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NEW IN THE BOOKSHOP: ROSEMARIE TROCKEL (2026) @worldfoodbooks

Edited with text by Susanne Pfeffer. Text by Valeria Gordeev, Quinn Latimer, Christoph Menke, Cord Richelmann, Ann-Charlotte Gunzel.

From "knitting pictures" to upside down palm trees and mannequin heads in glass boxes, Trockel's caustic oeuvre defies classification.

Finally here, the enormous MMK catalogue! German multimedia artist Rosemarie Trockel rose to fame in the 1980s with her "knitting pictures" made with industrial weaving machines. In 1999 she was the first woman to exhibit at the German Pavilion at the Venice Biennale. The brutality and absurdity of normative regimes emerge openly in the work of Rosemarie Trockel. Definitions, restrictions, paternalism, and violence due to gender become visible and transparent. Her advance is a risky, courageous, combative, and humorous one. In all media-drawing and painting, photography, sculpture, installation, and film—Trockel's sociological gaze is as much directed at social regimes and political structures as it is at nature. Her observations and studies of processionary caterpillars, starlings, chickens, or lice, while scientifically sound and precise, always include her own critical gaze as a vital component. She appropriates the ambivalences in her work, capturing them decidedly.

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