[omniscient readerās viewpoint epilogue spoilers; no side story content]
āShe might be the author responsible for creating this world, but she was also a powerless god. A god that couldnāt even save a single reader.ā
ā Chapter 537, Epilogue 3: Authorās Words (III)
omniscient reader's viewpoint is undeniably about cycles and impossible probabilitiesā ouroboros and square circles, trauma and hope. it recalls stories in its thousand variations. throughout the story, arcs are repackaged and retold to hone in on one fact: the world is layered with paradoxical time loops of doom, desperation, and all-encompassing love.
han sooyoungās deliberate actions in writing the end of the world was an action of love and terror. while love was there, the horror of maintaining one life by destroying the universe is undersold. 1863!han sooyoung was projected into the body of her teenage self; she is simultaneously an adult who conquered hell and a lonely teenager. she wrote for over a decade under the belief that every chapter extended his life one more day. years dedicated to this singular faith and, for a brief moment, the novel challenges this fact.
āI wouldāve thought about dying every now and then, and also, there couldāve been many a day when I fell asleep while re-reading the āWays of Survivalā, butā¦Yeah, I wouldnāt have died. Not that easily. Iād have continued to live on, somehow.ā
ā Chapter 371: Ep. 70: A Story That Canāt Be Shared (III)
while talking to yoo sangah in the fourth wall, kim dokja comes to a brief realization: he would have continued on without twsa. imagining a future without the novel, he reconnects with a reality he has not confronted since he was a child. he imagines growing old, studying languages, and bike riding with yoo sangah. kim dokja is unreliable on the most basic of narrative terms, however for a moment he genuinely believed that he could have lived on without the novel.
it can be argued that he only comes to this realization due to the companionship he experienced within the apocalypse. it can also be argued that he was doomed to become the oldest dreamer the moment he clicked on the novel. however, focusing on these aspects of the past and future ignores the thematic undertones of doomed attachments. this brief glimpse into kim dokjaās thoughts on his life pre-scenarios uncovers the underlying question: was it love or terror that doomed him?
the obvious answer is yes, of course, it was both love and terror that doomed him. by the bedside of a comatose avatar, shin yoosung and lee gilyoung flip a coin on whether kim dokja lives or dies: 49 alive, 50 dead. a coin is tossed and fifteen years in the past, han sooyoung of an alternative universe publishes another chapter. the coin floats in the air. another dead end and yoo joonghyuk regresses once more. the coin never falls. yes, it was love, but it was also terror.
han sooyoung knows that continuing the story dooms kim dokja. sheās uniquely aware that saving kim dokja is a thankless dutyā the universe in exchange for a life past expiration. a story recalled and retold: kim dokja chooses shin yoosung over seoul, han sooyoung choses kim dokja over the universe. kim dokja wins and han sooyoung always, always loses.
han sooyoung never questions if kim dokja could survive without the novel. part of it was selfishness: sheās finally experiencing the love of a dedicated reader sheās been envious of her entire life. sheās devouring herself to keep his attention, his comments. she kills, resurrects, and regrets yoo joonghyukās existence. she is also an adult and a child, and she is terrified of having kim dokjaās blood on her hands.
itās easier to become a cog in kim dokjaās self-fulfilling tragedy than it is to leave him be. she cannot test the possibility of kim dokja surviving without the novel if thereās a chance he canāt. her desperation overrides her rationale. her love wanes in comparison to her fear. if there was a chance of kim dokja surviving without the novel, it could never be fulfilled. kim dokja is never given the chance.
to bring him back, han sooyoung writes once more. a coin falls. thousands of fragments collectively dream a thousand endings. 50 alive, 50 dead. what is love if not selfishness? what is terror if not love?
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one of the narrative choices i liked about 1997 final fantasy vii about zack is that his death is a completely optionable cutscene. if you played through the game normally, going from point A to point B, you (and by reason of control, cloud) does not know much about zack besides the fact that he was the soldier present during sephiroth's attack on nibelheim. by disc three, cloud has his memories intact and corrected but nothing is really focused on who zack exactly was besides being a soldier. zackās only purpose was to be a paradox to cloudās reality. but cloud no longer confuses himself as zack. well, zack is aerithās ex lover. but aerithās dead. zack, in all means, is unbounded to you and cloud at this point.Ā
then you return to the lab. cloud (memory intact and reality rescrewed) is immediately hit with a flashback to his and zackās escape out of the lab, the ride to midgar, zackās sacrifice, and cloudās mourning.Ā
until this point, there is no suggestion that cloud had a reason to mourn zack. zack is never referred to as a friend of cloudās or never even gave the hint that zack was anything more than his superior. cloudās mental instability and fractured identity faults the destruction of his hometown, his shame, and the jenova cells manipulating him. while that is true, it misses an important aspect of cloudās psyche, which is: why forget zack entirely? when did the fragmentation start?
there are simple assumptions you could make. question: why forget zack entirely? answer: to erase the potential of discontinuity within his new reality. question: when did it start? answer: after he left the labs. question: but when exactly? answer: does it really matter?
you go to the labs for answers. there is no motivation to go to the mansion besides curiosity. cloud remembers not the experiments but zack breaking them out. he remembers the ride to midgar, zackās caring of a mako comatose cloud, and zack saying: āi wonāt leave you hanging like that. weāre friends, right?ā zack says theyāre going to become mercenaries together. when shinra comes, zack protects cloud. when zack dies, swift and brutal, cloud mourns. afterwards, you can discover scratched coded messages between them in their old containers.Ā
unlike most games when it comes to optionable cutscenes, there is no reward for finding this secret. narratively, it establishes something new: zack was, in some capacity, cloudās friend, possibly his only after hojo. narratively, this is important but gameplay-wise is completely useless. cloud gains nothing from reliving this memory. in the playerās decision to return to the mansion, cloud performs the act of remembering zackās kindness and friendship even though this action has no purpose other than grief.Ā
zack was unexpectedly popular after the release of ffvii in 1997. i believe it is because the player, consciously or not, rebonds with zack after the rediscovery of not his death but his friendship with cloud. zack, before the flashback (and far before the creation of crisis core/before crisis), was only perceived as someone who cloud envied and imprinted on when his psyche destabilized. zack was not seen as someone who particularly cared for cloud. friendly, yes. a friend? not exactly.Ā
seeing zackās escape with cloud and his death recontextualizes what zack meant to cloud as a whole. the player is in cloudās shoes during the flashback: they feel the same shock and grief as cloud. to them, the flashback is not uselessā therefore, the flashback is not useless to cloud. there is importance in their gameplay experience in the rediscovery of cloudās memories of zack and importance in the grief that follows after, even if they do not materially gain from it. and the realization is completely optionable.
Hm. I suppose that is what they call me sometimes. Yes, it is me, indeed. I'm just checking Dorathea's activity on the device I've given her, so don't mind me much.
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Singers : Mano Eswaran and Dhanush Lyrics : Arivu Music by : Bharath Sankar Mic testingOnnu rendu moonuSet-ah pottu solla poren naanuNadakkuthu de kedaikkuthu deNenachathellam
Mic testing
Onnu rendu moonu
Set-ah pottu solla poren naanu
Nadakkuthu de kedaikkuthu de
Nenachathellam ippo palikkuthu de