#osquio

Verso: My parents were both artists. Widely respected, very prominent artists. So. There was a great deal of pressure to follow in their path.

Lune: You’re an artist then?

Verso: Not the kind they wanted me to be.

Lune: Meaning?

Verso: Music is my passion.

I'm going to take it at face value that both Versos had the same memories of their parent relationships growing up. Now what do we get from this conversation?

Both parents were artists and there was "a great deal of pressure" on him. He doesn't actually say if the pressure comes from the family, from himself, from other members in society, or who. I think if there is going to be a parent who pressured Verso more, it was likely Renoir. Canonically the "controlling" parent and husband, for starters. The real version started this whole war, and the painted version seems to be regularly telling painted Alicia what she should or shouldn't be doing, despite her being like 90 years old. BUT, in the sake of fairness and good spirit we could say that maybe Renoir and Aline were both giving equal pressure. Or maybe the council painters was giving pressure for all we know.

So you have Verso as an adult remembering feeling like he was pressured to follow in his parents' path. Aline in her memories, has visions of teaching him the piano and associates that as an activity they did together. Child Verso also loved her for that, and painted it in his cabin.

So the narrative here might be that Aline taught Verso to play piano, but when he became a teenager and was more serious about it, both parents pushed back and pressured him to be a painter instead. Yet Verso, as far as we know, successfully became a musician. He lived away from the Manor (reasonable for an adult), in the city center close to the Opera House where he performed. There doesn't appear to be any active negativity around that aspect of his life, and he talked about the presssure in past tense. Aline seems to have repainted him diligently with both his love of music and the memories of his parents pushing against it, for him to find independence and happiness with his artistic passion.

My read on this whole thing is that Verso probably told them as a teenager that he didn't want to paint anymore and wanted devote himself to music. They probably pressured him and tried to talk him out of it, but he was insistent. So, like a lot of parents, as he became an adult and pursued this track they accepted it and moved on.

We don't get any indication in the game that this was an active conflict in Verso's adult life. He is posing with them in a fairly recent portrait. That and the fact that he was at the manor when the Writers attacked Alicia tells me that he was at least in communication with his family and does not seem to have been estranged from them.

There's one more interesting thing from the DLC that I want to point out. Osquio says something like "You'll never be good enough as a musician, you'll have to paint forever."

To me, this speaks so strongly to young Verso's insecurities. He put all of that into an imaginary opponent that he could fight and defeat with his best friends. The fact that it's present in his drafts introduces more nuance about what the sources of pressure were on him growing up.

How much of this was really pressure from his parents, and how much was pressure that he put on himself? When I was a teenager there was a lot of things that I assumed about my own parents, and convinced myself that they believed something of me, and then when I actually talk to them over time I realized that some of these ideas I put in my own head. I would later find out that they didn't necessarily judge me in the ways that I thought they were.

That's only my personal experience, but knowing that and then looking at what the game gives us: (Aline + piano = happy memory, Verso having insecurities about choosing music, Verso verbally recounting that he was pressured) all of it makes a pretty soft gray area for me.

I look at all that and I think yeah, some of it was probably pressure from them initially, a lot of it was probably pressure from himself, and at the end of the day everyone moved on. He became a musician and the family still dearly loved him. If you didn't get it from the game itself then it should be obvious from the DLC that for all the Dessendres flaws as a family, they did fiercely love each other. So much of the story conflict is motivated by love.

To wrap this up, I'll say that the game gives us subtle nuances about how being a musician affected Verso's relationship with his family. It's a mixture of positive and negative (mostly positive) and Aline is intrinsically part of Verso's story of becoming a musician.

But the funniest thing about Osquio’s design is the inherent question it raises: when, where and how did ten-year old Verso sneak off to go and watch a wrestling match?

Right now I’ve got two theories:

Verso lied to Renoir and Aline that he was going to the opera house and secretly went to watch some local wrestling tournament with his friends. Exactly what a ten-year old boy of a upper class family is likely to do when he wants to do something that his parents would disapprove of.

OR

It's so bittersweet. Being in Verso's drafts is kinda painful. Being inside a child's safe place, an area in which he painted what his imagination came up with and how it's so precious.

I think I ran a bit everywhere but I haven't completed it yet.

But... the Osquio part, gosh the Osqiuo part. It was so cute and so painful and I wanted to hug Verso so bad at that moment. It was wholesome and even more bittersweet to play it after you finished the game, after we decided to destroy the canva or to keep it.

The music is amazing too. When I was fighting the Barbasucette (yeah I don't know the English name and I have no idea how they may have translated such name) Chromatic, it felt so LOGICAL.

It took me 44 minutes to beat Osquio as I'm not the best at parrying and dodging and then, when I fought the Barbasucette, the song made soooo much sense.

It's a child's world dreaming of going on adventures with his friend Esquie.

Oh and the drawings in the house in the tree...

There are so many things that hurt and I just wish that man had been able to live as he wished and just, live.

Seeing our Verso interacting so freely with the Expedition in this area was amazing. Sciel's chuckles, Lune's happiness and absence of waryness, Monoco's antics, Maelle appearing so calm and unburdened and Verso finally experiencing something he knows but never had the chance to do.

I loved every part of that addition and I can't wait to run around again even more.

The voice acting too?? When Verso says "tchou tchou" when taking the train my heart melted altogether.

Or Esquie telling us the poem Maelle used to create.

Osquio greeting us with "coucou" made me laugh so hard after such summoning ritual.