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Victor Burgin, Photopath, 1967-1969 'Photographs of the floor on which the work was to be installed in the exhibition context were enlarged to the extent that they exactly matched the scale of the floor itself. These photographs were then laid out directly on the floor of the exhibition room, so that they covered the object that they simultaneously presented.'
Victor Burgin, Photopath, 1967–9, installation view as part of ‘1956–1972 — When Attitudes Became Form’, Kettle’s Yard, Cambridge, 1986. (via Frieze)
“Photographs of the floor on which the work was to be installed in the exhibition context were enlarged to the extent that they exactly matched the scale of the floor itself. These photographs were then laid out directly on the floor of the exhibition room, so that they covered the object that they simultaneously presented.” — Daniel Marzona, Conceptual Art
Creado con #photopath (en Playa de Guardamar)