May 30, 2017
Mishka Henner Coronado Feeders 2013
Loading...
seen from Russia
seen from United States
seen from Italy
seen from Australia
seen from United States
seen from Singapore
seen from Malaysia
seen from United States
seen from India
seen from China
seen from United States
seen from Brazil
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Russia
seen from United States
seen from United States
Mishka Henner Coronado Feeders 2013
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Today, I was at the FOAM Museum in Amsterdam. These pictures from Mishka Henner. Quite fascinating how he made me question what were these photos about... They are indeed feedyards.
#mishkahenner #camarayciudad #caixaforum (en Barcelona, Spain) https://www.instagram.com/p/B5qE0yZq3i6/?igshid=rws8e9cisw8u
Mishka Henner, Trump l'oeil, 2017 #mishkahenner #trump #trumploeil #parisphoto #grandpalais #paris (Ă Paris Photo)
Trump LâĹil #mishkahenner #parisphoto #paris (pĂĽ/i Grand Palais - RMN (Officiel))
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Wall, Page and Screen: Mishka Henner - 03/02/2017
âHow on earth do you move that thing from the camera to the worldâ?
Henner further contributed to the knowledge of possibilities exhibiting work can take, while also delving into ways it can be sourced, instead of made. He primarily works with sourced imagery from Google Maps and Earth - utilising it to produce not only birds eye view satellite imagery, but car level material that creates a 3d render of the real world, âstreet viewâ. âWe wanted to do something honest with integrity, rather than trying to sell a fantasyâ stated Henner - a man who presented in such a way that you were clearly able to chronologically visualise his journey. Like the works of Jeff Wall, a lot of Hennerâs work takes a large form that the digital source is not originally intended for. Taking material that is meant for mobile/computer devices and stitching it together like a giant embroidery to produce interesting physical formats. He âRe-imagine[d] them in a bigger spaceâ using Inkjet printing methods and improvisation.
What I found particularly enlightening about what he had to say was the fact that Google Earth enables you to go back in time, and see the world in the past. Â Seeing as I am planning to focus my project on the time period during the Vietnam war, this could be another avenue to explore. Although, I doubt satellite imagery from Google Earth goes that far back in time but none the less, I am sure there are different forms of satellite or reconnaissance imagery from that period I could work with. The image above is of feedlots in Texas, illustrating the hundreds, if not thousands of densely packed cattle that soon becomes McDonalds burgers and Steak dishes. It could well pass as an expressionist painting, as without knowledge of its content its deemed as abstract. The narratives of his work alone are inspirational - usually controversial or exposing.
Mishka Henner
http://cargocollective.com/mishkahenner/filter/works
Series-Â âThe Fieldsâ &Â âFeedlotsâ
There is something very peaceful about these aerial view images. The geometric shapes and lines almost remind me of crop circles. There is a very painterly quality to each of his images making them almost not resemble photographs
MH
Mishka Henner
 Is a Belgium born artist who is considered to be among the new generation of artists âredefining the role of photography in the internet ageâ. Kennerâs works attempts to navigate through the large digital terrain whilst focusing on key subjects of cultural and geo-political interest. The works that are created comment on issues and topics of high interest to him whilst allowing viewers to engage with them on an artistic level.
The pieces within his collection are made with extensive âdocumentary research combined with the meticulous construction of imagery from materials sourced onlineâ. The pieces resemble artworks through their simplicity and colour ranges. The photographs he uses create archival series that together work to push the boundaries and make viewers think about cultural issues whilst alone they become elegant, beautiful artworks.