#popularize

verb

To make something popular.

To present something in a widelyunderstandable or acceptableform, especially technical or scientific material for a generalaudience.

make understandable to the general public

DeferPanic secures $1.5 M seed round to popularize unikernel concept

We’ve all probably heard of containers and virtual machines by now. Virtualization enabled IT to break down a single server into multiple machines. Containers allowed you take that concept and make it even smaller. DeferPanic wants to take another step with a technology called Unikernels. Today, the company announc… Startups – TechCrunch

New Post has been published on http://kenhgiupviec.com/kenhgiupviec/protect-and-popularize-your-music-with-music-licensing-for-film/

Protect and Popularize Your Music with Music Licensing for Film

Protect and Popularize Your Music with Music Licensing for Film

If you are still roaming about to get a big career break in the music industry, get your creation published on the music library. The companies offering music licensing for film facilities allow the individuals to publish their creations on the music libraries so that they get noticed by the producers. When it comes to the entrance of the musical pieces into the list of composers on the music libraries, the professionals see to it that the composers have the license for the pieces that they are giving to publish. Music licensing for film has been found to be an effective option for the fresh composers who get a chance to crack profitable projects via this.

Music licensing for film is not only for the fresher, but for the already established composers as well. The new compositions are unique for all. Not only does the fresher musicians have the capability to produce something original, but even the established composers possess this quality. Thus, it becomes essential for them too to consider such functions in order to protect their creations. There are many new bands that have come into existence in recent times, which perform on unique creations, which are really have tempting appeal on the listeners. Thus, the band members should also go for music licensing as not even their creation is safe.

If you are the regular listener of the music pieces belonging to various genres, you might have come across the defects of the industry in current times. The lack of originality has appeared to be one of the most significant defects of the music industry. There is no lack of original musical pieces, but due to the unconcern of the people pertaining to music licensing for film, even if the producers get their desirable creation, but the original creators hardly get the chance to associate their names with it. Music licensing for film is a process that does not only serve to be fruitful for the producers, but for the fresh composers as well, if utilised and implemented in a proper way.

There was a time when the producers started remixing the songs of the previous era to bring out a new one out of the same. In the initial period, the individuals enjoyed them, but with the passage of time, they got bored of it. The disappointment of the audiences compelled the producers to look for the original creations that could help them live up to the expectations of the masses. With music licensing for film, the owners of the original creations get a chance to publish their pieces on the library to make their musical piece noticed by the producers. Whichever music seems to suit the sequence of the entertainment products, the producers select them making sure that the owners possess the documents authorized by music licensing for film companies.

Not only does an individual musician need to opt for music licensing for film, but also the new bands coming into the arena requires to choose the same to crack profitable projects in future and earn recognition as well as money both by making their creation a magnum opus of the industry.

Criss Evan is a music lover. He has good knowledge on music Licensing for film For more information on new bands he recommends to visit http://www.musicdealers.com/

[translate:en|vn] CAVA Discusses The State Of China’s Music Industry At Digital Music NY

If you are still roaming about to get a big career break in the music industry, get your creation published on the music library. The companies offering music licensing for film facilities allow the individuals to publish their creations on the music libraries so that they get noticed by the producers. When it comes to the entrance of the musical pieces into the list of composers on the music libraries, the professionals see to it that the composers have the license for the pieces that they are giving to publish. Music licensing for film has been found to be an effective option for the fresh composers who get a chance to crack profitable projects via this.

Music licensing for film is not only for the fresher, but for the already established composers as well. The new compositions are unique for all. Not only does the fresher musicians have the capability to produce something original, but even the established composers possess this quality. Thus, it becomes essential for them too to consider such functions in order to protect their creations. There are many new bands that have come into existence in recent times, which perform on unique creations, which are really have tempting appeal on the listeners. Thus, the band members should also go for music licensing as not even their creation is safe.

If you are the regular listener of the music pieces belonging to various genres, you might have come across the defects of the industry in current times. The lack of originality has appeared to be one of the most significant defects of the music industry. There is no lack of original musical pieces, but due to the unconcern of the people pertaining to music licensing for film, even if the producers get their desirable creation, but the original creators hardly get the chance to associate their names with it. Music licensing for film is a process that does not only serve to be fruitful for the producers, but for the fresh composers as well, if utilised and implemented in a proper way.

There was a time when the producers started remixing the songs of the previous era to bring out a new one out of the same. In the initial period, the individuals enjoyed them, but with the passage of time, they got bored of it. The disappointment of the audiences compelled the producers to look for the original creations that could help them live up to the expectations of the masses. With music licensing for film, the owners of the original creations get a chance to publish their pieces on the library to make their musical piece noticed by the producers. Whichever music seems to suit the sequence of the entertainment products, the producers select them making sure that the owners possess the documents authorized by music licensing for film companies.

Not only does an individual musician need to opt for music licensing for film, but also the new bands coming into the arena requires to choose the same to crack profitable projects in future and earn recognition as well as money both by making their creation a magnum opus of the industry.

On June 22nd, Digital Music NY hosted representatives from the China Audio Video Association (CAVA) to discuss the changing music and copyright environment in China at South Street Seaport’s RED. MusicDish*China founder Eric de Fontenay was joined by the Administrative VP Mr. Ju Wang and Deputy Chairman Bill Zang, who is also the Chairman of the China Music Industry Committee (CMIC), VP of Shanghai Synergy Culture & Entertainment Group (SSCEG) and President of a-Peer Synergy. The event brought together people from all sides of the music industry such as lawyer, music producer, record label company, artists and students interested in China’s music market.

Responding to the potential and difficulties of China’s market, Mr. Zang noted that while China Mobile’s annual income generated from music is over than 15 billion RMB, yet content owners have barely received 100 million RMB in royalties. There is clearly a growing market driven by widespread mobile penetration (over 950 million subscribers) and popularity of services like ringback tones (or ‘color tones’ as they are referred to in China), but this is for naught if there is not a more equitable distribution of the revenues.

Mr. Zang also noted that the development of China’s music industry is hampered by imperfections of the present legal system. Central to that discussion was Baidu’s role in flooding the market with online pirated music. Even after being successfully sued by China Audio Video Copyright Association (CAVCA), Baidu’s compensation ended up being less than 1 million RMB.

As such, CAVA has now proposed three conditions on Baidu. First, give record labels and artists a fair compensation for their economic losses as a result of piracy on Baidu. Second, take down all illegal MP3 links down. Third, cooperate with CAVA to contribute to the sustainable development of China’s music industry. The conditions carry even more weight since Baidu joined the Alliance Of The Digital Music Industry (ADMI) which bound it to the “Alliance of the Digital Music Industry Convention.” Mr. Zang also pointed out that the economic loss is not only monetary, but perhaps more devastating is the destructive impact piracy has had on Chinese music culture and the incentives to make music in the future.

Regarding piracy in China, Mr. Wang reinforced that the Chinese government is taking a very serious position on copyright issues and has taken strong efforts to cracking down on piracy. But often when the task is assigned at the local level, fears of losses to the local economy from enforcement (shutting down business and additional cost of royalties) may hamper enforcement on the ground.

Mr. Wang concluded by explaining how CAVA has expanded into a variety of activities at the local level that will have impact at the grassroots of the industry, such as the founding of National music industrial parks as well as establishment of music industry funding mechanisms. The association is also looking forward to working with western artists and professionals in order to learn from them as well as foster collaborations that would enable western musicians to develop our own mainstream art with Chinese characteristics.

http://china.musicdish.com/

A thoughtful & outspoken member of the new media revolution since the early nineties, he has been invited to speak at leading industry forums such as Euroforum, DDMI and CES and has had his works published in numerous trade publications.