-Dan Levy on writing the character of David on Schittâs Creek:
âI wanted to have a more substantial role that really kind of celebrated who I was in a way that felt really authentic to my experience and the experience of my friends. And you donât get those that often because I think a lot of the time, you donât get a lot of queer people writing the script.Â
So, itâs coming from a perspective that isnât quite lived in. Itâs an observation of a person as opposed to coming at it from the inner workings of that person.â
I love this explanation of why diversity matters. We can make assumptions about someone elseâs experience, but well, we all know what they say about assuming...
Without people from many different types of backgrounds, weâre missing important threads in the tapestry. Â
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This week, Darren Criss announced heâll no longer take on gay roles. The 31-year-old actor, who has famously played several queer characters including Gleeâs Blaine Anderson and recently won an Emmy for his outstanding performance as Andrew Cunanan on The Assassination of Gianni Versace: American Crime Story, tells Bustle, âI want to make sure I wonât be another straight boy taking a gay manâs role.â
Many people in the queer corners of the internet praised Criss for taking a stand to create space for openly gay entertainers, while others were simply shocked to learn Criss is actually straight and engaged to his girlfriend of nearly a decade. Though I, too, appreciate Criss for acknowledging Hollywoodâs ongoing representation problem and sacrificing his livelihood for us gays, I think Criss, Claire Foy, Eric McCormack, Melissa McCarthy, TimothĂŠe Chalamet, Rami Malek, and any other straight actor who gets offered a gay role should take it and slay it.
First of all, youâre an actor. Itâs your job to play someone else and make us believe it. If I wanted to watch a movie where an actor just plays himself, Iâd just watch Adam Sandler. Second, you walking in those gay shoes will help us to run (or sashay) later. Third, we can walk and chew gum at the same time. In other words, yes, Hollywood needs to look at its casting problem, but it also needs to work on its lack of creative storytelling. Lastly, if youâre an actor who wants to be an advocate and an ally for the LGBTQ community, donât give up your damn seat at the table. Invite gay actors inside from the picket line.
Criss absolutely killed (no pun intended) his role as Andrew Cunanan this year. And did you see Melissa McCarthy and Richard E. Grant as queer con artists in Can You Ever Forgive Me?Didnât Rami Malek totally rock you as Freddie Mercury in Bohemian Rhapsody? All of these performances of real-life queer people are strong contenders for awards heading into the 2019 award season. Bohemian Rhapsody is now the most successful music biopic of all time.
Queer lives are being celebrated, recognized, and are making bank.
And with films like Love, Simon, Call Me By Your Name, Boy Erased, and The Miseducation of Cameron Post accelerating acceptance by furthering the conversation on coming out and conversion therapy, young LGBTQ people are being inspired and empowered to come out and love themselves despite the hateful rhetoric being spewed by our very own leaders. Yes, itâd be nice if those characters were played by actors from the queer community, but is it the end of the world if itâs ChloĂŤ Grace Moretz?
Whatâs also great about the latest queer-themed movies is that the narratives are becoming more nuanced. Weâre moving away from the tired-ass gay best friend and confidant (mostly), and weâre seeing our contributions to society and complexities as humans. Shows like Will & Grace and movies like Transamerica ran, so Pose, Call Me By Your Name, and The Favouritecould strut and death drop. Weâre seeing nuanced gay characters who arenât props, sidekicks, and punchlines, but protagonists who are owning their stories, helping young gays understand themselves, changing hearts and minds, and exposing viewers to someone who may not be exactly like them.
So what if itâs Armie Hammer in short shorts? We could do worse.
Yes, thereâs much more work to be done. So if Criss wants to be an ally, he should wield his power and privilege to bring in diverse creatives to be in front, behind, and beside the camera when heâs given the platformânot give it up.
As NewNowNext writer Lester Fabian Brathwaite points out in his look-back at this yearâs best in queer TV, â2018 was a banner year for queer television based not only on representation but the sheer quality of that representation.â Has there ever been so many choices across almost every entertainment genre and platform for queer audiences to âexplore the entire rainbow of identities without feeling forced or contrived?â
Crissâ Blaine sang so Ryan Jamaal Swainâs Damon (Pose) could shine. Will Truman and Jack McFarland kissed so Kevin Keller (Riverdale) could cruise for cock in the woods.
This year, I spoke to many a filmmaker and actor about Hollywoodâs representation challenges. Newcomer
Hank Chen
(Life Size 2) and Oscar-nominated Philadelphiascreenwriter
Ron Nyswaner
both told me about the consistent need to justify having a queer characters in scripts in the first place.
âI am optimistic there soon wonât be a justification needed for an Asian person or a gay person in a script,â says Chen. âThey wonât have to have some sort of traumaâunless it serves the purpose of the movieâwe can just be allowed to be ordinary people, too.â
Thanks in part to the success of films and shows helmed by straight actors, we now get to have creators like Lena Waithe and Desiree Akhavan who are now creating space for others. So, no, Darren, do not pass up the next chance to play gay. Take it. Youâre giving the community much-needed visibility, youâre showing our stories and our lives matter, and youâre creating opportunities for more of us to come through the door.
And honestly, our stories may not get told at all otherwise.
From spooky first dates to crafty assassins to the House of Evangelista, it was a wonderfully queer year in TV.
2. The Assassination of Gianni Versace: American Crime Story â âA Random Killingâ (S01E03)
In truth, nearly any episode couldâve made it onto this list, but the third episode (besides being perhaps the best overall) was the first to fully and most artfully demonstrate whatâand whoâthe limited series was truly about. Judith Light runs away with the episode as Marilyn Miglin whose husband, Lee (Mike Farrell) is brutally murdered by Andrew Cunanan (Darren Criss). Refusing to believe the truth about her husband, that he lived a double life as a homosexual, she insists his murder was randomâthough the true random killing takes place later when Cunanan murders an innocent caretaker to steal his pick-up truck. The whole thesis of this edition of ACS is predicated on Cunanan being able to get away with these murders because his victims were gay menâand therefore of little consequenceâbut by using Gianni Versace (Ădgar Ramirez) as an entrypoint, Ryan Murphy and co. were able to paint a picture of the causes and consequences of homophobia and what it meant, and what it continues to mean, to be queer in America.
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