Mar 16, 2023
My interpretation of Nessie and the Memphremagog Lake Monster (they’re sisters to me) as a gift to a coworker.
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My interpretation of Nessie and the Memphremagog Lake Monster (they’re sisters to me) as a gift to a coworker.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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25. July, 2024 - Six Views from Shattuck Hill
Derby Line, Vermont. Infrared photos taken on a very hot day.
15.April 2023 - A Drawing Made on World Art Day
A small drawing for a painting. 6x6 inches/15.25x15.25 cm. It’s been a long time since I created something like this - three years.
2023.14.February - A Blueness like Yves Klein
It’s very difficult to photograph something so blue that it practically glows. I am creating works using my handcrafted, home-brewed answer to Klein’s famous International Klein Blue; IKB for short. My signature hue is named after a nearby lake. Memphremagog Blue - that’s what I’m up to.
20 March 2020 - Memphremagog Blue: Test
International Klein Blue (IKB), but not really. This is a top secret, modern, proprietary alternative to Yves Klein’s famous signature hue. I created this, making it my signature hue - and I created just in time for my birthday.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
April 20, 2020: At last . . . Memphremagog Blue!
Like most people who have been self-isolating since the pandemic arrived, I’ve been trying to create a modern version of Yves Klein’s signature hue, International Klein Blue (IKB). It has to be stunningly blue, non-reflective, and have the intense glow of raw ultramarine powder. Like its ancestor, it needs to be a two-part formula: the pigment and the medium/binder it is mixed into so it can be applied. Anything else is just ultramarine paint.
I cracked the IKB code. Here is my signature hue, Memphremagog Blue, named after the lake in northern Vermont which I see out my window.
Here are a few panels using my super-secret, proprietary formula and my secret technique for creating the texture.
Honestly, if we can - with some effort and imagination - add colour to our lives, let’s do it.
16 March 2020: Third Group of Cyanotypes
23.11.2019; First Images from a Seventy-Two Year Old Camera
These are low resolution scans of photographs I took last week. One is a double exposure and the landscape shots show I need to bring out a tiny screwdriver, open my new Argus C3 camera, and adjust the focusing mechanism.
But, look! The camera (which I’ve named Dexter) absolutely works! The almost turquoise hues are wonderful. For now, I’m shooting with Kodak Gold film 200 ASA at 1/200th of a second with the camera set at f/16 - I’m following the famous the “Sunny 16 Rule,” for now; it works, too.
It’s like having to do math - which I’m no good at! It’s very, VERY manual camera. I have to set the shutter speed, adjust the aperture opening, figure out the focus, set and click the shutter, and then wind the film to the next frame.
Unlike digital, where I can shoot hundreds and thousands of images, with film I have to think, “Okay. I have only a few dozen frames. Is this really worth using film on?”
For someone who's completely used to digital, by now, it’s like being handed a kitten and being told, “This is yours - have fun figuring out how it works.”