There is nothing I can do for them that someone else can't, if it wasn't me it would be someone else they'd be loving at first glance.
I am not the right person or the ideal person, I am just someone they met through mischance.

#interview with the vampire#iwtv#amc tvl#jacob anderson#sam reid




seen from China
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seen from United States
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There is nothing I can do for them that someone else can't, if it wasn't me it would be someone else they'd be loving at first glance.
I am not the right person or the ideal person, I am just someone they met through mischance.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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first mime & second mime (ie proto-mischance & twin) from backstory
the jester and the pearl commission me
tryna get back to making more doodles...have a hat swap :P
@mywoesaregranular
Submerged luxuriously in their bathtub bell-pit, the Jester turns to you, only their arms and head visible above the glistening orbs, balancing one ping-pong sized bell over their middle finger. They smile sweetly.Â
âYou are entitled to your opinion,â they say.Â

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Does LV dance? Why, when? To music?
i bet u thought i forgot about these LV asks. wrong. iâve been thinking about them. Yes, of course LV dances. WellâŚthatâs one word for it. If the raising and levelling of imaginary landscapesâthe mastery of flood and volcanismâif the unravelling of matter itself (from both sides) can be called a dance, then yes, she dances. A dance of accelerated entropy, you might say. A dance best watched from a distanceâthought thereâs certainly a kind of magnetism about it, and not just the magnetism of raw power (though there is that). She can be very evocative, in her violence. Her dance is its own musicâa cacophony become eloquentâand itâs hard not to want to let that sweep you up, even knowing that that dance is Death.  She can dance less destructively, too, and more in the usual way. I wouldnât say sheâs especially good at itânot at first, anyway. Sheâs hesitant and awkward and clumsy. Mischance more or less taught her to âdanceââas we think of dancing. Early on she would only watchâthe first time on accident (mischance was a very private dancer), and it was only some time after that that she admitted sheâd seen them and asked if they would dance for her againâintentionally, this time. Mischance blushed furiously, no doubt, but they accepted. They danced very shyly at first, but as this became a more regular request they grew more bold and playful with their demonstrations, until one dayâquite unexpectedlyâthey laid out a condition. âI will dance for you,â they said, âbut only if you dance with me.â LV declined. Several days later she asked again, and was met with the same offer. Knowing well that three is a magical number, she did not ask again a very long time.Â
When eventually she did, it was more a formality than anything: she knew already what they would offer, and knew already that she would accept.
inked this mess for shits & giggles
LV, fears
Characeter ask meme, re @lilac-buttons Mischance asks LV: E. Fears.
(this scene may be unfinished but the fears part has been covered so Iâm going to go ahead and post it, finish the rest of the asks, then maybe write the ending later. or i might just draw the ending)
â
LV looked first into the courtyard, where the four bell-trees stood in symmetry around a fountain of light: the copper, the silver, the gold, and the bronze. Their colours mingled in the water as it danced, and a wind played through branches as in welcome. The chimes they bore rang prettily, and LV stood then a moment in the shade, remembering how the jester first had danced there, alone over the stonework in the amber light (how she had choked here in the shadows looking on, how she had not dared to breathe). But the courtyard now was empty. The jester was not there. So she passed beneath an arch into the Antique Vestibule, on through the Hall of Mirrors and the maze of stairs in black and white (which nearly trapped her), escaping at last through a shaft to the Room of Light and Music and the adjoining Concert of the Still Lake. There, she drew a symbol on a slate-coloured tile. Its counterpart in the ceiling shifted, and dropped down a ladder made of silk: this she took in hand, and then she paused.
She looked from the ladder to her plated fingers, and then down to her heavy boots. A dark circle stained the water all around her. LV frowned: she had not noticed that she had been dripping. How many of the rooms, she wondered, had she defiled? With a roll of her wrist she drew the blackness back into herself, then contracted her bulk and smoothed over her hands and feet.
Thinking thoughts of lightness and containment, she opened the hatch into the Loft of Scarves.
Silks of lavender and marigold writhed like serpents in light above. She pulled herself up and set the hatch back at her feet, spoke one word and the swarm parted. Back to the wall, Mischance sat huddled with their head between their knees, only a hat and hands and feet. They must have noticed her by now, but they showed no sign of it. She passed through the scarves and took a seat against the wall beside them, realising as she did that she had taken a size almost identical to theirs. She waited, resting an arm upon one knee.