Plotinus: Sense-Perception "Sense-perception, as Plotinus conceives it, may be described as the production and cultivation of images (of the forms residing in the Intelligence, and contemplated by the Soul).

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Plotinus: Sense-Perception "Sense-perception, as Plotinus conceives it, may be described as the production and cultivation of images (of the forms residing in the Intelligence, and contemplated by the Soul).

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Zeen Chin
The Giving Universe - Some Quotes
From Deo Mercurio:
The Neoplatonist Proclus outlined a very coherent explanation of why we exist.[5] (His spiritual explanation also accords well with contemporary scientific ideas, bearing comparison to the Big Bang.) Souls, animated beings, material nature, are neither more nor less than the by-products of a providential essence whose beneficent and generative nature is such that it is incapable of not producing. The sun provides us with the prime example of this process. That star is incapable of ceasing to shine, to give off light and heat without end. But it gives them without troubling itself, without wearing itself out, without making an effort.
The Tao Te Ching, Chapter 4 (trans. John C. H. Wu):
The Tao is like an empty bowl, Which in being used can never be filled up. Fathomless, it seems to be the origin of all things. It blunts all sharp edges, It unties all tangles, It harmonizes all lights, It unites the world into one whole. Hidden in the deeps, Yet it seems to exist forever. I do not know whose child it is; It seems to be the common ancestor of all, the father of things.
And an excerpt from Chapter 5:
Between Heaven and Earth, There seems to be a Bellows: It is empty, and yet it is inexhaustible; The more it works, the more comes out of it.
And, finally, Chapter 6:
The Spirit of the Fountain dies not. It is called the Mysterious Feminine. The Doorway of the Mysterious Feminine Is called the Root of Heaven-and-Earth. Lingering like gossamer, it has only a hint of existence; And yet when you draw upon it, it is inexhaustible.
"The idea is that we can't correctly interpret a piece of verbal art unless we know the personal and/or psychological circumstances surrounding its creation. That this is simply assumed as an axiom by many biographers is one problem; another is that the approach works a lot better on some writers than on others. It works well on Kafka -- Borges's only modern equal as an allegorist, with whom he's often compared -- because Kafka's fictions are expressionist, projective, and personal; they make artistic sense only as manifestations of Kafka's psyche. But Borges's stories are very different. They are designed primarily as metaphysical arguments†; they are dense, self-enclosed, with their own deviant logics. Above all, they are meant to be impersonal, to transcend individual consciousness -- ''to be incorporated,'' as Borges puts it, ''like the fables of Theseus or Ahasuerus, into the general memory of the species and even transcend the fame of their creator or the extinction of the language in which they were written.'' One reason for this is that Borges is a mystic, or at least a sort of radical Neoplatonist -- human thought, behavior and history are all the product of one big Mind, or are elements of an immense cabalistic Book that includes its own decoding." Oh man, David Foster Wallace can really return a serve.

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Indeed they are...
The Neoplatonist Iamblichus reinforced this when he stated that the causal approach to nature consisted “in positing mathematical things as causes” from which the objects in the perceptible world arise. He subscribed to the Pythagorean belief that only what was possible in mathematics was possible in the structure of nature, and that nothing could exist that implied a mathematical impossibility. These are advanced thoughts for such an early era in our history.
Silvano Leonessi, adapted by Mary Jones, S.R.C., The Pythagorean Philosophy of Numbers, "Rosicrucian Digest" No. 1, p. xx (2009)
Hypatia (1885). Charles William Mitchell (British, 1854–1903). Oil on canvas. Laing Art Gallery.
Hypatia (ca. AD 350/370–415) was a Greek Neoplatonist philosopher and mathematician in Roman Egypt. As head of the Platonist school at Alexandria, she also taught philosophy and astronomy.
"...a mob of Christians gathered, led by a reader named Peter...They kidnapped Hypatia on her way home and took her to the 'Church called Caesareum. They then completely stripped her, and then murdered her with tiles.' Afterward, the men proceeded to mutilate her, and finally burn her limbs."