SPN 14X11: Damaged Goods
Summary (via IMDB):Ā Dean spends some bonding time with Mary and Donna. Nick finally finds the answer he has been searching for. Sam is left to make an unimaginable choice.
Written by: Davy Perez
Directed by: Phil Sgriccia
Spoilers below, but I really loved this episode. (@evvvissticante @verobatto-angelxhunter @metafest)
Maryās off-hand comment about why we donāt see Bobby, that heās trying to cope after the stuff that happened with his own son, plays into the seasonās theme of parent-child relationships. Yes, this was most likely a way to explain his presence off-screen, but they said this rather than,Ā āhe went to work a case solo, and I was sick at the timeā or something like that. I suspect Bobbyās out of the picture, however temporarily, in preparation for episode 300, so it can focus on Mary and John. I feel like things between Mary and Bobby are serious, but we still need this moment of her clearly choosing a future with Bobby, and not the past with John.Ā
When Deanās talking to Mary, trying to get her away from the cabin for a while, he uses the excuse of being hungry, and wantingĀ āWinchester Surpriseā. Not only is the viewer supposed to pick up on this as a blatant lie, but Dean forces himself to eat anyway, Like, he and Donna put away a lot of food in just the previous scene, stuff that was probably super unhealthy, with no nutritional value. Then, you see Dean force himself to eat something even worse, just to please his Mom. Maybe itās a commentary on Dean doing stuff to please others, without actually doing anything thatās personally fulfilling? Or, Iām talking out of my ass faster than Winchester Surprise, weāll see.
That moment, when Deanās wanting to add something else before Mary leaves, I wonder if he was gonna sayĀ āLove youā? Like, try to add it casually, like he did with Samās hug earlier? Thereās clearly something missing from the dialogue weāre meant to pick up on.
The song playing as Dean welds isĀ āNo timeā by The Guess Who. Of course, the opening lyrics areĀ āNo time left for you.āĀ
āNo time for the love you send, seasons change and so did I.ā god DAMN Davy AINāT PLAYINā. And, right after this, we get sparks flying over the image of the shirtless cowboy. Good lord, this is gay.
As far as Iām concerned, Donna turning her back on Nick isnāt the dumbest thing Iāve seen an SPN character do to get the plot rolling. Like, have you met any member of TFW? Sometimes they mimic a bag of rocks.
Mary bought him an apple pie! Did we ever get to see them eat it?Ā
(Iām from the future, we donāt know if they eat the pie. How sad.)
So, a lot of the shots of Mary in this episode are very isolating. Shots from a wide angle, that make it feel like someone (Nick) is watching her, a lot of shots showing how separate her and Dean are. Itās great for building a sense of dread.
Thereās a number of sneaky horror movie references in this episode: the murdered girl scout troop, probably at a camp site. Nick being THAT creepy mass slasher, the Enochian puzzle box straight out of Hellraiser, and according to IMDB, a Chucky doll. You know, Childās Play, the movie about the soul of a murderer being trapped in a doll, and assuming control of it,Ā ācause guess what? The container the killerās in doesnāt do dick to stop him. Huh.
Time and again, we see Mary actively trying to free herself, be it getting her hands unbound, leading Nick into a booby trap, and in general buying time when and where she can. To me, this doesnāt make her a damsel in distress, sheās doing what she can to save herself.
āDidnāt really think this through, did you Nick.ā well if that aināt shades of Lucifer in S12.
āWhen people are past the point of saving, you need to walk away.ā Dean is obviously talking about himself, and Nick, maybe even John, THIS LINE IS LAYERED.
So, why Mary? Why does Mary get kidnapped by creepy Nick? Well, Nick is chasing after the Demon that murdered his family, and is desperately seeking closure by any means necessary. Heās pretty much John, only with no regards for Human life.
In the same episode Dean brings up a memory of John not handling Maryās death well, Mary is confronted with a John mirror.
āThe more slow and bloody, the more chat.ā Nick agreeing to these terms, after describing his own wife and childās murders asĀ ābloody, brutal, slowā shows Nick has become the very thing he hunts. I mean, we knew this the moment he hammered his neighbor, but whatever.Ā
Things we know for certain: Billie gave Dean fuck-all to work with at the end of āNihilismā. Dean claims in 14X11 she gave him the recipe, when everything Mary looked through in the shed earlier came from books Dean got from the bunker. Not a single one of them resembled the book Billie gave him. Two options: the book was empty, or itās something worse and more vague.
Dean, I love you, but youāre an idiot. Remember how I said TFW sometimes acted like a bag of rocks? This, the entire plan to chuck himself into the ocean, when not even the Mark of Cain was safe there. I know everyone else has been making fun of that specific point, and how our boys never seem to learn, but, damn. Dean, please, love yourself. Can you, maybe just a bit?
Pretty please?
Anyway, I loved this episode. The past two episodes have renewed my optimism for s14ā²s main plot, and iām so happy about that.Ā
Let me know what you guys thought! Did you like it? Did you hate it? Tell me about it!











