In 1985, the Parents Music Resource Center (PMRC), founded and run by Washington wives and avocational bluenoses Tipper Gore, Susan Baker, Pam Howar, and Sally Nevius, compiled a list of fifteen songs in popular music that they, knowing best for America, found the most objectionable.
(For context, the PMRC was funded by the Beach Boy no-one likes, Mike Love, and right-wing ideologue and purveyor of piss-water beer Joseph Coors. While ostensibly "bipartisan," the PMRC basically did the work of the conservatives waging the culture war in Reagan-era America.)
The naïveté, ignorance, and cluelessness demonstrated by the project and by the pearl-clutching women of privilege behind it who picked the Filthy Fifteen are really quite awe-inspiring—I certainly hope porn-mongers Cyndi Lauper and Sheena Easton were ostracized by decent society!
The one upside is that none of the pale females of the PMRC, apparently, ever listened to Black music, thereby sparing funk, soul, and rap from appearing on the list. And sparing the Washington Wives from ever listening to, for example, Schoolly D's "PSK What Does It Mean" ("Copped some brew, some J, some coke/Tell you now, brother, this ain't no joke/She got me to the crib, she laid me on the bed/I fucked her from my toes to the top of my head"), which might've seriously dented their AquaNetted hair.
The Recording Industry Association of America, an organization that has worked hard for years to make music lovers around the country hate it, in response, created the "Parental Advisory" sticker, which served to warn young consumers which albums had the good shit they wanted to hear.
The Washington Wives, all hitting the same bottle, apparently.