#microcuts.net

Some shitty quality but fascinating pics of Muse with other musical stars of the 00s at the 2007 Q Awards, where Muse were seen talking to Shirley Bassey, Nicky Wire (Manic Street Preachers), Ricky Wilson (Kaiser Chiefs), Ian Brown (Stone Roses), the singer Mika (who apparently really likes Muse!) and Kate Nash.

And Muse themselves, triumphant winners of the Best Live Act award at 2007 Q's, beating Arcade Fire, The Killers, Arctic Monkeys and Kasabian.

Q Magazine did feature their awards in the Nov 2007 edition of Q, so I can sneak in a picture from there too (thanks Musewiki <3)

Here's what Muse had to say about it all (Q interview)

Rate your day on a scale of 1 to 10. Dominic Howard (drums): I'd say pushing eight. When we woke up hung over in Serbia this morning, it was about minus 5. But getting back to London pushed it up a few points and then winning this award pushed it up further again. By the time we get to the party later we'll hopefully have pushed it to 11.

This is the 3rd time you've picked up the Best Live Act Award. Not getting bored of it yet, are you? Matthew Bellamy (vocals/guitar): No, it's nice that we've bagged this again. We're not getting bored of playing live and we're not bored of people liking our performances either.

Your plane from Belgrade landed about an hour ago. you didn't get a nice early night in preparation for today, then?

MB: Not quite. Last night Belgrade was Bel-degrade. It got quite dark. I wasn't involved, but it included a transsexual called Pete. And a dildo. Pete was sat on your knee for quite a while Dom, wasn't that right? DH: (Solemnly) No.

Does visiting new cities give you more licence to misbehave? MB: Yeah, a bit. We've been lucky this year in that we've been able to go to new places - Eastern Europe, Asia, Mexico. Sometimes on tour you just cocoon yourself in your hotel room and keep your head down until gig time. being somewhere new puts you in the mood to get out more and meet new people, just to find new experiences.

So what's the oddest experience on tour this year? DH: Sorry, I can't get the transsexual out of my head now. Indonesia was interesting, mainly because I could've got killed. We'd taken a few silly things and we decided to check out some local bars in a really rough part of town. The houses were all corrugated iron and we had chickens running over the bonnet of the car, people banging on our windows. One of the guys got out of our car and he got shouted at, so we got out of there as fast as possible. But we were told later that we were lucky we didn't get shot, then robbed.

MB: Our tour manager got robbed by three ladyboys in a lift there, too.

Have you had any celebrity fans coming to the shows?

Christopher Wolstenholme (bass): In LA the kid for The Sixth Sense (Hayley Joe Osment) came to see us. I think he crashed his car on the way home.

MB: Paris Hilton to the LA show, too. But she left during Knights of Cydonia, which is the first song on the set. If we're offending Paris Hilton we must be doing something right.

The UK people will see your two Wembley Stadium shows in the summer as the pinnacle of the Muse live experience. How were those shows for you?

MB: I think we did our best. It's an amazing venue and the crowds made those shows. Big shows like that aren't just about the band, its about the whole experience and watching the crowd is part of the fun. It definitely gave us a taste for more of those big shows.

Any outrageous stage props that got vetoed by the council? Ten-foot-high robots and the like?

MB: Well, we wanted to have helicopters doing a balloon drop and circling above us with searchlights spotlighting the crowd, but apparently you're not allowed to have helicopters fly over big crowds in case they fall out of the sky and start mincing up. Which is fair enough, I suppose.

DH: We wanted to arrive by Zeppelins and drop down to the stage, but we weren't allowed to do that either...

MB: We're gonna make that happen next time. You can get these business Zeppelins now, like a private jet, so we could fly from gig to gig, descend for the gig and then get lifted back into the Zeppelin lounge.

So how do you go about topping Wembley? MB: We'll probably start from scratch again and build things back up with smaller gigs. DH: We'd like to do multiple nights in smaller venues. We might have more people onstage.

[Q mishears] Q: Small people onstage? DH: Yeah, more small people. Like Spinal Tap. No, it'd just be good to have the time to evolve the whole musical side of the show.

Is this tour ever going to end? MB: Technically, it's over in December. But there are a few more things that we've been offered for next year, so who knows?

The rumour is that you're going to headline Glastonbury again next year... MB: Ooh, that's a strong question! Very strong. Well, Glastonbury is a festival that's very close to our hearts. And it'll be amazing to play it again...sometime. But next year's plans have yet to be settled upon.

So we'll take that as a "yes" then? MB: No, don't take it as anything. DH: It's a maybe. CW: It's a flat "no".

Back to today: is there anyone here you really want to meet? MB: I'd love to say hello to Paul McCartney. But so would everyone here, I bet. We'll not be allowed near him.

Are you pretty sociable when you're at parties without musicians? MB: It's like when two dogs meet in the park: they eye each other up for a bit, then have a sniff around each other. So we'll see who's smelling OK later. Who's that? (Points at Damon Albarn posing for Q's photographer) Damon Albarn? (Unimpressed) Oh...

What do you want for pudding? DH: What's the obsession with pudding here? Someone else just asked us that. CW: We'll say something classic. Bread-and-butter pudding. Can't go wrong there.

So what are you doing next? MB: I have a meeting with out lawyers. Very rock'n'roll. But we'll be out at the party later. These days if we're in London it usually means we have to work, so one of the ideas in coming to this was to have a big night out.

12-Oct-2007, MTV interview

Reported by MTV Italy: Muse are planning to do a "sea" tour in 2008. They'll be performing on a ship that will sail across the Mediterranean coast. At the moment, no dates are announced, but Bellamy & co.'s ideas are very clear: “We see ourselves rocking up to a port in a nice town, opening the back of the boat and doing the gig. Then closing it up and going off to the next town – touring by sea."

But so that it's not an awful scroll on your dashboards, I will break it up into posts. Find the full thing on the Internet Archive, linked (thank goodness for the internet archive!)

The Muse biography from the now-defunct microcuts.net, one of the biggest Muse fansites before MuseWiki ended up being the only one left (social media doesn't count).

Archived here.

Biography Pt. 7 [Pt. 6]

The Future

Matthew explains how Muse will go about recording their forth album. “We want to have a new approach and a new atmosphere. We will maybe find a house and take our own material to record it. I’d like to spend some time in New-York too! It seems to be a “magical” city to record an album. We really dunno now. I think that we all wanna have a normal life. Chris is gonna spend some time with his children and I’m gonna find a job in a bar! I think the combination of guitar rock and full-on 70’s disco is ready to be exploited properly. Like Night Fever, but heavy. Or Billy Jean. A little bit rock guitar, a little bit disco."

"For me", Matt says, "Muse is about getting the hopes, dreams, desires, frustrations out of your system that you wouldn't normally be able to do. It's about showing people that there are things inside buried that should be exposed, and having no shame about them. We can communicate no matter the environment." Dom also explains what the band has learnt from their time as a band. “I think we've just grown up over the years and learnt loads about who are as people and how we played our instruments and it's definitely kind of a growing up process, but it's all about commitment. You know, believing in something you do a lot and kind of fulfilling that and fulfilling the things you really want to do!”

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But so that it's not an awful scroll on your dashboards, I will break it up into posts. Find the full thing on the Internet Archive, linked (thank goodness for the internet archive!)

The Muse biography from the now-defunct microcuts.net, one of the biggest Muse fansites before MuseWiki ended up being the only one left (social media doesn't count).

Archived here.

Biography Pt. 6 [Pt. 5]

The release of Absolution

‘Stockholm Syndrome’ was released as a download only single to give fans a taste of what was to come on the third album, now called ‘Absolution’. It proved to be not only popular but also one of the most popular download singles ever. Muse then started to play warm-up gigs ahead of the release of the album and a huge European tour. Their next single, ‘Time Is Running Out’, was the only Muse single to feature in the top 10 of the UK chart. Shortly after the European release of ‘Absolution’, Muse won the Q Innovation Award and ‘Absolution’ also topped the album charts in the UK in the process and in December they won the Best British Rock/Indie Band award at the Interactive Music Awards and their third single, ‘Hysteria’, also charted in the top 20 to end a memorable year for Muse.

2004: The Absolution Year

2004 was full of drama for the Muse. They were again nominated for a Brit Award, this time for Best Rock Act but lost to the Darkness. They also went on tour in Australia, France, Japan (in which Chris lost his wedding ring that was eventually returned to him) and the USA. Matthew injured his mouth whilst performing in Atlanta. Matthew explains the pain: "I didn't feel any pain at first. Then I spat out this liquid and there were gushes of red stuff spurting out all over the microphone. I ran backstage and started puking up. At first you could feel the stitches stretching my face as I sang but now the only problem is that they seem to be disappearing into my lip.” Dominic also noticed that Matt was injured. "I knew it was bad as soon as he turned around, there was blood dripping everywhere."

He recovered and Muse continued touring America and Canada whilst ‘Absolution’ got critical acclaim, making them one of the British bands that have the potential to crack America like Coldplay. ‘Absolution’ was also only the second album to be released in America because ‘Origin of Symmetry’ was never released there following a dispute with Maverick. ‘Sing for Absolution’ was then released as a single on the eve of their huge European festival tour, charting in the top 20.

Matt has a very interesting habit whilst touring; poker. "I'm really into the mind games of poker", he explains. "I'm more ruthless than the other two so I've been taking all their money. It can get boring. In Barcelona I had to go to a casino to play with some pros. I still made around 500 euros. You know the Channel 4 poker programme Late Night Poker? My ambition is to appear on that. But the stake is £1500 and I'm not quite good enough yet."

Muse confirmed their status as one of the world’s best rock bands by playing a fantastic set at Glastonbury. But it was marred by tragedy as just hours after coming off, Dom’s father, died of a heart attack after seeing his son play live. "It was the biggest feeling of achievement we've ever had after coming offstage", Bellamy says. "It was almost surreal that an hour later his dad died. It was almost not believable. We spent about a week sort of just with Dom trying to support him. I think he was happy that at least his dad got to see him at probably what was the finest moment so far of the band's life."

More drama would unfold at the Cure Curiosa Tour in America as half-way through the tour, Chris injured his wrist, throwing many festival dates in doubt. However, they managed to recruit a temporary replacement in Morgan Nicholls, bassist for UK hip-hop act The Streets, and, with Chris playing on keys and providing backing vocals, delivered a storming show at the V Festival in August 2004, rounding a mad year since the release of ‘Absolution’.