Jan 6, 2017
#AHA17 #s41 Paul Harvey of the Religion in American History blog, and me and Vanessa of the #QSWG on the fun and silly in collaboration. 😂😎 Snap via Paul Harvey (at Colorado Convention Center)
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#AHA17 #s41 Paul Harvey of the Religion in American History blog, and me and Vanessa of the #QSWG on the fun and silly in collaboration. 😂😎 Snap via Paul Harvey (at Colorado Convention Center)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Fabulous Life with post-panel #QSWG and #QSWGremix #OAH2017 (at New Orleans Marriott)
Happening now at the Marriott. Join us!! #OAH2017 #QSWG #queeringslavery (at New Orleans Marriott)
#Repost @brwngirlsmuseblog with @repostapp ・・・ rise & grind. Queering Slavery Working Group #QSWG at the @rudigitalblackness kick-off session. Find them on Tumblr. #RUDigitalBlackness #BGMBfindyourspace (at Zimmerli Art Museum at Rutgers University)
Tamango (1958)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Album: Ship Ahoy (1973)
Artist: The O’Jays
altered using Fotor
Our genealogy added up to little more than a random assortment of details about alcoholics, prosperous merchants, and dispassionate benefactors. Given this paucity of information, all talk of our forebears was sketchy. No matter how much we embellished and dressed things up, the truth couldn't be avoided: slaves did not possess lineages. The 'rope of captivity' tethered you to an owner rather than a father and made you offspring rather than an heir
Hartman, Saidiya. Lose Your Mother: Journey Along the Atlantic Slave Route. New York: Farrar, Straus and Giroux. 2007. p.77.
Bad ass black women historians. Watch us werk! #SHEAR15 #QSWG #Slavery