epigraphs listed in the brutish museums: the benin bronzes, colonial violence, and cultural restitution by dan hicks (2020)
[Image ID: The methods by which this Continent has been stolen have been contemptible and dishonest beyond expression. Lying treaties, rivers of rum, murder, assassination, mutilation, rape, and torture have marked the progress of Englishman, German, Frenchman, and Belgian on the dark continent. The only way in which the world has been able to endure the horrible tale is by deliberately stopping its ears and changing the subject of conversation while the deviltry went on. W.E.B Dubois, ‘The African Roots of War’, 1915. And what of the museums, of which Europe is so proud? It would have been better, all things considered, if it had never been necessary to open them. Better if the Europeans had allowed the civilisations beyond the Continent of Europe to live alongside them, dynamic and prosperous, whole and unmutilated. Better if they had let those civilisations develop and flourish rather than offering up scattered limbs, these dead limbs, duly labelled, for us to admire. After all, by itself the museum means nothing. It means nothing. It can say nothing. Here in the museum, the rapture of self-gratification rots our eyes. Here, a secret contempt of others dries up our hearts. Here racism, no matter if it is declared or undeclared, drains all empathy away. No, in the scales of knowledge the mass of all the museums in the world could never outweigh a lone spark of human empathy. Aimé Césaire, Discours sur le colonialisme, 1955 (author’s translation) end ID/]
