Savannah, Georgia, September 2025
1957 Argus C3, Kentmere PAN 400
seen from Malaysia
seen from Yemen

seen from United States
seen from China
seen from United States
seen from China

seen from Malaysia
seen from Russia

seen from United Kingdom

seen from Singapore
seen from China
seen from United States
seen from United States
seen from Yemen
seen from United States
seen from Armenia

seen from United States

seen from United States

seen from United States
seen from Malaysia
Savannah, Georgia, September 2025
1957 Argus C3, Kentmere PAN 400

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Savannah, Georgia, September 2025
1957 Argus C3, Kentmere PAN 400
stepped river
Summer 2020, Portland Oregon
Camera: Argus C3
Film: Kodak Ektar 100, 35mm
Alissa, 2017
Digging through the annals of history this morning. Why did I stop doing these double exposures? Here’s what I remember. Alissa is someone I love working with on so many levels, not the least of which is that the work we’ve made together is so consistently unique and amazing. I also remember using my Argus C3 for this because that camera is so easy to take a double exposure with you’re likely to do it on accident once or twice a roll anyway. I remember that this was the first shoot for Lazy Jane and more or less to date it’s the only time I used a studio to shoot this series, I hauled a lot of props into that space to give it a lived in look. I don’t know why I don’t take as many double exposures as I once did, I’m going to get back to that. This is one of just two times I’ve shot with Portra 160, and the only time I’ve developed it at box speed.

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Marina Raggobeer in front of a municipal salt pit in Maspeth, Queens, NY
Shot on the Argus C3 camera
provincetown film, 2/2
Mothman Festival 2019 (Shot on Argus C3)