#philminton

Bazip Zeehok en Carl Ludwig Hübsch met Phil Minton in de Pletterij. Op donderdagavond 19 februari 2026 is er een dubbelconcert in De Pletterij. Alle ruimte aan de experimentele vrije vorm. Zangimprovisatie. De uit Keulen afkomstige tuba-speler Carl Ludwig Hubsch speelt een set met de onovertroffen Engelse stemkunstenaar meester van de improvisatiezang Phil Minton. Daarna neemt de Nederlandse band Bazip Zeehok het... https://www.haarlemupdates.nl/2026/02/06/bazip-zeehok-en-carl-ludwig-hubsch-met-phil-minton-in-de-pletterij/ #Haarlem #Pletterij #dubbelconcert #BazipZeehok #CarlLudwigHübsch #PhilMinton

Listen to Phil Minton for free: https://music.cliggo.com/artist/202316-Phil_Minton

‘Phil Minton and Maggie Nicols are two of the most important figures in field of free improvised vocal music. Their significance derives not only from their longevity—Nicols and Minton have each been consistently active in the U.K. and global improvised music scenes for nearly fifty years—or the innovations they are responsible for—Minton's album A Doughnut in Both Hands represents one of the earliest solo vocal free jazz/improvisation recording projects, Nicols' Feminist Improvising Group represented a progressive intervention into the male-privileging socio-politics of free jazz/improvisation communities in the 1970s and 1980s, and both Nicols and Minton are important figures in the practice of fostering choral improvisation—but also for the ethics governing the ways their practices have developed. This interview and critical introduction explore the shape of the ethico-aesthetics behind both their personal improvisational practices and the inclusive community improvisation projects they have developed, including Minton's Feral Choirs to Nicols' The Gathering.’