NikonOne, Thirty Days Of The Waiting Blues
#dc comics#dc#bruce wayne#batman#dick grayson#dc fanart#tim drake#batfamily#batfam


seen from United States

seen from Brazil
seen from Vietnam
seen from China

seen from United States
seen from TĂŒrkiye
seen from China
seen from Mexico
seen from Australia
seen from Australia
seen from United States

seen from United States

seen from Australia

seen from Netherlands
seen from Vietnam
seen from China
seen from China

seen from Australia
seen from Australia
seen from Russia
NikonOne, Thirty Days Of The Waiting Blues

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
NĂ©gy Ă©v pihenĆ utĂĄn vĂ©gtĂ©re is ollĂł alĂĄ kerĂŒltek Hava Dani barĂĄtommal a 2013-2015-ig tartĂł közös munkĂĄink alatt kĂ©szĂŒlt felvĂ©telek melyek egyben graffiti âkarrieremâ 20+ Ă©ves tetĆzĂ©sĂ©nek s belĂĄthatatlan idĆre valĂł lezĂĄrĂĄsĂĄnak csodĂĄlatos kĂ©pei , melyek Dani kamerĂĄin keresztĂŒl rögzĂŒltek. Ennek a korszaknak adtam A felhĆk Ă©s fĂ©nyek orszĂĄga cĂmet, amit Ć ebben a kisfilmben foglalt össze. âââââââââââââââââââââââââââââââââââââ After four years we finished the common work  (2013-2015) with my friend Daniel Hava cinematographer, he made the final cuts on his recordings. It was the closing season of my 20+ years graffiti âcarrierâ for a while. The era what I call The land of clouds and lights.
Speed is essential to the Jianke (éæ·)-
As many weapons have a longer reach, or are more powerful than the jian, it is essential that the jianke be able to move faster than his or her duifang. Being faster than one's duifang means that any advantage in power or reach he or she may have, can not be applied. This does not simply mean that the jianke must develop an agile, spirited body, but that his or her "listening" and "interpreting" skills are also sharp and quick. True speed does not come solely from the speed one can move one's body. It comes from how quickly one comprehends the duifang's actions. Knowing where a duifang's cut is coming from and where it is going, correctly understand the action, allows the jianke to arrive before it lands, either intercepting the cut, voiding it or controlling it for a quick deflection into counter-cut even though this cut may have begun first. This kind of listening is developed from a body and mind that have shed tension and remain in the moment.
mood by: NikonOne
illusztrĂĄciĂłm Gustav Nachtigal - Szahara Ă©s SzudĂĄn cĂmƱ könyvĂ©nek, 12. RablĂłtĂĄrsasĂĄg cĂmƱ fejezetĂ©hez.
RablĂłtĂĄrsasĂĄg.
âCsatlakoztam tehĂĄt a nyugtalan Ă©letƱ uled-szolimĂĄnok karavĂĄnjĂĄhoz. Kicsiny arab törzs ez, szĂ©tszĂłrva, egyesĂtett haderejĂŒk aligha Ă©rte el valaha az ezer fĆnyi lovast. TörtĂ©netĂŒk roppant kalandos. Ćsi hazĂĄjuk a Földközi-tenger mellĂ©ke. A Nagy Szirtisz környĂ©kĂ©n legeltettĂ©k a nyĂĄjaikat, nyaranta meg Fezzan oĂĄzisaiba vonultak a datolyaszĂŒretre. SĂșlyos belsĆ meghasonulĂĄs következtĂ©ben elvesztettĂ©k fĂŒggetlensĂ©gĂŒket.A tripoliszi pasa szolgĂĄlatĂĄban öt nagy rablĂłhadjĂĄratban vettek rĂ©sz, FezzantĂłl a CsĂĄd-tĂł körĂŒli orszĂĄgokig. LĂĄttam öregeket akik rĂ©sztvettek ezekben a harcokban. CsillogĂł szemmel beszĂ©ltek a rĂ©gi szĂ©p idĆkrĆl. Amikor ismĂ©t fölvirult, megerĆsödött a törzs, tizenkĂ©t Ă©ven ĂĄt uralkodtak Fezzan fölött Ă©s nyugtalanĂtottĂĄk Tripoliszt. KĂ©sĆbb azonban a törökök hatalma megszilĂĄrdult Tripoliszban, levertĂ©k a szolimĂĄnokat, fĆnökĂŒk haldokolva megeskĂŒdött hogy önkĂ©ntes szĂĄmĂŒzetĂ©sbe vonul. A legyĆzöttek a szaharĂĄn ĂĄt Borkuba, onnan Kanembe, a CsĂĄd-tĂł mellĂ©kjĂ©re vonulutak vissza. BĂĄmulatos szĂvĂłssĂĄggal Ă©s vĂĄllalkozĂł kedvvel egymĂĄs utĂĄn valamennyi törzset megtĂĄmadtĂĄk a Bornuba vivĆ ĂșttĂłl keletreTibeszti Ă©s a CsĂĄd-tĂł között. GyƱlöltĂ©k Ă©s rettegtĂ©k Ćket. Amerre elvonultak, minden elrabolhatĂłt elraboltak. EgĂ©sz vidĂ©kek elnĂ©ptelenedtek. Sikereik föltĂŒzeltĂ©k Ćket.ZsĂĄkmĂĄnyra Ă©hes kalandor Ă©szakafrikai törzstĂĄrsaik tĂĄmogatĂĄsĂĄval szemet vetettek a tuaregek tevĂ©ire. TudvalevĆ hogy az egĂ©sz vilĂĄgon a tuaregeknek vannak a legkitƱnĆbb tevĂ©ik. A martalĂłcok kedvelt cĂ©lpontja volt Kauar oĂĄzis, a Bornuba vivĆ Ășt mentĂ©n Ă©s az oĂĄzist körĂŒlvevĆ sivatag. NĂ©gy Ă©v alatt 50,000 tevĂ©t szedtek össze azon a tĂĄjon. AzutĂĄn következett a bƱnhĆdĂ©s.  A tuaregek 1850-ben mintegy 7000 emberrel, tevehĂĄton Ă©s lĂłhĂĄton, hirtelen fölbukkantak Kanemben, egy szoros völgyben rajtaĂŒtöttek az elbizakodott ellensĂ©gen Ă©s kĂ©zitusĂĄban a fegyverfoghatĂł fĂ©rfiak szĂnevirĂĄgĂĄt kiirtottĂĄk. A fĆnök is elesett, csalĂĄdja hĂ©t tagjĂĄval egyĂŒtt. Hazaz apjaa helyszĂnĂ©n mesĂ©lte el nekem a vĂ©res kudarcukat. Ć maga is rĂ©sztvett a harcban. Alig huszadmagĂĄval maradt volt meg hĂmondĂłnak. LĂłhĂĄton menekĂŒltek. Barth, a nĂ©met utazĂł, kevĂ©ssel ezutĂĄn jĂĄrt (1851-ben) Kanemben. Ăgy emlĂ©kezik meg az uled-szolimĂĄnok törzsĂ©rĆl, mint amely vĂ©gleg el fog tƱnni. Nem Ăgy törtĂ©nt. SzĂvĂłs Ă©letereje megmentette a törzset. Az Ă©letben maradtakat Bornu vĂ©delmĂ©be fogadta, lovat Ă©s fegyvert adott nekik Ă©s hatĂĄrĆrökĂŒl alkalmazta Ćket Vadai ellen. JĂłllehet kevesen voltak s nem akadtak ekkoriban kivĂĄlĂł vezetĆik, tĂșlĂ©ltĂ©k a vĂĄlsĂĄgos idĆt. NemsokĂĄra mĂĄr több szĂĄz fĆnyi lovast Ă©s gyalogost ĂĄllĂtottak ki. BĂ©kĂ©t kötöttek a tuaregekkel, Borkut sikerĂŒlt megtartaniuk Ă©s Kanemben egyre erĆsebben megvetettĂ©k a lĂĄbukat.Amikor Ă©n ott megfordultam, messze földnek föltĂ©tlen urai voltak ismĂ©t az uled-szolimĂĄnok Ă©s Ă©ppĂșgy fĂ©ltĂ©k Ă©s gyƱlöltĂ©k Ćket mint virĂĄgzĂĄsuk idejĂ©n. PortyĂĄzĂĄsaikkal mĂ©g egyre nyugtalanĂtottĂĄk a szomszĂ©d nĂ©peket. MennĂ©l jobban elnĂ©ptelenedtek Kanem pusztĂĄi Ă©s Egei Ă©s Bodele lapĂĄjai, KanemtĆl Ă©szakkeletr, amelyek valamikor oly gazdagok tevĂ©kben s mentĆl inkĂĄbb visszavonult a a kanemi lakossĂĄg a CsĂĄd-tĂł szigeteire, annĂĄl messzebre kiterjesztettĂ©k rablĂłhadjĂĄrataikat.MĂ©g DarfurtĂłl Ă©szakkeletre is elkalandoztak. IdĆ Ă©s tĂ©r nem szab hatĂĄrt a sivatag fiĂĄnak. ElvĂĄndorol az a vilĂĄg vĂ©gĂ©ig, amĂg tevĂ©t s Ă©lelmet talĂĄl s ahol fölĂŒti sĂĄtrĂĄt vagy kunyhĂłt rak magĂĄnak : ott a hazĂĄja.â
A 19. SzĂĄzad mĂĄsodik fele valĂłsĂĄgos hĆskora volt az Afrika felfedezĆ utazĂĄsoknak, ezek közĂŒl is kiemelkedĆ eredmĂ©nyeket Ă©rtek el nĂ©met szĂĄrmazĂĄsĂș tudĂłsok, felfedezĆk akik közĂŒl többen az Ă©letĂŒkkel fizettek a titokzatos Ă©s vad földrĂ©sz etnikai Ă©s geolĂłgiai feltĂ©rkĂ©pezĂ©séért. Gustav Nachtigal feladata az volt hogy I. Vilmos porosz kirĂĄly ajĂĄndĂ©kait eljuttassa omĂĄrhoz, Bornu fejedelmĂ©hez ( a Bornui kirĂĄlysĂĄg ma közĂ©p SzudĂĄnban lenne, a CsĂĄd-tĂł partjĂĄn ). FeladatĂĄt fĂ©nyesen megoldotta, utazĂĄsa azonban 5 Ă©vig tartott.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
Way of the Jianke ććźąäčé Essential Elements of Chinese Swordsmanship
The Five Essential Elements of Jianfa are- Versatility (éæŽ») Speed (éæ·) Internal Power (ć §ć) Courage (èœć) Calm (æČç)
The Jianke must be Versatile (éæŽ») -
The strength of jianfa is its adaptability. Various systems of jianfa have different numbers of basic cuts, though most have many in common, such as ci (thrust) and pi (split). Some cuts are short and quick. Others are powerful enough to rend limbs from the body. Some cuts are percussive, and hit with a shocking blow. Others slice and move past the target.
The jian makes good use of both the edge and tip, employing both cut and thrust. By switching freely back and forth between striking with the edge and tip, the jianke can choose from a variety of effective possibilities to deal with the task at hand. This variety allows the jianke to quickly adapt to any situation, while remaining unpredictable. So, while the jian is not as powerful as a two-handed saber, such as the zhanmadao, and lacks the reach of a spear, in well trained hands, its wide range of techniques give it an adaptability that makes it a formidable weapon. The key to achieving this adaptability is a through study of the basic cuts under an accomplished jianke. Once one has a solid understanding of jianfa, it is important for the jianke to look at other types of swordsmanship and weapons training. The idea is not to study many other systems, but to be familiar enough with them to understand the strength and weakness of other weapons. Such observation can also inspire the jiankeâs sword work. So one must not only study one's own system in a pure fashion to grasp its essence, but also engage in swordplay free of dogma, calling upon the most effective techniques, regardless of which system it belongs to. As Sunzi wrote, "one should apply the orthodox as the unorthodox and the unorthodox as the orthodox."
Download the complete article Way of the Jianke ććźąäčé Essential Elements of Chinese Swordsmanship at- https://www.grtc.org/resources/articles/way-jianke/ & the posters series at: https://www.amazon.com/Great-River-Taoist-Center-Jianke/dp/B07KX4G2J2/ref=olp_product_details?_encoding=UTF8&me=
The Jianke must have Courage (èœć) -
Perhaps the Yang Family treatise, the âSong of Prefect Clarityâ explains this best. One section from that classic reads, "Being bold is not correct, Being timid is not correct, Strong courage and keen perception is correct."
To be bold means to move forward aggressively, regardless of what lies in front of one. This often means that paying no attention, one moves too quickly, often faster than one's duifang is moving. This can easily result in running into the duifang's weapon. When one wins through boldness, it is because one is facing a duifang who is timid or inexperienced.
To be timid means to be restricted by fear. This means that one will be bound by inhibition and move too slowly to respond appropriately to the actions of one's duifang. When one prevails through timidity, it usually means that one's duifang was over confident, sloppy or foolish, and ran into one's weapon.
To have strong courage means that one is mindful, yet free of fear or concern about injuries. Through listening, moving with the momentum of the the action, one simply moves forward or back as appropriate, passively or actively, without any dogmatic adherence to technique.
a gift to Matt from New york and his fav place the Banff national park