaugural monograph features two volumes in a slipcase, bringing together all three bodies of work and a separate book of essays and memorabilia that serves to contextualize Danh's work.
Binh Danh received his BFA in Photography from San Jose State University, and MFA from Stanford University. He has been the subject of solo exhibitions at institutions including the Louisiana State Museum, New Orleans, LA (2018); Phillips Museum of Art at Franklin and Marshall College, Lancaster, PA (2018); Memorial Art Gallery, Rochester, NY (2016); and Taubman Museum of Art, Roanoke, VA (2015). Danh’s work is held in a number of permanent institutional collections, including the National Gallery of Art, Washington, DC; San Francisco Museum of Modern Art, CA; de Young Museum, San Francisco, CA; Museum of Contemporary Photography, Chicago, IL; Museum of Fine Arts, Boston, MA; Philadelphia Museum of Art, PA; Harvard Art Museums, Cambridge, MA; George Eastman Museum, Rochester, NY; and San Jose Museum of Art, CA. He was included in the 18th Biennale of Sydney, Australia (2012), and has completed recent residencies at the Sun Valley Center for the Arts, Hailey, ID (2013); Lesley University, Cambridge, MA (2018), and the For-Site Foundation in Nevada City, CA (2019).
RADIUS BOOKS:
Photography by Binh Danh Texts by Binh Danh, Boreth Ly, Joshua Chuang, Isabelle Thuy Pelaud, and Andrew Lam Two volumes in a slipcase 9.
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Join photographers Terry Evans and Wendy Red Star, and author Jenny Reardon for a conversation about the ethics of photography and its role in mediating our understandings of land and lives. This event will focus on the Plains, with an emphasis on the unseen, the unrecognized, and what falls outside the frame. What relations is the photograph a trace of, and what relations does it fail to comprehend? How can photography respond to the ethics of the negative—what was cut, or never conceived—and thus learn to see more complexly? Register for this free event at the link in bio. This live talk is the third in a series celebrating the release of AMERICAN GEOGRAPHY: PHOTOGRAPHS OF LAND USE FROM 1840 TO THE PRESENT from @radius.books @sfmoma @wendyredstar @terryevansphotography @artbook #JennyReardon #radiusbooks #sfmoma #americangeography #wendyredstar #terryevans https://www.instagram.com/p/CPDhlNPphUG/?utm_medium=tumblr
Images from 'Debi Cornwall: Necessary Fictions' launching today, Friday, September 4 at 5pm EST / 3pm MT as a Live Talk with Cornwall, Yasufumi Nakamori and Makeda Best. See linkinbio for details.⠀ ⠀ Made on ten military bases across the United States since 2016, 'Necessary Fictions' documents mock-village landscapes in the fictional country of “Atropia” and its denizens, roleplayers who enact versions of their past or future selves in realistic training scenarios.⠀ ⠀ Costumed Afghan and Iraqi civilians, many of whom have fled war, now recreate it in the service of the US military. Real soldiers pose in front of camouflage backdrops, dressed by Hollywood makeup artists in “moulage”—fake wounds—as they prepare to deploy.⠀ ⠀ Brooklyn-based conceptual documentary artist and former civil rights lawyer Debi Cornwall (born 1973) photographs this meta-reality—the artifice of war—presented in the book with a variety of texts to provoke critical inquiry about America’s fantasy industrial complex. The book includes an essay by PEN Award–winning critical theorist Sarah Sentilles.⠀ ⠀ Please order from your local independent #bookstorehero — many have reopened or offer curbside pickup! ⠀ ⠀ @radius.books @debicornwall @NakamoriYasufumi #debicornwall #necessaryfictions #radiusbooks #photobook #lannanfoundation #lwfp #furthermoregrantsinpublishing @artbook @nyfacurrent @harpofoundation @philacfeva @leica_fotografie_international @leicacamerausa @harvardartmuseums⠀ #atropia⠀ https://www.instagram.com/p/CEud_-YJ1dC/?igshid=n92e1feo6esj
Tonight! Join Debi Cornwall for Philadelphia Photo Arts Center's Thursday Night Photo Talk at 7pm EST. The event is free! From @philaphotoarts: "Debi Cornwall will preview her forthcoming book Necessary Fictions, ( @radius.books 2020) and multimedia installation exploring the performance of American power and identity in this militarized, post-9/11 era. In this time of perpetual war, constant vigilance, and political division, what are the games we play, the stories we tell, to manage unsettling realities? How are fictions deployed and embraced, and to what end? ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Each Thursday at 7pm EST, PPAC will present a lecture by an award-winning, dynamic artist and journalist who uses photography to respond to current personal, political, and social issues." @debicornwall @philaphotoarts #ThursdayNightPhotoTalk #DebiCornwall #necessaryfictions #radiusbooks https://www.instagram.com/p/CAdLIb1JHOz/?igshid=1xn4ces7rlvru
