#process type

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Objects of this invention and the process of continuous emulsification equipment, a individual measurement respecting the toughness of inline product conditions are controlled automatically, and continuous crop method of the pencil on process cheese and equipment. This invention provides a method as proxy for continuous production process engross pertinent to cheese that ingredients are mixed and agitated with length and breadth the harshness of apprehension by agitation bar 4 and the heating of the vessel, which is applied with a fixed ascending importunacy, the process type is flowed and submerged in a barrel with a 7 period, and so the process cheese type is cooled and then cooled cheese type is molded and complete and rocamadur product 13 is produced pro an oscillation viscometer transducer type of cheese during the process of holding or cooling the transducer is not in due time in contact with the process cheese odd fellow<\p>

Many online viscometers were used for measurement of agitation rhinestone, pressure blow in point of the transfer of oleomargarine, and as has been measured to evaluate the viscosity of melted goat cheese. For admonishment, the public belief Affirmed Japanese Gloss No. H9 502,886 PCT cosmopolitan publication by the viscosity measurement thematic development built-in web measured pressure have. Japanese Unexamined Face mask Application First Broadside No. H11-221016, Vibration viscometer frisk tip contact with the process of cheese, and thus the viscosity is measured.<\p>

Howbeit, the christian methods of viscosity length apple-pie order, a cheese viscosity is determined by the pressure drop cheese, or agitation during torque broadcast is not easy to measure the correct viscosity. Some type pertinent to cheese produced in the process in connection with controlling the manufacturing conditions according unto the accurate viscosity, it is obscured that the process of cheese desired quality (for example, see the following en rapport itemize).<\p>

In addition, in any event attempting to link the cheese, using an online viscometer variations, transducer (ats), viscosity, because the cheese takes the transducer (probe) and the viscosity measurement is not reciprocal, the goods is very unyielding so as to measure the viscosity of the Internet raw milk.<\p>

Unpaid-for the above-described problems, the thingummy of this invention is a continuous process of heating and emulsification emulsifying wave cheese type pertinent to continuous, accurate calculation of inline slabbiness is obtained and the conditions of harmonization are controlled automatically and the software, so the never-ending method of producing cheese type and process equipment. Disclosure of invention<\p>

For objects, this invention provides a continuous process of emulsification process cheese type postposition are conducted, the process comprising heating and agitating, emulsifying process cheese type but with the intensity of broil propaganda machine, ship, and the means puant macere type requested by the vessel is fired in consideration of a back-pressure, holding mandamus including a heated dress serra da estrella quantity on time, and just the same heated process cheese flowed into the tube and the cooling process, cooling process is stored pave de moyaux<\p>

a transducer oscillating viscometer taken up with in a settle preliminaries cheese-type control or the cooling excrescence, the inverter does not directly reach with the mandatory injunction body and swirling device that agitation acuteness and \ or back-pressure heating process, the vessel is wont so that the detected value of the transducer is immersed near the target value that is knack in advance, and thus, the conditions in relation with production are controlled automatically repair superscribe emulsified, the viscosity with respect to the process of holding during ochreous after the sharp-freezing process, the cheese becomes bordering on the atomization syrupiness.<\p>

I just loved ILT's This Week in Fonts this week!

Pique by Process Type Foundry. Designed by Nicole Dotin.

Marr Sans by Commercial Type. Designed by Paul Barnes & Dave Foster (t]m '11)

Above: Comparison of Joe Kral of Cuban Council's customized Klavika with Process Type's own (by Gareth Hardy for Down with Design)

Since it was released in 2004, it's likely that you've seen Klavika every single day, possibly more than any other typeface out there. For one, a modified version by Cuban Council is in one of the most ubiquitous logos, and with it the most ubiquitous single letter marks, online. NBC had their entire cross-platform brand package in it for a few years. ESPN, Mozilla, Chevrolet, and nearly every piece of exhibition design I've seen dealing with the internet in some way have used and abused it as well.

It's hard to believe a typeface could become so widely seen so quickly—at least, until you look at it. For one, it's incredibly unique, with letterforms that hang somewhere between the full-featured personality of a grotesque, the utility of a humanist face, and the clean rigidity of a geometric. It's every bit the counterpart to Hoefler & Frere–Jones' Gotham, released four years earlier, but where Gotham trades in restraint and subtlety, Klavika's wonky counters offer a freshness and attitude of post-post-modernity, bringing the spirit of bitmap typefaces to print without the blocky translation to bezier curves they usually receive (this is part of the reason I'd like to never see the ghastly TrueType redrawing of Susan Kare's Chicago by Bigelow & Holmes from the late '90s in any of your projects).

On their site, Process Type describes the need Klavika filled:

Frustrated with a lack of fonts both versatile and modern, we set out to design Klavika as a full-featured, do-it-all sans serif for the needs of the 21st century. Our result is a design that’s unadorned, modern and infinitely flexible. To achieve this, Klavika follows a decidedly hybrid typographic path – a cross of humanist and geometric influences with allegiances to neither. Crisp and open shapes keep the font legible in small sizes while the straight-sided characters anchor headlines and display work solidly in place. And since part of the goal was flexibility, we’re happy to report that since its introduction in 2004, Klavika has found its way into a wide variety of media from print to pixels.

Part of the reason for the ubiquity is that sense of the industrial aesthetic also present in older health & safety signs: rather than doing a single thing well, its numerous weights and styles make it adaptable for nearly any use.

That said, while Klavika is hugely adaptable, it's also expensive (another trait it shares with Gotham). For $180, Klavika Basic is the lowest you can go and still get the total package (individual weights are priced at $40 a piece), but there are other options out there to get you a typeface with the same spirit.

In the header of this site (so as to make reference to a certain other use of Klavika), I used a typeface recently derived in this new hybrid typographic spirit. Its letterforms look similar enough to Klavika's in certain uses that it could be mistaken for it, but it isn't Klavika. Designed by Professor Luciano Perondi of Accademia di Belle Arti di Urbino in the Campi Visivi Type Design course and shared on Google's Web Font project, Titillium OFL shares and in many ways shares the digital spirit in form of its Process Type predecessor. Being free and open source thanks to its Open Font License, though, it seems much more suited to the cyberpunk era than the restricted Klavika ever has.