#peter marsh

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Topics of conversation include UK reality TV shows, the Voyager Golden Record, German bluntness, TikTok, British cuisine, Reddit AMAs, title sequences, Braniac, baby-food names, bad puns, Eastenders, ready meals, Victoria Beckham, and why it's so difficult to watch this episode on YouTube.

Nathan’s Famous Exec and Snapple Heir Face Off in Sagaponack Over a $14.5 million property-deed typo. https://www.curbed.com/2023/02/nathans-famous-snapple-hamptons-deed-typo.html

While some electronic musicians seem to struggle heavily outside their introductory eras, some achieve their biggest successes, when they move beyond them. A good case of the latter might be Vangelis. He did debut during the 70's, yet the majority of his greatest hits comes from the 80's. Still, one must admit his inauguration for that decade, See You Later, baffles us. I agree, calling the disc his most experimental one might be too much, Beaubourg would like a word with you about this, though the LP does contain a fascinating paradox. On the one hand you recognize the Vangelis, which conquered the movie world with his soundscapes in the period, but on the other he also uses some elements he abandoned later on. Sadly, I might add, because they give something intriguing to his tone.

JAZZAJ NOVEMBER: JELENLÉT (3.) A brit Fourth Page olyan vidékekre visz, ahol ritkán járnak az improvizatív zene művelői. Ez a zene nem a tűéles percepciót célozza, sokkal inkább utaztat. Hunyorogva tekintünk erre a részletgazdag tájra, ami folyamatos mozgásban, átalakulásban van. Mint amikor félálomban nagyon elgondolkodunk valamin, de éber állapotban képtelenek vagyunk visszaidézni, mi is volt az. Álomszerű jelenlét, melynek zenei nyelvezetébe akár egy angol népdal is könnyűszerrel belefér és elképesztően frissen hat. Carolyn Hume — zongora Charlie Beresford – akuszitkus gitár, ének, khaen Peter Marsh – bőgő Paul May – ütőhangszerek vendég: Wei-Ya Lin – brácsa belépő: 1500.- A koncert után beszélgetés az előadók és a közönség részvételével. ________________________________________________________ JAZZAJ NOVEMBER: PRESENCE (3.) British Fourth Page takes improvised music to exciting places it hasn't really been before. Their music does not aim at an acute perception but rather makes you feel like traveling. While our eyes are looking through the details of this constantly moving, transforming scenery, we enter into a state similar to when we are thinking about something half asleep but cannot recall what it was once we are awake. A dream-like presence in which even an English folk song is welcomed and can sound immensely recent. Carolyn Hume – piano Charlie Beresford – acoustic guitar, vocals, khaen Peter Marsh – double bass Paul May – percussion guest: Wei-Ya Lin – viola admission: 1500.- After the concert we will have a discussion with the audience and the artists.

Photography by Natalie Marsh. Edited by Peter Marsh. http://xclaimnation.blogspot.co.uk/2016/02/suited-and-booted.html

Charlie Beresford - Vocals Carolyn Hume - Keyboards and Piano Peter Marsh - Double Bass, Electric Bass, Steel Guitar Paul May - Drums, Drum Fx & Overdubs Patrick Dawes - Percussion, Fx Guest Musicians; Duke Garwood - Guitar Chris Cornetto - Chinese Flute/flugelhorn Nina Abadzis - Choral Vocals James Burnham - Violin Jon Clayton - Cello Produced by Patrick Dawes Engineered by Jon Clayton, Patrick Dawes. Vocals - Charlie Beresford Mastering - Ben Turner Film edited by Charlie Beresford Footage by Charlie Beresford and Peter Marsh

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