On June 7, 2020, Phans for Racial Equity launched its Jam Band Community Racial Equity Statement, calling on jam fans to publicly commit to making the scene antiracist. Throughout the month of August, weâll be diving deeper into each action item outlined in the statement and why the call to uproot and eradicate racism is urgent and necessary within and beyond the jam band community.Â
If you havenât signed the statement pledge, we urge you to take a moment to read it, reflect, sign, and act. Should you have any questions related to the pledge, reach out to [email protected].
The first action item in the statement is as follows:
I say loud and clear that #BlackLivesMatter, and that none of us can breathe easy until all of us can breathe freely.
Over the past few months a sea of voices in the United States, as well as worldwide, has been shouting âBlack Lives Matter.â We hear chants at protests, see it written on our social media feeds and crosswalks, and see it being used by businesses to claim their stance. The wave is spreading rapidly, but this isnât the first time Black folks around the world have been trying to share this message.
 In 2013, George Zimmerman was acquitted for the murder of Trayvon Martin. Alicia Garza, Patrisse Cullors, and Opal Tometi joined forces to not only create the hashtag #BlackLivesMatter, but to create a movement. Black Lives Matter is an intervention, an principle, and arguably most importantly, it is an affirmation to Black folks around the world that their lives matter, despite the way they are treated. As we see a disproportionate amount of civil and police violence, often fatal, toward the Black community, this movement is a radical stance against injustice.Â
But what is radical about claiming that Black Lives Matter? The vast majority of complaints about Black Lives Matter comes from the idea that âAll Lives Matter.â While this is true, this is not the focus at the moment. When we march and fund raise for breast cancer, we donât hear people shouting, âWhat about lung cancer?â When the Pulse shooting in Orlando happened in 2016, we didnât yell, âEverywhere Strong,â we yelled, âOrlando Strong.â When we see a house burning and someone calls the fire department, we donât tell the firefighters to spray down every house on the way because âall houses matter.â Right now, the metaphorical home of Black folks in this country is on fire. We canât afford to wait for firefighters to stop at every house where their services arenât immediately neededâBlack folks are dying every day that we donât take a stand. Â
In the context of the jam band community, unapologetically saying and embodying the sentiments of Black Lives Matter means that we prioritize and value the safety and security of BIPOC (Black, Indigenous, People of Color) fans. It means that we recognize it is a privilege to experience live music (and other spaces of leisure) as a refuge and welcome escape from the complexities of everyday life, while many fans of color simultaneously feel unsafe and ostracized at shows. Yes, it is 2020, and fans of color are still treated differently by fellow fans as well as venue staff and security. Festivals attended by 20,000 white fans openly doing drugs are lightly policed with a focus on keeping everyone safe, while festivals dominated by non-white people are heavily patrolled. As much as we may wish that live music could be âlove and lightâ for everyone, it is still an inequitable experience. An awareness of this inequity and the privileges that whiteness affords fans at shows and beyond is the first step to remedying itâfollowed by a commitment to take action and educate the fans, bands, venues, and cities/towns that all comprise the jam band community. Love and light must come with action and solidarity.Â
But it is not enough to simply say and believe that Black Lives Matter. White fans have to examine their own actions, take ownership of apologize for the transgressions they have made, and take real action to become not just ânot racist,â but actively antiracist. As a âwell-intentionedâ fan base, it will take work to understand where these transgressions occurânot always involving overtly racist behavior or times when Black fans have been physically harmed; it is more often microaggressions committed by unwitting fans, like asking a fan of color if it is their first show when it is in fact their 100th. For white fans, being willing to look at their own actions with a critical, antiracist lens is a crucial step, so that we can take action to avoid causing harm in the future. If I step on your toe, and when you cry out in pain simply say âIâm sorry, I didn't mean to step on your toe,â but take no action to prevent stepping on your toe again in the future, will you believe I am truly sorry? Even if I didnât intend to hurt you, I still did - the impact outweighs my intent. I must acknowledge that injury AND show what steps I am taking to prevent it from happening again. The road to racial equity is not paved with good intentions. (You know what they say about that road!).
The first step in this pledge signifies that as members of the jam band community, we are not only committed to achieving racial equity within this community, but to fighting racism wherever we find it. This starts within ourselves and extends to our communities, our country and beyond. Dedicating ourselves to active antiracism in the jam band community is just the beginning; from there, we must be emboldened and empowered to advocate for Black people, Indigenous people, and people of color everywhereâbecause none of us can breathe easy until all of us can breathe freely.