#projectnotes

Intelity: #14, C-type matte photograph by Maximilian Tomozei (2015), showing a closeup view of a scratched and degraded electronic security chip. The piece highlights a transversal site between a physical trace and the trace of digital identity as stored in or via the chip. http://www.tomozei.com/intelity/

0h!m1gas, an audiovisual installation with a plexibox housed ant colony, turntables, audio, camera, monitor, variable dimensions, by Kuai Shen (2012). The work shows an example of transversal media practice as something more than ‘multi,’ ‘convergent’ or ‘mixed’ media in that new, bizarre or experimental channels of signal feedback between disparate spheres of communication are facilitated for new knowledge. In this case, nature and technology are ‘connected’ allowing feedback between ant colonies and a media artefact (turntable). http://kuaishen.tv/0hm1gas/

Video Work 2017 

Donna is a vocalist, electronic music composer and instrument designer. Donna’s research has been primarily exploring mediatized performance environments and new ways of interfacing the voice with electronic media. She is the inventor of the eMic, a sensor enhanced microphone stand for electronic music performance and more recently has been creating wearable electronics for controlling both sound and lighting in performance. Her work has attracted funding from the Australia Council for the Arts, most recently with all female collective Lady Electronica. Donna has held academic positions at the Sydney Conservatorium of Music and Queensland University of Technology and is currently the Convenor of Music at the University of New England.

Western Sydney University Research Creation Showcase 2018: Creative Cities, Riverside Theatres, Parramatta.  (Featured work – documentation video,  postproduction and motion graphics)

¼ Inch: Performance of Sound and Moving Image (www.1-4inch.com) ¼ Inch is an ongoing series of events that showcase national, international, emerging and established sound and audio-visual artists. The events are curated by Greg Hughes and Aaron Hull. Greg continues to maintain the branding, promote, film, document and archive the event and its performers. ¼ Inch continues to seek community and institutional collaboration in its drive to merge creative practice, media experimentation and practice-led research.    

This video features St Vito (Sensor Technology Visual Interactive Touch Orchestra), a Berlin-based performance collective, filmed in Wollongong, Australia. St Vito blend improvised contemporary dance and LED screen suit comprising an array of WI-FI connected sensors that enables interaction between dancer movement and live VJ programming. [Filming, motion graphics and post-production: ¼ Inch (Greg Hughes), Music: Klaudia Miłoszewska, Dancer: Alma Edelstein, Light programming: James Hudson, Top costume layer: Greta Melnik, "Tech" layer: ST VITO and @jl_costumedesign, Extra camerawork: Sarah Hudson.]

OBJECT-ive solo exhibit

DESCRIPTION:

E29/11/17:

After going to people’s studio spaces and receiving their presentations about their current work, we regrouped and decided which of each artist’s work we would like them to present or develop for the show. We then decided on the title “Unveiled Truths” for the exhibition as a way of linking the diverse themes together. We decided that some of us would be better suited to curating certain artist’s work, so we split off into groups to contact the artists and track their progress.

30/11/17:

Sophie created a facebook page and sent all of the exhibitors this opening message:

6/12/17: We started recieving submissions at this point, and due to how early we asked for them, they were just rough drawings and dimensions. We thought this was important to have an early submission before the official proposal so that we new as early as possible what we may need to book out and we could start thinking about where people may need to be placed in the space. These are our artists’ submissions:

Mary:

Mira:

Georgia:

Louisa:

Kinga:

14/12/17: Poster Design by Sophie

& Proposal form requests sent out to everyone:

Hey, We need you to fill in a Project Proposal Form however, if there are any major changes to your work from what you have already submitted we will need to know by Friday morning. This is so we can work out exactly what everyone is doing and work on the marketing for your exhibition. We will also use to information for your plaques. We need this by 2nd January 2018 by 5pm. When filled in please send this to [email protected]. You can find this linked. On the 9th January meet us at Project Space 4 for a meeting at 10am. After this we would like your permission to film you speaking about your work for a documentary. This will be an exposure opportunity. It will only take about 5 minutes of your time and on the day, we will need you to sign a permission form so we can publish this documentary. You can say no to this if you do not feel comfortable. Then, on the 11th January, we will need you to come to PS4, at 9:30am no later and drop your work off so it can be photographed and set up. Thank you so much, Sophie Banks Brandon Chaskin

30/12/17:

Exhibition Synopsis to go in the leaflet was written and approved by every member of the curation team:

2/1/18: 

Started receiving proposal forms from people and we began chasing down the remaining few. Emilia was given the task of making the labels to go on the walls in the exhibition, so she used the names and titles on the proposal forms to begin working on them.

11/1/18: Group Install! (Few i

Link to the documentary:

I found that the easiest way to document the interim show was probably digitially, however I will print off some of the best photographs to go into my studio space. A reflection on my final piece can be found in my Reflective Journal NOTEBOOK.

Here is my final piece in the PS5 Installation:

My work in the publication:

https://www.shutterstock.com/blog/diy-at-home-image-transfers-onto-fabric-and-wood