#peterbreck

Joseph Peter Breck (March 13, 1929 – February 6, 2012) was an American character actor of stage, television, and film. The rugged, dark-haired Breck played the gambler and gunfighter Doc Holliday on the ABC/Warner Brothers television series Maverick but is best known for his role as Victoria Barkley’s (Barbara Stanwyck) hot-tempered, middle son Nick in the popular 1960s ABC western, The Big Valley. Breck was also the leading man in an earlier ABC Western television series entitled Black Saddle.

Breck was the son of Joe Breck, “a popular show business figure of the 1930s.”[1] His parents divorced when Peter was 8. Peter went with Joe, while his younger brother George accompanied their mother, resulting in a decades-long separation.[1] In 1959, an Associated Press photograph showed the brothers reunited after being out of touch for 22 years. The caption explained: “George told newsmen he saw Peter on television and recognized a resemblance. He went to the actor’s studio and the relationship was confirmed.”[2]

WIKIPEDIA

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Primarily remembered as Barbara Stanwyck’s rugged middle son, Nick Barkley, the handsome and strapping “loose cannon” on the popular action-driven TV western The Big Valley (1965), actor Peter Breck is a survivor who has gone through the ups and downs of not only his own personal life but also of this tough business they call acting. Like Nick, Peter has maintained a strong, positive outlook and still shows the fighter in him in a career that has touched on five decades.

He was born Joseph Peter Breck, the son of a jazz musician also named Joseph (nicknamed “Jobie”). Over time, his father worked with such legendary greats as Fats Waller, Bix Beiderbecke, Paul Whiteman and Billie Holiday. Nicknamed “Buddy” while young, Peter’s parents were on the road for much of his early life and he was sent to live with his grandparents in Haverhill, Massachusetts, a move that provided more stability. His parents eventually divorced and young Peter returned to Rochester to live with his mother and her new husband, Al Weber, who was a sports editor of the Rochester Times-Union.

Following his schooling at John Marshall High School in Rochester, Peter served in the United States Navy. He then turned his attention back to education and studied English and drama at the University of Houston in Houston. While performing in college plays, he started to apprentice at Houston’s Alley Theatre, where he appeared in such productions as “Stalag 17”, among others. He also had a talent for singing and performed in several clubs around the Houston area.

Peter extended his stage resume at Washington D.C.’s Arena Theatre. While performing there in a 1957 production of George Bernard Shaw’s “The Man of Destiny”, he was “discovered” by Robert Mitchum, who cast him in an unbilled role in the film Thunder Road (1958), which Mitchum himself produced, co-wrote and starred in. Mitchum invited the young tenderfoot to Los Angeles and helped set him up out there. While Peter struggled trying to establish himself in films (he played a juvenile delinquent in the movie The Beatniks (1960)), it seemed that rugged TV roles came easier to him. He found his first series lead as “Clay Culhane” in the western Black Saddle (1959), the story of a gunfighter (Breck) who switches guns for law books and tries to tame the West through reason. Costarring Russell Johnson (later the “Professor” on Gilligan’s Island (1964)), who plays a suspicious U.S. Marshal, the series was canceled after two seasons.

A Warner Brothers studio contract, however, did come out of this-and a new visibility. Tall, dark and handsome at 6'2", Breck guest-starred on all the top Warner Bros. TV shows of the day: “The Roaring 20’s” (1960)_, Sugarfoot (1957), Surfside 6 (1960), Bronco (1958), Hawaiian Eye (1959), 77 Sunset Strip (1958), Cheyenne (1955) and played a recurring “Doc Holliday” in the popular series Maverick (1957). He returned to the movies as well, but this time in stronger leads or co-leads. Handed a choice co-starring assignment in Portrait of a Mobster (1961) opposite star Vic Morrow, who played the infamous “Dutch Schultz”, Peter also managed to show a rare, gentler side in the outdoor family drama Lad: A Dog (1962).

He left Warners after only a few years but managed to score the leads in two low-budget cult thrillers in its wake: Shock Corridor (1963)_ and The Crawling Hand (1963), along with a very dismal lead in the musical outing Hootenanny Hoot (1963), in which he was given no songs to perform despite his singing capabilities. Again, TV came to the rescue when he won the brotherly co-lead on The Big Valley (1965). Despite a uniformly strong ensemble cast that included oldest brother Richard Long, younger brother Lee Majors and sister Linda Evans, Stanwyck was the only performer on the show who was nominated for an Emmy during its four-season run (she was nominated twice and won once).

Following this TV peak, Peter abruptly left Hollywood and focused on the theater both in the U.S. and Canada throughout the 1970s, appearing in such showcase vehicles as “The Gazebo”, “A Thousand Clowns”, “The Rainmaker” and “Mister Roberts”. Married to former dancer Diana Bourne since 1960, the couple settled in Vancouver, Canada, with their son Christopher, where Peter checked out the film scene. He also set up a full-time acting academy school, The Breck Academy, which ran for ten years. Tragically, it was during this time that their son, Christopher, was diagnosed with acute myeloid leukemia and died (two years later).