Premise came from Farewell, a beautifully done short film from ESMA, (which also includes my headcanon for fem!Kakashi)
Her menagerie looks down at her from her walls, birds and tigers and weasels peering between thickly painted leaves. With the wide window cracked open to let in a breeze carrying the smell of diesel and the sounds of the city, Kakashi forces herself to relax. Sheâs been on edge for too long and she tries to immerse herself in her work.
She has a house elsewhere in the city, filled with only the barest of necessities. She doesnât linger when there is no need to. It is a place for sleeping and eating, nothing more. But more often than not, she sleeps here in her studio.
Her drafting table is sanded to a soft golden shade and spattered with blobs and streaks of paint, none of them fresh.
She hasnât had inspiration for a while, not sinceâŚ
She steadfastly refuses to look at the bulletin board directly opposite her drafting board. Itâs filled with scraps cut from magazines and printed from the internet, things sheâd seen and wanted to create herself. Little things for little hands.
But now thereâs no possibility for either of those things now.
Her eyes fall on a scrap of paper clipped next to the window, an idle doodle for a childrenâs book she had published over a year ago now. Itâs a loose collection of pencil strokes, a dog and an owl looking at each other from their respective spots on the ground and in a tree. It had never made its way into the book, but Kakashi hasnât been able to force herself to throw it away.
Thereâs just something so wistful about it, a gap that the animals are unable to bridge.
She reaches for her tubes of paint, begins pouring and mixing. She loses herself in the motions for a little while, intent on getting the shades just right as the sun slowly shifts over the drafting table and the afternoon pours more fully into her studio.
But the time comes and blank canvas stares at her. Her brush hovers over it, hesitating for the first time. Itâs the spaces between the dog and the owl, the bleak sight of the bulletin board at her back. Sheâd known what she wanted to paint as she was mixing, but now all she sees is that blank whiteness, barren.
Her chest clenches painfully.
The sound of knuckles against wood is jarring to her senses and paint streaks across the canvas and her hand. Her head whips up to find someone standing awkwardly in the doorway. A very familiar someone. Kakashi stops herself from shrinking into herself. âWhat are you doing here?â she says flatly.
Minato doesnât answer for the longest time, merely watching her with a worried look that Kakashi knows well. Why she doesnât linger in the house that used to be a home. The sun streaks through the tall windows, setting his messy blonde hair alight.
He is intruding into her world, the only safe place she has left.
âI have ⌠a book. My favorite. A gift from the author.â He hesitates before coming closer. âSome pages have been lost. I was hoping you would be able to replace them.â He hands it to her and Kakashi feels herself freeze up again.
She knows this book. Adventures of the gruff old hunting dog and the cheerful owl, a friendship for the ages. This was the proof copy, the original drawings she had created, willed into being. But there are gaps in the paper, negative space she is unable to fill.
She smoothes a hand over the cover, eyes taking in the illustrations on the front. Her illustrations. Sheâd poured her heart and soul into it and the ones that followed, stories created by a desire to put to words how much love she wanted to share.
She doesnât know that woman anymore.
Kakashi doesnât raise her head from the book. She canât bear to look at him. âWhy did you come here? You could have just bought a replacement.â
âTrue,â he concedes in that reasonable voice Kakashi hates. âBut I have a particular fondness for this one. It was given to me by someone I love.â
She lets the book clatter onto the drafting table and she turns her back to him fully, eyes closed against the brightness of the sunshine. It does little to thaw the chill creeping through her. âI guess youâll just have to content yourself with memories. I no longer make those books.â
Minatoâs voice is low and soothing. She misses that. Hates herself for it. âWhy did you stop?â
Kakashi doesnât look up from her drafting table, resting shaking fingers against the age-smoothed wood. Pencils clatter out of her way and onto the floor. âYou know why.â
Minato takes a step closer to her and she tenses, a feral animal bristling and ready to snap. She knows why heâs here, and itâs not because of the book.
Kakashi wonders how long sheâs willing to let this estrangement between her and her husband go on. How long until that thread snaps and Minato finally gives up on the broken girl he claimed to love.
âDo you know how quiet it is at home?â he asks softly. She can easily envision his blue eyes, too deep and too caring. He always cared too much. âHow much youâre missed? How many times Rin and Obito ask after you? Youâre never there anymore and itâs sad to live in a place as empty as thatââ
She spins around, throwing the jar of brushes at him with deadly accuracy. Minato ducks and they clatter against the wall. âGet out,â she snarls.
She canât stand this back-and-forth, this dance around the pain that shoved them apart in the first place. She wants none of his pity.
But Minato isnât going anywhere, not this time. Heâs gentle, not weak. âI know you need time. But you canât keep carrying all of it by yourself. I want to help, Kakashi. Let me help.â Those blue eyes nail her in place and sheâs stunned to see the suspicious glitter of tears. âYouâre not the only one grieving. And I canât keep watching you hurt yourself.â
Kakashi sucks in a breath. âThis whole thingâI was hurting myself? Are you hearing the words coming out of your mouth? I didnât cause this. It happened to me. You talk about empty housesâis that supposed to make me feel sympathetic?â
The look in his eyes is bitterly sad and says more than his words.
âYouâll drown yourself in darkness,â he murmurs, inching forward with a hand held out like heâs approaching a wild animal. And she feels like it. She feels trapped, with nowhere to run and death staring into her eyes.
Kakashi abruptly slides to the floor, Minato beside her with his arms curling around her.
âHating me wonât bring them back,â he whispers, resting his forehead against her shoulder. âI keep asking myself if there was anything I could do. But I know there wasnât. It wasnât your fault, it wasnât mine. It just happened. And we fight through the best we can.â Kakashi shakes silently. She knows what heâs asking and she canât let go. Not now.
She can feel a spark at her fingertips, thereâbut unwilling to be spilled on a blank canvas. To let it spill out would be to hollow out herself completely. And so her grief has nowhere else to go. It burrows ever deeper inside her.
Minatoâs arms tighten around her, unwilling to give her up. She can feel warm wetness against her cheek, realizes theyâre not her tears. And Minatoâs voice in her ear, pleading and wrecked and so painfully human. âLet it out, Kakashi. Let it out.â
Sunlight streaks through the tall windows, bringing to life the forest of animals sheâd painted in a happier time. And Kakashi finally allows herself to grieve.