Stephano the Statue (+Janus)

Stephano is a statue, an artistic representation of idealized beauty, and thus is meant to be very handsome but in a way that makes him stick out from the rest of the castle. In a place where most everyone is pale and starving, Stephano's chiseled and healthy features can make him look uncanny. A quite literal case of "don't trust a pretty face."

One of his most notable features is his eyes, and specifically how little detail they actually have. In White Lily, Mayo notes that Stephano's eyes lack "deeper color" but have a metallic shine to them. In other words, his eyes appear flatter compared to others. Again, this is supposed to make him look more statue-like. I also tend to give him a more defined nose than others in my art, owing to his Arab heritage.

His long hair, often kept in a low ponytail, is borrowed from many pre-existing depictions of the character. I think we all just like the Finn the Human-type trope of a character who mostly keeps their hair covered but then it's revealed their hair is actually super long. And while most fan depictions made Stephano clean-shaven, in one of the videos he actually confirms that he has a beard, so I gave him a bit of a goatee.

As mentioned before, Stephano's outfit design was actually stolen and edited from the artist blackbeltkitten009 for their now discontinued comic The Stephano Chronicles. When I began Death's Castle, my goal was to create updated designs for the Bros, to provide a visual of the timeskip between the videos (where I tend to use design elements that were generally popular in the fandom at the time) and the fanfiction. However, Stephano is a bit difficult to make an updated design for because of all the Bros he has the most humanoid appearance in the videos, given that he's a statuette and actually has clothes. (An admittedly ironic statement, given that in Death's Castle proper his gold skin makes him unable to pass as fully human)

There were a couple elements that drew me to blackbeltkitten009's design in particular; for starters the design had a lot of drama to it without being over the top. There was one thing in particular that made me decide to use it though, and that was the ruby brooch.

In Death's Castle, Stephano shares his body with an entity he has named Janus, an element taken from the Disponentia custom story playthrough. When Janus is in control, Stephano's eyes glow red followed by everything gold on his body becoming pitch black. The ruby brooch acts as a bridge between these two forms. On Stephano, the red is a pop of color against his otherwise monochromatic design, with the color scheme adding a regal heroism to him, much like how Stephano would like to see himself. On Janus however, the red ties into his eyes and adds to the sinister appearance.

Is that a bit cheesy? Yes, but I was a teenager when I started this, give me a break.

Also as a sidenote, Janus' color scheme came from a misunderstanding. You see my first encounter with him was of someone's description of him. I didn't know which video "Evil Stephano" originated in, and for awhile I even believed he was something the fandom made up. Like Red Chair! But I must have misread "glowing eyes" as specifically glowing red eyes. However, when actually watching Disponentia it turns out his eyes are actually glowing white and his color is maybe a dark bronze. I like where the chips landed but if I began Death's Castle today, I probably would have made him closer to his appearance in the videos. But this would definitely call for a different Stephano design.

Piggeh the Pig

Piggeh's characterization was inspired by the scene and emo trends of the early 2010s. Not only the fun stuff which makes up his outward personality, but also some of the harsher realities that were going on in those subcultures.

One of the first decisions I made was to change his shirt color from pink to something else. For awhile it was going to be white since that was the only color I can think of that didn't clash with his color scheme, but didn't like it since I felt it would be too washed out on his pale skin. I ended up instead settling on a bright red (starting to notice a pattern?). This felt like a natural escalation of Piggeh's previous pink attire, as both are considered romantic/sexual colors. In fact Piggeh's color scheme is meant to evoke the typical garish valentine's day. The particular shade of red's gaudiness also says a lot about Piggeh; he doesn't put a lot of care into his appearance. On the other hand though, the red picks up on all of the eternally bloodied scars on Piggeh's body. Piggeh and blood are very well acquainted, and the tattered red shirt is a constant reminder of that fact.

The brown fishnet vest was another early design decision. Fishnets are often seen as provocative and are associated with adult entertainment, thus him having a vest made of the material is an easy shorthand for his sexual behavior without exposing too much skin. In fact early on the vest was hot pink, but I think someone pointed out how hard it was to see against the red so I changed it to dark brown.

The bandages on his arms are picked up from several pre-existing depictions of Piggeh such as StephanoTheStatue's and Mister-Chair's, but in Death's Castle they serve a plot purpose; hiding his self harm scars. Finally, the look is completed with brown jeans and a pair of work boots, calling back to his farm origins.

While most people tend to give Piggeh unnaturally colored eyes, most popular being pink to match his hair, I decided to give my depiction of Piggeh brown eyes like most real pigs tend to have. He also has snake-like pupils, owing to his famous line from the videos; "You thought I was a pig? Nah, I'm a snake!" One eye has a long scar over it in a somewhat diamond shape, but tends to curve in a way that can almost make it resemble a snake. His other eye, often kept hidden by his hair, is surrounded by a larger scar and blackened by hyphema, otherwise known as an 8 Ball Fracture. This was inspired by the character of 2D from the band Gorillaz.

His pink hair was originally shorter if just a bit messy, owing to the fact that I used to only be able to draw about two hairstyles for men. However when Jack ( @thesucessorofficalnot ) drew him, he gave Piggeh a longer and uneven cut more reminiscent of scene queen hairstyles, so I started using it myself.

Finally, one thing I want to mention is that Piggeh was designed to be very feminine looking, to the point he could easily pass as a woman. This started as sort of a joke because whenever I would show people in real life fan art of Piggeh they would consistently mistake him for a woman, likely due to his pink color scheme, so I just adopted it as a feature for him. His adoptive mother Bunny was even designed to look masculine as a compliment to his feminine design. This ended up being somewhat downplayed in the fic itself, as generally speaking the Bros aren't too concerned with how outwardly masculine or feminine someone is.

Oh and fun fact. Lately when I've drawn Piggeh or Fleur, I've drawn them with the same eye shape.

Mr. Green Chair

Appearance wise Mr. Chair doesn't veer too far off from the typical depictions. Short brown hair, light-skinned, wearing glasses and a green beret. He is often depicted as having either brown or green eyes, and I chose green to compliment his siblings' color themed naming, hence his first name being "Green" in the fanfic. One important factor regarding his appearance is that while most versions of Mr. Chair are presumably white, mine is biracial, and specifically Japanese. This is mainly to reference his appearances in the playthrough of Ao Oni, a game made and set in Japan.

Mr. Chair is similarly hard to redesign like Stephano, but for different reasons. Mr. Chair's design is pretty set in stone in the fandom, usually depicted in a green sweater vest or cardigan and a simple dress shirt. In general his look is very preppy, very academia. So how do I update that for a years later look?

Well admittedly I had already drawn up some designs based on basically a male version of Elizabeth's outfit from Bioshock Infinite. And we'll swing back around to Elizabeth later, but for now I basically had this lying around and slapped it on Mr. Chair. I simply changed the colors so that the blazer was his signature deep green, and the lining on his dress shirt was a reddish purple. There was originally no pattern on the shirt, but the amazing ZoeDraws did some awesome artwork of the Bros and on Mr. Chair they included a light grey vine/floral pattern so I have also adopted that in at least some of my art.

While on the surface the outfit is typical for a bookworm character, the rather bold combination of green and magenta is surprisingly flamboyant. My friend even comared him to a toxic frog. I think this acts as a bit of subtle foreshadowing to the more unsettling parts of Mr. Chair's character, such as his past drug use. It also shows a bit of his creativity, as presumably Mr. Chair made or altered these clothes himself, given his sewing skills.

And while not fully intentional, the outfit parallels Red Chair, who similarly wears a red and black blazer patterned like Pewdie's modern branding and a red hat. Perhaps Mr. Chair can't help but want to emulate his older brother?

Jennifer the Rock

Jennifer's look was solidified very early on due to the popular traits she was given in fan art. Long black hair, pale skin, gray eyes. The most important element of her design is that she is plus sized due to Pewdie constantly insulting the character for being fat. An unfortunate artifact of the time's humor that is explored more thoroughly and compassionately in Death's Castle proper.

While actually letting her be fat sounds like a no-brainer nowadays, this was not the case in the fandom back then. Most people tended to make Jennifer skinny, some even giving her an eating disorder of some sort to justify it. And the few who did make Jenny fat were tending to continue the joke from the videos. Now I don't say this to act all superior, frankly speaking Pewds put us in an awkward position, and I'm sure for a lot of the artists they didn't want to offend anyone or maybe it even hit too close to home for some.

However, it was important to me to actually give Jennifer the body type she was assigned to, and to not only show the struggles fat women are faced with, but that fat can be beautiful. Especially without being sexualized. (see my pride headcanons for more on that) It also provided a bit of a contrast to how we see fat today vs how fat was seen in the past.

Jennifer originally kept her hair down as seen in some of the past segments of Death's Castle, but by the present day her hair is worn in a ponytail. This was actually an element inspired by a doodle Punkichi did, depicting their Jennifer in an alternate hairstyle. I liked it, so I adopted it for mine. Her hair also covers one of her eyes to show her shyer and insecure personality. Finally, I used a popular accessory often given not to human Jennifer but to the rock version of Jennifer in non-gijinka fanart. A bow. Which also inspired me to make her an archer because I thought it was funny for her to have two different kinds of bows.

In an attempt to get back her memories through an orb shard, Jennifer falls into a trance and ends up severing her pinky finger. What may initially seem like a random injury actually holds a lot of meaning when Jennifer's past as Genevieve is taken into account. For starters, as a lady of high society, Genevieve had to have proper etiquette, and we all know the rule of sticking your pinky finger out when drinking tea. Cutting it off shows that Jennifer is no longer that proper girl. On a dourer note, the pinky finger is also associated with the pinky swear or pinky promise. Losing that finger in this sense symbolizes promises that were never fulfilled.

Each of the Bros had a signature color of sorts. Pewdie was blue, Stephano was gold/yellow, Piggeh was pink, and Mr. Chair was green. Jennifer on the other hand didn't really have a solid agreed upon color in the fandom that wasn't just gray. So it only made sense to make Jennifer's purple. This was for a few reasons. It was an appropriately feminine color to put on the one girl in the group without infringing on Piggeh and even Marzia's pink, it paired nicely with all the grays in her color scheme, it worked as an opposite against Stephano's yellow, and finally; purple was a color often associated with wealth and power.

Jennifer is a bit of an interesting case outfit wise since she initially starts with a different outfit, but quickly changes into a new one in the seventh chapter. This was mainly because I struggled with her costume design the most out of any of the Bros. I initially wanted to play with the idea of moss growing on a rock and paired this with a look meant to focus on her archery skill, but this design was rather ugly and uninspired- not to mention it used far too much green for a character who was supposed to be associated with purple, so it was retconned to instead be a simple gray tank top and black leggings.

I actually eventually took inspiration from Jack's version of Jenny. I designed a letterman jacket style gray hoodie with white sleeves that had purple morning glories and mint green vines embroidered on them. This was paired with a dusty purple t-shirt that had the brofist symbol on it and a pinkish purple pleated skirt that matched her signature hair bow. She kept the black leggings and gray boots from her previous design. This design ended up suiting Jenny more and setting the tone for her style, as it better fit her fangirl characterization from the original videos.

Interestingly, in both her concept design and her current one, Jennifer is the only one who actually wears her flower motif on her person. Perhaps in a way it shows that she's the most self-actualized of her group? Alternatively, it furthers her resemblance to Fleur, and shows how Stephano can't help but see the lady with the flowers in those around him.

Also I apologize to everyone I've ever confused by describing the mauve color of Jennifer's ribbon and skirt as VIOLET. I had a crayon that was apparently horribly mislabeled, so I associated a pinkish-purple color with the word violet.

Mayo the Small Table

Mayo is one of the most important characters in Death's Castle. His sudden reappearance after what the Bros were led to believe was a childhood death is what kicks the plot into action, and throughout the story acts as the deuteragonist since the story is just as much about him and how he grows up as much as it is about Stephano. During the videos he was only nine years old, which presented an interesting challenge for his Death's Castle design. While everyone else started as adults and were only getting a little older in comparison, Mayo went from a child to a young teenager.

Mayo's childhood design is rather typical for the fandom. Short blonde hair, gold or brown eyes, a light colored t-shirt, brown overalls and a matching cap. A cute if potentially rowdy kid. His teenage design shifts drastically, presenting a more mature- but still youthful- version of the character.

This is where we swing back to Elizabeth, as the Bioshock character influenced a lot of Mayo's characterization. Specifically, the motif of a bird caged for the mysterious use of those who trapped it. As such, I pretty much took elements of her first outfit and slapped them onto Mayo. The collared shirt, necktie, even his birdcage brooch is lifted from one of two pins Elizabeth wears on her choker. His color scheme is made up of white, soft browns, and pastel yellow, evoking innocence and light. You look at this version of Mayo and want to protect him.

However, that protection can be stifling to someone trying to grow, so Mayo undergoes a dramatic change later on. After his clothes get ruined by blood, he swaps out most of his outfit for a simpler get up of a white dress shirt and black slacks, and this is accompanied by a rather dramatic new piece. The coat that once belonged to Alexander himself.

This is where we finally acknowledge the recurring use of red. Each of the main Bros uses some shade of red in their designs. Sometimes this is more straightforward such as Stephano and Piggeh, other times it's more subtle such as Mr. Chair's magenta or Jennifer's accents of pink. This was for one big reason, PewDiePie himself. In his early days, Pewds was associated with the color blue. He even adopted a light blue color for his brofist icon. However, things have changed since then. Nowadays he uses red. This common color scheme also shows that the Bros are a more unified team than they once were.

But then there's Mayo, who initially looks quite out of place, and he is. They are essentially an outsider by now, unfamiliar with the greater workings of the Bro Army and having to catch up on the five years they were missing in action. The Bros' protectiveness over him also others him, puts him on a pedestal, and this even leads to Stephano and Mr. Chair electing to kick him out of the castle, thinking it would be best for him to grow up among humans. As such, when he returns in Alexander's coat, in the red shade the group has adopted, he is sending a clear message. He won't be pushed aside anymore. The red and gold color scheme also draws comparisons to Stephano in particular. Once again, the story is just as much about him as it is our favorite statue.

The red also ties into his flower motif, and the reveal that his "flower chapters" work differently than his adult companions. Since he is still so young, for all intents and purposes his backstory is still ongoing. He initially starts with a white lily, symbolizing innocence and death. This is a melancholic flower, reflecting the sad situation of a child having been robbed of his freedom by enemies and family alike. His motif then changes to a scarlet lily, represent passion and lofty aspirations. This is a Mayo who has been pushed to the edge and now refuses to be a passive player in his own life.

His hair has grown out from his childhood and is now kept in a short ponytail. This was an idea I lifted from AskMayo's version of the character, as it added more variety to the cast. This person was also where I got the idea of Mayo using daggers to fight. (Quick note, ages were not universally agreed on in the fandom. This person's Mayo is older and was often sexualized by the artist.)

Now, there is one more thing I want to bring up about Mayo's design that no one actually knew until now; Both of his costume designs are based off circus attire. His first outfit, along with being stolen from Bioshock, is meant to resemble an acrobat's costume, complimenting his flexibility and fighting style. He loses that in his second outfit, but it has a subtler connation. With the long red coat, Mayo looks like the stock ringleader.

Conclusions

While making this post, I talked with Jack and he pointed out something I hadn't really put into words until now. My approach to designing the characters was very theatrical. Since I went for more human designs overall, I had to rely on costuming and styling to get my points across. And honestly, given that I've been in theater my whole life, and it's shaped the way I tell stories, I find that very fitting.

I could go on about why I designed characters in certain ways. There are so many characters, and I put a lot of work into each of them. However, quite frankly I just don't have the time so I'll just leave it at this;

There was a time when I wasn't sure I would ever write this story, and it's crazy to realize that I've been doing it for seven years now. Some years were more plentiful than others, I mean we definitely had a slow start, but I can't believe how far I've gotten. We're nearing what I would consider the end of the first season, the characters have evolved so much and there's so much more waiting around the corner.

To everyone who has supported me, whether you've been here since the beginning or found me along the way, thank you. Thank you so much. I don't know if I'd even be here without you guys.