Out of darkness
So, he watches her.
The street is dark, and she is walking into the dark; he isnât quite sure where the borders of the darkness lie, in the pools of streetlight or in himself.  His eyes arenât working quite right anymore, and he clings on to the last sweet thing he will see, clings to the sight of her walking, as his brain clings to the last sweet thing it will know, the memory (remember me remember me) the memory of her body her lips the sadness in her eyesâŠ
The blood running down his hip and pooling in the plastic seat is sickly, stickily hot and he is beginning to feel numb inside, the pain putting itself at a distance from him.
The street is dark, and Aurora walks into the dark, and he goes into the dark watching her.
**
Dark indeed, long dark, long like a bad childhood, like a fever, like fear...
He can feel something in the darkness. Â A surface under his fingertips. Â He touches it. Â Firm. Not hard but firm. Â Neither warm nor cold. Â Motionless; not something alive. Â When he moves his hand, curls his fingers, his nails find a faint texture beneath them. Â Roughness, very delicate, structured, something interwoven, woven. Â Fabric.
He canât open his eyes, because dead men do not see. Â Then he does; and sees nothing. Â Lies in the dark, remembering with a brilliant vividness the young woman walking away from him, her straight back, swinging hips, sweet beauty going into the dark. Â Heâs there now in the depths of darkness and it still isnât over. Â He wonders how long it truly takes to die.
His breathing seems to be quite steady, and the pain has vanished. Â So thereâs that at least. Â Interesting to know. Â Dying, in these final stages; not painful.
He wonders if all the men heâs killed had a split second of this stillness in them, this quiet, troubled peace, before their shot hearts stopped.
On his left thereâs something that isnât darkness. Â It looks, weirdly, like the outline of a door, with a light behind it.
Gabriel would laugh if he had the strength or the breath left for it. Â The door to heaven, right there, shut in his face. Â Fair enough. Â Itâs hardly a surprise to learn he didnât do enough to merit redemption. Even now, even from here on the wrong side, the light beyond the door is strangely beautiful. Â Thin lines like the angelsâ lances, violent unearthly light of paradise, cutting through the endless night. Â Even if he didnât make it, then, heaven does exist.
Curious how comforting that is. Â Itâs not for him, but it is there, for others. Â Blessed Mother of God and the words float up into his mind and he canât remember the next line but even the start of the prayer sounds sweet Blessed Mother of God
Blessed Mother of God
Is this my consolation?
If this is all, I am content
Darkness
**
The next time he wakes, he sees a regular door, and daylight; and heâs in a small grey room, in a bed, with a pillow beneath his head. Â Things bleep.
His left side and his hand both hurt. Â He has no idea why his hand hurts.
It isnât until a nurse comes in, and he tries to say âWhat happened?â and cannot speak that he realises heâs been intubated. Â One of the beeping machines is helping him to keep breathing.
Itâs really true, then. Heâs alive.
âAh, good morning,â says the nurse when his desperate eyes meet hers. Â âGood, good.â Â He blinks at her. Â She nods her head though she cannot possibly know what heâs trying to say; checks the machinery, leaves him alone again. Â He lies looking up, staring at the reality of not being dead.
Later, for the rest of the day, doctors and other nurses come and go, and in between their visits he stares up and sees the plaster panels overhead, the support struts, the light fitting with the plain fabric shade. In his hearing all they will say is courteous, neutral, encouraging things, like relax, you need to rest and it was touch and go for a while there but youâll pull through and excellent, normal blood pressure.
Someone must have called an ambulance. Â The man behind the counter, perhaps. Â How wonderful after all his dark deeds to owe his life to some ordinary act of compassion, a little man at a diner counter making a telephone call.
And someone must be footing the cost of all this.  FĂ©lix, presumably, the sonofabitch would do a thing like that, after all.  No doubt heâll refuse ever to speak to Gabriel again, but heâll still pay his hospital bill; out of some sick sense of honour, or to prove his ownership, one last time.
On the second day he has a visitor.  Not Félix, not any of the crew, but Doña Cecilia.  He can see the shadows of her guards outside, one on either side of the door, but she comes in alone and stands looking down at him.  Gives him a faint smile from on high, like the royalty she is.
âSo, young Archangel, youâre still with us, then. Â You have a little breathing space. Â Time to think things through, eh? - make that decision we talked about.â
She doesnât stay long, and doesnât tell him anything about the rest of them. Â Thatâs bad, he thinks, with a coldness settling in his chest alongside the pain that seems to live there now. Â It could mean many things, and none of them are good.
They take the breathing tube out two days later. Â He wonders what to ask, now that heâll be able to speak again. Â Outside this little grey room, he has no idea of the shape of the world anymore. Â No idea even of who is living and who is dead. Â All he knows is that he should have been among the latter, and somehow he is not.
The doctor supervising the extubation asks him a couple of pointless questions, inspects his stitches, listens to his chest and abdomen, congratulates him on being alive; leaves.  The nurses renew the dressing on his wound, check his catheter  and the drip in his arm, give him sips of water from a cup like a babyâs beaker and promise him a first taste of solid food that evening.  Soup, they say, as though it were manna.  It sounds like manna.  Chicken soup with vegetables.
Itâs then that he decides to ask one question; the only one he has some hope will be safe. Â His voice sounds like sawdust. Â âPlease, who called the ambulance?â Â
âSeñor?â
âHow did I get here? â the guy in the diner, did he call an ambulance, was it him? Â Iâd like to thank him, when I get out.â Â
Saying that much has made everything hurt, and the nearer of the two nurses touches his hand gently.  âI donât know, Señor, but I can find out for you. Would you like that?  Now you need to rest, youâve had a tiring day.â
Strange to be petted, so, and spoken to like that; as though heâs a sick five-year-old, not a grown man and a murderer. Â
He nods, whispers a thank you, accepting her authority and her kindness. Â Stares up at the ceiling when the two of them leave, and is asleep within minutes.
**
âI found out the answer, Señor.  To your question.  I checked the records and apparently it was an anonymous caller.  A young woman, calling from a cell-phone.â
Blessed Mother of God, is this my consolation?  If this is to be all, I am content.  I remembered her, and she did not forget me.  Holy Mary, Mother of God, thank you, thank youâŠ
âItâs nice to see a patient smile like that,â one nurse is saying to the other as they leave the room. âHe looks happy to be alive for the first time.â
**
Doña Cecelia comes again the next day, and the rest of his questions are answered; and after that conversation, he lies shaking and unable to sleep, long into the night, in the darkness.
**
By the time Gabriel stands in front of a mirror for the first time and looks at himself with his bandages and dressings off, FĂ©lix and the boys, and the Señora, are all long buried, and he knows that there has been a guard on the door of his room the entire time, not just when Doña Cecelia visits.  The same guard who is now outside the hospital bathroom where heâs being prepared for his shower.  Heâs too weak to do the job for himself safely (and though his spirit bridles at hearing that, he has to admit the doctor is right; he can barely stand unaided after these weeks bedbound and inert).  He must bear being manhandled and washed by a stranger; like a small boy, like an orphan.  Itâs a peculiarly precise embarrassment.
He hangs on to the handles in the tiled wall with shaking arms, looks straight ahead, refuses to acknowledge the humiliation. Â Thanks the nurse afterwards.
The mirror had steamed up within moments. Â Heâd had enough of the view anyway. Â Always lean, heâs now painfully thin; cheekbones jutting, muscles wasted and slack. Â Yet his beard has grown well. Â He looks like a revolutionary out of a kidsâ history book; gaunt and angry, savage-eyed, and superbly moustachioed.
The scar on his abdomen is huge; easily four times the length heâd anticipated when he first felt the wound. Â Where the knife went in thereâs a ragged three centimetre slash but thatâs just the start; it extends above and off to the side now, neat surgical incisions. Â Its whole length sutured up with stitches black as boarsâ bristles, delicate as lace. Â
It itches and aches, and it feels as though every organ inside hurts too, despite the analgesia. Â
The cannula in his hand itches too, and the skin under the tape holding it down is inflamed. Â It wonât be taken out for another three to four days. Â Theyâre still pumping antibiotics into him through it. Â The consultant tells him smoothly that he should focus on making a good recovery instead of grumbling about a few square centimetres of rash. Partial splenectomy, traumatic injury to the large and small intestines and the left lobe of the liver, a punctured lung, and massive blood loss; plus a chip out of the anterior end of one rib. He had to ask for explanations of some of the medical terms, but now he knows, heâll remember.
âYou nearly died,â Doña Cecelia tells him firmly.  âNext time donât be so slow.  I shouldnât have to keep telling you these things.  Itâs time to get out of this life, Gabriel.â  She stands over him, looking down her regal nose; although her voice is kind sheâs never lowered herself to the level of giving him so much as a pat on the hand.  âIâll pay to keep you alive,â she tells him now âbecause you were always a good boy to me and I donât like the idea of your handsome face wasting into dust just yet. But I wonât give you a job, after. You need to understand that.  You were FĂ©lixâs man and I donât want that association.â Â
âOf course, Doña Cecelia. And thank you.  I am forever in your debt, beyond anything I can ever hope to repay.â
âReally?  Well, since you put it so nicely, you young gallant. So - donât be an idiot, then.  Live, and make a new start.  Since that idiot FĂ©lix made you his residuary heir and his poor whore of a wife predeceased him, you arenât without resources.â
âI donât want to carry on that business.â
âI should hope not! That isnât what Iâm paying good money for. Â Youâd be back in this place, in the morgue, within a week, the way things are at present. Why do you think I have a man stationed outside here right now, eh? Â The business has as good as collapsed anyway. Â But the properties he owned, those still have solid value. Â Think about it; make up your mind what to do, and then do it. Â Action has a magic of its own. Â Didnât some poet say that? Â So act.â
âI will, Doña Cecelia. I know what Iâm going to do.â
She smiles at that. Â âTell a lady your plans? Â Iâd like to think of you going out from here soon and finding yourself a life that wonât kill you. Â What are you off to do, then?â
Gabriel smiles, slowly, letting himself hope for the first time he can remember. âIâm going to Spain.â















