#oded ezer

RADíO FLoMM [glas] is STEVE MEHALLO MILK SURFACE AEYLYEAELLE ELLHE DE ELLENDEH LUIS MAGAÑA AND ALEJANDRA CALDERON OF ECHERI CERAMICS MARCEL DUCHAMP ORSON WELLES JASON SPYRES RANDEE TAVAREZ KEVIN TRIVEDI JENI SOTO PAUL WHITEMAN ODED EZER KAE ASTRA AUDREY DAGGETT MIHOVIL PIRNAT NIKKI SOUNDS LILLIAN JANIK AVONLEE JANIK NEW PHARAOHS LAURA BENSON WILLIAM BURG CHAD ANDRÉ ALEXANDRA BUSCHMAN ARRIAN DELABAHAN LOB INSTAGON TENTACULT ADAM MURPHY KING OLIVER RONE TRISTITIA LANGUOREM

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RADíO FLoMM [glas] is STEVE MEHALLO MILK SURFACE AEYLYEAELLE ELLHE DE ELLENDEH LUIS MAGAÑA AND ALEJANDRA CALDERON OF ECHERI CERAMICS MARCEL DUCHAMP ORSON WELLES JASON SPYRES RANDEE TAVAREZ KEVIN TRIVEDI JENI SOTO PAUL WHITEMAN ODED EZER KAE ASTRA AUDREY DAGGETT MIHOVIL PIRNAT NIKKI SOUNDS LILLIAN JANIK AVONLEE JANIK NEW PHARAOHS LAURA BENSON WILLIAM BURG CHAD ANDRÉ ALEXANDRA BUSCHMAN ARRIAN DELABAHAN LOB INSTAGON TENTACULT ADAM MURPHY KING OLIVER RONE TRISTITIA LANGUOREM

Design should be fun, not tiring.

Try to treat any problem as a challenge.

Daydream.

Sketch.

Never throw away any sketch or piece of work no matter how stupid and pathetic it is.

Bad ideas now can be brilliant solutions in the future.

Design should be easy to produce.

If something becomes too complicated simply avoid that direction.

Use simple and cheap materials an techniques.

Amuse yourself.

Always listen to other people.

Never let anyone else decide for you.

Unless you have a real reason, work with black and white only.

Unless you have a real reason, work on your own.

Don't look at graphic design books for inspiration when you are short of new ideas, instead take a long walk or meditate.

Adopt other people methodologies, not their style

Be obsessive.

Be generous.

Be as honest as you possibly can.

At the Goldsmith Press, we often work with members of the community to write and express their stories through moveable wooden type. When they've pulled their print(s), often you'll see an expression of awe and excitement on the faces of brand new printers. They're excited because they made this material expression with an unfamiliar tool and succeeded. They're excited because they've used that tool to tell a story about themselves. I suspect they might also be excited because the press was a public outlet to tell their stories when there might not have been one available previously. This can be incredibly empowering or cathartic.

Recently, in a blog article for Print Magazine, Ellen Shapiro wrote about the designer/typographer Oded Ezer. He has numerous accomplishments to his name, but a recent project really stood out to me. Shapiro wrote that Ezer is currently leading a research experiment at RISD regarding the curative or healing powers of type. . . or to "test one’s personality characteristics and emotional well-being."