#neo-expressionist

WHISTLER’S MOTHER (1871) by JAMES MCNEILL WHISTLER

WHISTLER claims that his mother did not add any symbolism to the painting, but it appears that WHISTLER unknowingly painted a large portion of his mother's personality on the canvas. This painting was painted during the CIVIL WAR, when ANNA MCNEILL WHISTLER'S three sons lost their lives.

WHISTLER deliberately portrays her as a pillar of stability, a moral pillar whose presence appears to be both reassuring and intimidating. She stares straight ahead, seemingly lost in contemplation of her own life and the chaos around her.

At the age of 67 and in ill health, the artist opted for a seated portrait of his mother rather than a standing portrait, seating her side-on, lifting her feet from the cold floor on a stool and positioning her against a drapery with one of his framed etching on the wall.

WHISTLER achieves a harmonious equilibrium between vulnerability and vigor, delicacy, and aggression in his work, which is painted on a bare canvas with thin layers of paint. One of the most captivating aspects of the painting is undoubtedly the incorporation of transparency into the fabric; it appears as if one can almost sense the texture and softness of the lace due to its graceful draping.

Different art critics at the time were divided on this painting. Some thought WHISTLER'S mother dress and posture were a sign of grief. Others thought the artist's use of dark colors in the painting was a sign of sadness. Still, others consider this incredible work of art to be the perfect metaphor for parenting.

LEAPSICKNESS THE LAW OF LIQUIDS THAT THORN IN MY HEAD NAGGING MY FISTS CLOSED VICTIMS OF EMBELLISHED HISTORY THE SPORES FLOATE

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Jean-Michel Basquiat

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Source: http://twitter.com/TimeOutNewYork/status/991104959549706241

A giant statue of wings is now on view at Rockefeller Center: https://t.co/VK27rdZrmW pic.twitter.com/Hg5mHbv8hG

— Time Out New York (@TimeOutNewYork) May 1, 2018