Thinking again about how baller the animal/machine imagery is in mechsploitation/hound/handler dynamics. Becoming a snarling beast to integrate yourself better into a machine? The machine becoming a several ton slab of instinct and hunger? The squishy animal parts of you needing to be simplified and programmed so that another inhuman person can interface and make you a more efficient machine? God it RULES
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One thing that both the Locked Tomb and Bob’s Burgers has taught me is it’s so, so, so important to create a world populated absolute completely dogshit losers. At most you should mess with the ratio of cool admirable person to loser within each character, but it’s vitally important that your characters all have a couple qualities that would make any reasonable person go ‘eugh’ if they were exposed to it. It’s good for you
Expansion of thoughts under the cut
Firstly, it’s so useful bc it limits your characters concerns in a realistic way. Sure, some people fight for a grand cause and are preoccupied by ideology for most of their decision, but a lot of us are 1000 times more motivated be concerned with small things and relationships.
For example, every major player, protagonist, antagonist, everyone in between, in my novels is self destructively obsessed with their current or ex girlfriends. Sure, their actions will probably leave a lot of San Francisco Bay Area changed for good, but they’re all doing it bc they’re either trying to keep an ex girlfriend safe, win them back, destroy them, or prove themselves to them.
Secondly, vitally important for action characters bc you what takes time away from learning how to emotionally regulate, feeding yourself, hygiene, social skill? Honing your skills at the blade or magical tome or whatever. Fromsoft learned this when they made their superhuman ninja boy a middle aged single dad who is shocked when he has cooked rice for the first time st age 40.
Thirdly, it really helps when you are struggling to create a scene. The first time we see the protagonist’s house in my novel clicked into place when I realized that at age 30 she was a mattress in the corner type person who thinks instant coffee and a Luna bar are a great breakfast. Which of your many options are you trying to show the loser side of? The answers will move you along at a clip I garuntee
Lastly, it’s healing! Have characters with the flaws you want think you have! Write other characters falling in love with them despite or bc of this! My main polycule is basically if all the things I hate about myself were people, and it’s done wonders to think how someone would fall for them despite these things.
Anyway populate your worlds with loser idiots making awful choices, and you’ll never run out of options things to explore!
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Something so powerful about writing a romance story and going through and saying
No…. It’s not time… this moment is too sweet too soon
How many kinder worlds fall under my fingers, under my ceaseless bloodlust? How many moments of care and connection snipped??
How much more precious those moments that stay in, bc I have allowed it? My lesbians, they exist in a tapestry of my cruelty, and they still get their fleeting moments of touch
Shout out to my fellow cruel gods who read the drafts and say no…. Make it EVEN MORE fucked up
Just realized a chapter and half from the end of my novel that it revolves around a central character named Delilah trying to get an epic warrior who’s already shaved her head to stop participating in a war fuck my stupid Baka life