#mossovy

A fashion editor at the Met Gala: "Schiaparelli's influence was all over that Game of Thrones redesign. The Yi Ti collection felt both ancient and futuristic. It had that surrealist goth sensibility that made the Schiaparelli family so famous, and it really pushed the boundaries of what imperial fantasy could look like."

A fashion blogger: "The Yi Ti outfits were an obvious nod to Guo Pei, but it's the subtleties that make it so clever. You see those Schiaparelli details—the surrealist elements—and it elevates the whole thing from historical fantasy to a true work of art. It’s the kind of high-concept fashion that leaves you speechless." [0]

A fashion historian: "The Yi Ti fashion was a masterclass in blending influences. You had the opulent Chinese aesthetic of Guo Pei, but with a touch of Elsa Schiaparelli’s surrealism. It was theatrical and beautiful, and it perfectly captured the courtly grandeur of Yi Ti."

A New York fashion student: "That Yi Ti fashion line was insane. I mean, all the designs were killer, but the Yi Ti looks were just next level. That's the power of Schiaparelli right there. You could just feel the artistic lineage, you know? It wasn't just costumes; it was wearable art." [0]

Molly on the Lhazareen fashions: "The Lhazareen collection was all about Tibetan fantasy. We focused on natural fabrics, earthy tones, and intricate, hand-stitched details. We added a touch of magic with swirling, wind-like patterns and subtle metallic thread, almost like the whispers of mountain spirits."

A fabric dealer in the Garment District: "I remember Molly and her team coming in, asking for the most authentic and natural fabrics for the Lhazareen line. They wanted something that felt ancient and raw. It was inspiring to see them create something so beautiful and respectful of the Tibetan aesthetic."

An art curator at the Guggenheim: "The Lhazareen designs were breathtaking in their simplicity and reverence for the natural world. It was a beautiful fusion of high fashion and folk tradition, a true testament to the designer's vision." [0]

A fashion critic: "The Lhazareen fashion stood out for its use of texture and its earthy color palette. It felt rooted in the land, with an almost spiritual quality that was both rustic and luxurious."

A New York textile artist: "The Lhazareen fashion really captured the spirit of Tibetan tradition. The intricate patterns and the natural fabrics made it feel so authentic and special." [0]

Molly on the Moraqi styles: "The Moraqi styles were our Desi fantasy. We leaned into rich, jewel-toned silks, elaborate embroidery, and dynamic draping. We took inspiration from ancient Indian court attire, but gave it a modern, dramatic twist with geometric cuts and unexpected layering."

A runway model: "The Moraqi outfits were so fun to wear. The silks and embroidery were stunning, and the movement of the fabric was incredible. It felt like I was wearing a piece of history, but with a cool, modern edge."

A fashion editor: "The Moraqi fashion was a vibrant explosion of color and pattern. It was a Desi fantasy brought to life, with a modern sensibility that made it feel fresh and exciting." [0]

A fashion photographer: "Shooting the Moraqi looks was a dream. The colors were so rich, and the way the fabric moved was so dynamic. It was an homage to Indian fashion, but with a bold, contemporary twist."

A New York stylist: "The Moraqi fashion was a definite highlight of the redesigns. The designers captured the grandeur of Indian court attire while infusing it with their own unique artistic vision." [0]

Molly on the Skahazadhan fashion: "For Skahazadhan, we went with Persian fantasy. It was all about intricate patterns, luxurious fabrics like velvet and silk, and a lot of gold and silver embellishments. We were inspired by Persian miniatures and royal court attire, but we modernized the silhouettes to create a bold, dramatic look."

A celebrity stylist: "The Skahazadhan line was pure opulence. The velvet and gold looked so rich and decadent, and the intricate patterns were just breathtaking. It was a Persian fantasy that felt both ancient and avant-garde."

A New York costume designer: "The Skahazadhan fashion was a feast for the eyes. The use of velvet and intricate embroidery was a nod to Persian tradition, but the clean, modern cuts made it feel so fresh." [0]

A fashion blogger: "The Skahazadhan collection was a stunning fusion of ancient and modern. The Persian-inspired patterns and fabrics were so beautiful, and the overall effect was incredibly luxurious."

A vintage clothing store owner: "I love how they took inspiration from Persian court attire and made it into something totally new. The details were incredible, and you could tell the design team put a lot of research and care into it." [0]

The Downtown Artist

"Molly gets it. She understands that fashion is storytelling. It's not just about what you wear, but why. The way she took the Dothraki, who are usually depicted in rags, and gave them this powerful, fierce Central Asian/Turkic fantasy look? It’s a statement. The Morraqi styles being 'desi fantasy' is so on point. It honors the culture without being a direct copy. It's the kind of high-concept, boundary-pushing work that deserves to be in a gallery" [0].

The Broadways Star (Angel Dust)

"Of course, my sister is a genius! The Mossovian fashions? She told me they're all about embodying the wild, untamed spirit of the northern folk. And the Lenghi stuff... it’s all about the shimmering, ethereal beauty of the tropical islands. She puts so much thought into every stitch. And the colors! She's got this way of using deep, rich hues that just makes everything pop. I'm so proud of her. She’s not just a fashion designer, she’s a visionary" [0].

A collage of Mossovy fashions in GOT Universe

Mossovy has nods to Russia

In ASOMAM, Pietro and Wanda are actually born with the Blackyre surname ( with their dad being Erik Blackfyre and all ), yet their mother Natalya Maximova was originally from the House of Maximov, one of the great houses of Mossovy. Natalya was also a powerful witch who was also bethrothed to Erik Blackfyre for political reasons ( and they grew to love each other over time )

Unfortunately, Natalya died under the hands of Melisandre/Amora in an Asshai attack on Braavos. She died saving her twins ( then teens ) in the battle

So the twins become closer over the grief of losing their mother

Natalya looks like an elder version of Wanda except Pietro and Wanda have violet eyes from their dad ( Erik Blackfyre has silvery hair in ASOMAM )

Natalya Maximova has green eyes btw and often dresses in red and black, the main colors of the House Maximov

So in ASOMAM, Pietro and Wanda both regularly wear Braavosi/Free Cities and Mossovian elements in their wardrobe

Natalya was usually decorous, charismatic and has a love for music

Wanda has some traits of her mother except having bits more of the Blackfyre madness traits

Pietro has some traits of his father except being more free spirited and gregarious

Natalya Maximova, like in the Marvel Comics, is also the original Scarlet Witch

Considering how Mossovy has Slavic culture motifs

I think Mossovy is also inspired by the Kievan Rus regions

Btw

In ASOMAM, Natalya Maximova is also a Barlaeris descendant from her mother's side

HOUSE SYNDOR OF MOSSOVY

House Syndor is a rather old house to still be around for the land of Mossovy. There have been many a King of Mossovy from the house over the years and the most recent were within the last fifty. To be the king, one must only be elected by others that have claimed land and gained masterly titles.

Known for settling near a creek that runs into a great river so dark that there are claims the water is black, the Syndors have always been viewed as people with little fear for the dark. They are hunters at heart, with many trophies to show for it. For long centures, they have kept the lands of Mossovy safe.

But even they struggle now as the maegi's hold grows ever stronger in the land.

        By Shella Longclaw

One of the greatest feared places beyond the Five Forts is the forests of Mossovy. They contained the fiercest creatures. The rivers have the sneaky sea scorpions. If they aren’t around, watch out for the water panthers. There are man-eating enfields (wild dogs like animals) and killer boars to contend with. Even the plant eating, musimon goats are considered deadly with their ill temper and sharp horns. The worse creatures are the evil unicorns and Snow Tehs. It’s said that the evil unicorn (as translated into the Common Tongue) are six foot tall with dagger sharp teeth and are known to bite a man’s head off. Unlike the other unicorn which people seeks its horn for luck, the horn of the evil unicorn is only purchased by shadowbinders. I’ve seen the horn for myself during my visit to Carcosa’s market. The Snow Tehs are the top monsters of the Further East ever since the sand dragons of the Grey Waste became extinct. Snow Tehs are twelve foot according to Mossovi tribesmen. They emerge only during the winter. Their fur is silver gold. If the creatures lived in west Essos, they would have probably been called Valyrian Tehs. It’s doubtful that ancient Valyria would desire their name attached to these beasts. The accounts state that packs of Snow Tehs have slayed Yi Tish dragons.  It’s unknown if fire-breathing dragons continue to live beyond the Five Forts.