#queer threads

“This editorial captured by photographer Kirk Lorenzo inside Nathan Vincent’s Locker Roominstallation at the Boston Center for the Arts Mills Gallery is emblematic of the way Queer Threads explores the dialogue between fashion, queerness, and fiber art. It seeks to investigate the relationship between bodies and space and art and craft, in particular through subverting the notion of fiber art as traditional “women’s work.””

“This editorial captured by photographer Kirk Lorenzo inside Nathan Vincent’s Locker Roominstallation at the Boston Center for the Arts Mills Gallery is emblematic of the way Queer Threads explores the dialogue between fashion, queerness, and fiber art. It seeks to investigate the relationship between bodies and space and art and craft, in particular through subverting the notion of fiber art as traditional “women’s work.”“

“This editorial captured by photographer Kirk Lorenzo inside Nathan Vincent’s Locker Roominstallation at the Boston Center for the Arts Mills Gallery is emblematic of the way Queer Threads explores the dialogue between fashion, queerness, and fiber art. It seeks to investigate the relationship between bodies and space and art and craft, in particular through subverting the notion of fiber art as traditional “women’s work.””

“This editorial captured by photographer Kirk Lorenzo inside Nathan Vincent’s Locker Roominstallation at the Boston Center for the Arts Mills Gallery is emblematic of the way Queer Threads explores the dialogue between fashion, queerness, and fiber art. It seeks to investigate the relationship between bodies and space and art and craft, in particular through subverting the notion of fiber art as traditional “women’s work.””

Poster illustrations for a group show my class is putting on at MICA in the Middendorf Gallery -- Feb. 25th - Mar. 11 :

Stab, 2013 23 minutes single channel video.

Made this video in collaboration with artist Liz Collins. She was hosting an event where people could come in for mending sessions, where she would repair things. I brought in a sock monkey that had been a deep part of my relationship with Philip Horvitz, and that my dog Lehigh had chewed up.

During the filming, I didn’t try to direct the conversation, but it drifted into talk about movies, pets, queer culture and coupledom. I like to think of it as a a background video - one that could simply play in a lounge setting and reveal bits of information on multiple hearings.

The piece was initially exhibited at Gallery Paule Anglim in San Francisco.

This exhibition posits fiber art as the ideal lesbian, gay, bisexual and transgender medium.