#omeha

Rondalo font watch.

Bonus broadcast continues from Leap Day and begins WUSB’s week, month, and season for the second of three consecutive shows. Punk, noise punk, thrash, cassettes, demos and 45′s.

We can't get enough of 'Darius Koehli: Why Omaha?' from @editionpatrickfrey !!⁠ ⁠ Mad Dog Vachon, “Tarzan Tyler,” Masao “Rusher” Kimura—the ring names of the wrestlers who grappled for glory in the American Wrestling Association were as evocative as they were hair-raising. In 1969, the Swiss-born photographer @dariuskoehli_unofficial (born 1960), then just nine years old, spent nine months with his father in Omaha, Nebraska, where a neighbor took him to the hottest spot in town, the Civic Auditorium, to see some catch wrestling. With a remarkable eye for slapstick, and using his brand-new Kodak Instamatic, Koehli produced hundreds of snapshots of these formidable hulks, during and after their bouts. In the summer of 2019, Koehli uncovered the photo album he’d assembled 50 years ago in Omaha and decided to revitalize the pictures of this extraordinary time.⁠ ⁠ The selection featured in 'Why Omaha?' provides a glimpse of a bygone era in which professional wrestling was just taking off, enrapturing TV audiences.⁠ ⁠ #dariuskoehli #whyomeha #omeha #www #americanwrestlingassociation #amateurwrestling #professionalwrestling #omehawrestling #kodak #instamatic #civicauditorium https://www.instagram.com/p/CnPTiByufUx/?igshid=NGJjMDIxMWI=

The second of two ambient releases we discovered and then showcased on an earlier spring volume of Omega WUSB. It’s the Pan label’s first-ever compilation featuring formerly unreleased tracks from all current and new artists on their label, unlike the L.I.E.S’s ambient highlight flag Collection X, the other record showcased. “Mono no aware / もののあわれ” in Japanese means the empathy in things, hence Pan shows a more humanistic side of ambient music, looking towards the importance of specific moments in time and memories. That’s most evident in Malibu’s “Held” and Yves Tumor’s “Limerence”, focusing on the dialogue of young adolescence to create a once-in-a-lifetime moment of situational youth. Feel the thick rapid evaporation of AYYA’s “Second Mistake”, or become spiritive and meditative all throughout (Flora Yin-Wong’s “Lugere” for example). In contrast, Mya Gomez’ “Just For You” is that huge life realization rattling and up-ending your entire world, and slowly shows the results when everything settles down. Bill Kouligas’ “VXOMEG” runs right through ears like fast-forwarded cassettes half-pressed on play. Mono No Aware is the loudest in the middle but relaxing towards the end with Sky H1, M.E.S.H., Oli XL, and HVAD & Pan Daijing. As life, Pan’s compilation has its unstable and even unpredictable moments, not without other key moments of contemplation and reminiscence.

faltas tú y todo me sobra u_u