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For most of these artists, New Jersey wasn’t a point of arrival. Rather, they quite directly saw it as a space of change, inspired by these tectonic forces at work, exporting these observational strategies and practices to the vast, open spaces of the American West and beyond.
From the review by Michael Dashkin of Kelly Baum, Ed., New Jersey as Non-Site, (Princeton University Art Museum/Yale Press, 2013)
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