Wendell Berry, New Collected Poems; "Words"
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Wendell Berry, New Collected Poems; "Words"

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Dearest Faye, why did you pick Hugo as a gender neutral name? š
Why not?
It's just a name, you can literally do what you want.
2. Ruskin Bond in The Book of Nature / 3. Robin Wall Kimmerer in Gathering Moss / 4. Mahadevi Verma in My Family (tr. Ruth Vanita)
euripides // love is not enough - wet // captain america: the winter soldier, dir. joe & anthony russo // nikki giovanni // captain america: the winter soldier, dir. joe & anthony russo // aracelis girmay // carmen maria machado // lighthousekeeping - jeanette winterson // love is not enough - wet // carl phillips
As someone who tends to seriously overthink every aspect of everything they try to write and end up coming up with, I can't help but wonder, how do you come up with names for your characters (primary and otherwise)? I often end up getting caught in trying to make every character's name somehow meaningful or symbolic, when what sometimes feels easier for me is to just pick a name that "sounds" right for them. Just curious since I feel that yours all have lovely names. Thank you in advance! <3 <3
Ahh, this is a super interesting question!
The short answer is: for me, it depends on a whole bunch of random stuff.Ā
The longer answer is: sometimes Iām trying to be symbolic or make sure the name-meaning fits the character. Sometimes names are just names I like so much I want to give them to characters. Sometimes Iām stumped for 1000 years because a character wonāt tell meĀ their name, but I know everything Iām coming up with is not the right name.Ā Donāt underestimate the value of sounds right. For me, thatās usually a pretty strong indication that the characterās got an opinion and theyād rather you just stop fighting them and do what they want.
For example, Grace Shepard. There are a ton of lovely, character-appropriate connotations to Graceās name. One mightĀ think I hemmed and hawed and eventually decided on her name because of the symbolism. The truth, though, is that I just really love the name Grace. If Iād ever had kids, Grace was my #1 top choice for a girl. The main character in the first novel I considered publishable was named Grace. When the Shepard creation screen popped up and asked for a name, I chose Grace. To honor that character. Because I loved it. That it ended up being charmingly symbolic and wonderfully apt was aĀ bonus.
When choosing names, Iām usually aware of background. Turian names, for example, have a certain sound and a certain pattern. Funny as it might be to have a turian named Bob Jones, it would definitely break the usual pattern. Same goes for, say, ethnic background or family history. I try to choose names that either match the background (because the parents or grandparents insisted, for example, or because thereās a lot of pride) or diverge from the background (if, say, they didnāt want their kid to carry the weight of family names, etc.). I fully admit that I almost always check a nameās meaning before it settles, though. I donāt like it if the name means black soulĀ or something and Iām giving it to a protagonist. (Though you could, for the character to prove the nameās destiny wrong.)
Regardless of why I choose the name, the characterās backstory inevitably involves why they were given the name by the people who named them within the story. I think thatās important. While the short answer to āWhy this name?ā might beĀ āTara likes it,ā the longer answer has to include why the namer chose the name. That gives a character depth and history beyond justĀ āā¦the story has started and this character now exists.ā Naming is often an important part of what forms identity (the names weāre given, the names we choose, the names we reject).
So, looking at Grace again. You and I know she got her name because I liked it. Her parents, however, gave her the name not because they were really into virtues or wanted a little girl who was light on her feet but because she was named, at her motherās insistence, for her father (Gray Shepard). Itās a bit unexpected and adds something not only to Graceās characterizationĀ but the characterization of her parents. This solidifies the idea that Grace, as a character, existed in her universe long before I picked up my pen or before the character creation screen asked me for a name.
Now, donāt get me wrong: I did not know about Graceās parents when I created her or when I started writing about her. That information was revealed as I continued to delve into her story. Iāve never been the kind of writer who knows everything about a character before she picks up her pen (or opens her laptop). For me, storytelling is a journey. I am the first person the story gets told to; I like when things come as a surprise (or even better, when things end up having excellent story-based reasons I had no idea about when I first started creating).
Sidebar: Grace is also interesting because she has this name I have thought a lot aboutĀ but she never uses it. Again, the meta reason for that is because the game mechanics never use Shepardās name and I, stubbornly, wanted to continue that conceit in my own work. It meant, however, that I had to come up with really good reasons a person would stop using their given name. I like what I ended up coming up with; it feels weirder to use Graceās name than not because she, in my head and imagination, is so extremely disconnected from it.
SO ANYWAY. The tl;dr here is that I, too, am a proud(?) member of Over-Thinkers Anonymous. Naming characters is hugely important to me. Sometimes it comes easy, sometimes itās an enormous struggle, but I never throw in a name without considering its place in the story, itās relevance, whether it fits. Even for secondary characters!

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Rachel Cusk, from Outline
[Text ID: āā¦but perhaps,ā he said, āthe best way to confront our fears is to put them in costume, so to speak; to translate them, for the simple act of translation very often renders things harmless.]
James Baldwin, from If Beale Street Could Talk