PRODUCT SHOTS// OBJECTS CLASS (STUDIO WORK)
IMAGE ONE - ILLUSTRATIVE
IMAGE TWO - CREATIVE
CAMERA SETTINGS; CANON 1100D MODE: MANUAL Shutter speed: 1/125 ISO: 100 Aperture: f/13 WB: Flash
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PRODUCT SHOTS// OBJECTS CLASS (STUDIO WORK)
IMAGE ONE - ILLUSTRATIVE
IMAGE TWO - CREATIVE
CAMERA SETTINGS; CANON 1100D MODE: MANUAL Shutter speed: 1/125 ISO: 100 Aperture: f/13 WB: Flash

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FINAL PRODUCT IMAGES// OBJECTS CLASS
IMAGE ONE - ILLUSTRATIVE
IMAGE TWO - CREATIVE
IMAGE THREE - COMPLEX (LOCATION)
DEPTH OF FIELD RESEARCH//OBJECTS CLASS
Depth of field means the distance between the nearest point of the subject and the furthest which can either be sharp or in focus.
A wide aperture, which is the smallest f stop (e.g. f/1.4) means that the opening of the lens will give the least depth of field.
Whereas the smallest aperture which is the highest f stop (e.g. f/22) will give the greater depth of field.
Depth of field depends on how close or far from the subject you are: Becomes less when focusing on something up close and greater when you are further away from the subject.
Your lens also has an impact on the depth of field as the longer the focal length you're lens has, the less depth of field. For example if you are shooting with a 300mm lens you would have to use a small aperture to achieve a similar depth of field as using a 50mm lens at f.4.